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Published by Peter Lang, Bern, 2015
ISBN 10: 3034317824ISBN 13: 9783034317825
Seller: PsychoBabel & Skoob Books, Didcot, Oxfordshire, OXON, United Kingdom
Book
Paperback. Condition: New. Paperback in like new condition. Unused shopstock with minor shelfwear, no faults. AD. Used.
Published by Peter Lang, Oxford, 2015
ISBN 10: 3034317824ISBN 13: 9783034317825
Seller: Black Swan Books, Inc., Lexington, KY, U.S.A.
Book First Edition
Paperback. Condition: Fine. First Edition. Illustrations in color and black-and-white. Not an ex-library copy. No remainder marks. No names or marks in the text. Most books shipped within 24 hours. All books mailed with Delivery Confirmation in a heavy cardboard box. Fine condition. Selling Used and Rare books on line since April 1998 and from our bookstore in the heart of the Bluegrass since 1984. ; Cultural Interactions. Studies in the Relationship between the Arts; Color and black-and-white illustrations; 8vo.; vii, 289 pages.
Published by Peter Lang Ltd. International Academic Publishers Dez 2014, 2014
ISBN 10: 3034317824ISBN 13: 9783034317825
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Book Print on Demand
Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -As a uniquely hybrid form of artistic output, straddling music and theatre and high and popular culture, opera offers vast research possibilities not only in the field of music studies but also in the fields of media and cultural studies. Using the exotic legacy of the fin-de-siècle as its primary lens, this volume explores the shifting relationships between the multimedia genre of opera and the rapidly changing world of visual cultures. It also examines the changing aesthetics of opera in composition and performance and historical (dis)continuity, including the postcolonial era. The book comprises eleven interdisciplinary essays by scholars from eight countries, researching in music, theatre, literature, film and media studies, as well as a special contribution by opera director Sir Jonathan Miller. The book begins with an examination of operatic exoticism in various cultural contexts, such as French, Latin American and Arabic culture. The next sections focus on the most beloved figures in opera performance - Salome, Madame Butterfly and Aida - and performances of these operas through history. Further interpretations of the operas in film and new media are then considered. In the final section, Sir Jonathan Miller reflects on the 'afterlife' of opera. 289 pp. Englisch.
Published by Peter Lang AG, Internationaler Verlag der Wissenschaften, 2014
ISBN 10: 3034317824ISBN 13: 9783034317825
Seller: Buchpark, Trebbin, Germany
Book
Condition: Gut. Gebrauchs- und Lagerspuren. Außen: Knick. 25552948/3.
Published by Peter Lang, 2014
ISBN 10: 3034317824ISBN 13: 9783034317825
Seller: AHA-BUCH GmbH, Einbeck, Germany
Book
Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - As a uniquely hybrid form of artistic output, straddling music and theatre and high and popular culture, opera offers vast research possibilities not only in the field of music studies but also in the fields of media and cultural studies. Using the exotic legacy of the fin-de-siècle as its primary lens, this volume explores the shifting relationships between the multimedia genre of opera and the rapidly changing world of visual cultures. It also examines the changing aesthetics of opera in composition and performance and historical (dis)continuity, including the postcolonial era. The book comprises eleven interdisciplinary essays by scholars from eight countries, researching in music, theatre, literature, film and media studies, as well as a special contribution by opera director Sir Jonathan Miller. The book begins with an examination of operatic exoticism in various cultural contexts, such as French, Latin American and Arabic culture. The next sections focus on the most beloved figures in opera performance - Salome, Madame Butterfly and Aida - and performances of these operas through history. Further interpretations of the operas in film and new media are then considered. In the final section, Sir Jonathan Miller reflects on the 'afterlife' of opera.