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Published by MIT Press, 2016
ISBN 10: 0262034751ISBN 13: 9780262034753
Seller: Book Dispensary, Concord, ON, Canada
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Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. VERY GOOD hardcover in VERY GOOD dust jacket, no marks in text, tight binding, clean exterior. Book.
Published by MIT Press, 2016
ISBN 10: 0262034751ISBN 13: 9780262034753
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Hardcover, missing dustjacket, 930 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.
Published by The MIT Press, 2016
ISBN 10: 0262034751ISBN 13: 9780262034753
Seller: Your Online Bookstore, Houston, TX, U.S.A.
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hardcover. Condition: Good.
Published by The MIT Press, 2016
ISBN 10: 0262034751ISBN 13: 9780262034753
Seller: Books Puddle, New York, NY, U.S.A.
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Condition: New. pp. 864.
Published by The MIT Press, 2016
ISBN 10: 0262034751ISBN 13: 9780262034753
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Condition: Good. Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting.
Published by The MIT Press, 2016
ISBN 10: 0262034751ISBN 13: 9780262034753
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Condition: As New. Unread book in perfect condition.
Published by The MIT Press, 2016
ISBN 10: 0262034751ISBN 13: 9780262034753
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Published by The MIT Press, 2016
ISBN 10: 0262034751ISBN 13: 9780262034753
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Published by The MIT Press, 2016
ISBN 10: 0262034751ISBN 13: 9780262034753
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Published by MIT Press, 2016
ISBN 10: 0262034751ISBN 13: 9780262034753
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HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Published by The MIT Press, 2016
ISBN 10: 0262034751ISBN 13: 9780262034753
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Condition: New.
Published by The MIT Press, 2016
ISBN 10: 0262034751ISBN 13: 9780262034753
Seller: GreatBookPricesUK, Castle Donington, DERBY, United Kingdom
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Condition: As New. Unread book in perfect condition.
Published by Mit Pr, 2016
ISBN 10: 0262034751ISBN 13: 9780262034753
Seller: Revaluation Books, Exeter, United Kingdom
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Hardcover. Condition: Brand New. 1st edition. 930 pages. 9.50x7.25x1.50 inches. In Stock.
Published by The MIT Press, 2016
ISBN 10: 0262034751ISBN 13: 9780262034753
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Published by MIT Press, 2016
ISBN 10: 0262034751ISBN 13: 9780262034753
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HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Published by MIT Press Ltd Okt 2016, 2016
ISBN 10: 0262034751ISBN 13: 9780262034753
Seller: AHA-BUCH GmbH, Einbeck, Germany
Book
Buch. Condition: Neu. Neuware - Critical analyses, case studies, and artist interviews examine works of art that are realized with the physical involvement of the viewer.How are we to understand works of art that are realized with the physical involvement of the viewer A relationship between a work of art and its audience that is rooted in an experience that is both aesthetic and physical Today, these works often use digital technologies, but artists have created participatory works since the 1950s. In this book, critics, writers, and artists offer diverse perspectives on this kind of practicable art that bridges contemplation and use, discussing and documenting a wide variety of works from the last several decades. The contributors consider both works that are technologically mediated and those that are not, as long as they are characterized by a process of reciprocal exchange.The book offers a historical frame for practicable works, discussing, among other things, the emergence and influence of cybernetics. It examines art movements and tendencies that incorporate participatory strategies; draws on the perspectives of the humanities and sciences; and investigate performance and exhibition. Finally, it presents case studies of key works by artists including and offers interviews with such leading artists and theoreticians asClaire Bishop,Thomas Hirschhorn, Matt Adams of Blast Theory,Seiko Mikamiand Bruno Latour. Numerous illustrations of artists and their works accompany the text.ContributorsMatt Adams (Blast Theory), Jean-Christophe Bailly, Samuel Bianchini, Claire Bishop, Jean-Louis Boissier, Nicolas Bourriaud, Christophe Charles, Valérie Châtelet, Jean-Pierre Cometti, Sarah Cook, Jordan Crandall, Dominique Cunin, Nathalie Delbard, Anna Dezeuze, Diedrich Diederichsen, Christophe Domino, Larisa Dryansky, Glória Ferreira, Jean-Paul Fourmentraux, Gilles Froger, Masaki Fujihata, Jean Gagnon, Katrin Gattinger, Jochen Gerz, Piero Gilardi, Véronique Goudinoux, Usman Haque, Helen Evans and Heiko Hansen (HeHe), Jeppe Hein, Thomas Hirschhorn, Marion Hohlfeldt, Pierre-Damien Huyghe, Judith Ickowicz, Eric Kluitenberg, Janet Kraynak, Bruno Latour, Christophe Leclercq, Frédérik Lesage, Rafael Lozano-Hemmer, Peter Lunenfeld, Lawrence Malstaf, Julie Martin, Seiko Mikami, Dominique Moulon, Hiroko Myokam, Ernesto Neto, Mayumi Okura, Eddie Panier, Françoise Parfait, Simon Penny, Daniel Pinkas, Chantal Pontbriand, Emanuele Quinz, Margit Rosen, Alberto Sánchez Balmisa, Frederik Schikowski, Arnd Schneider, Madeline Schwartzman, Luke Skrebowski, Vanessa Theodoropoulou, Rirkrit Tiravanija, Andrea Urlberger, Erik Verhagen, Franz Erhard Walther, Peter Weibel, Renate Wiehager, Catherine Wood, Giovanna Zapperi, Anne Zeitz, David ZerbibEdited bySamuel BianchiniandErik Verhagen with the collaboration ofNathalie DelbardandLarisa Dryansky.
Published by Mit Pr, 2016
ISBN 10: 0262034751ISBN 13: 9780262034753
Seller: Revaluation Books, Exeter, United Kingdom
Book
Hardcover. Condition: Brand New. 1st edition. 930 pages. 9.50x7.25x1.50 inches. In Stock.
Published by The MIT Press, 2016
ISBN 10: 0262034751ISBN 13: 9780262034753
Seller: GoldBooks, Denver, CO, U.S.A.
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Hardcover. Condition: new. New Copy. Customer Service Guaranteed.
Published by MIT Press Ltd, Cambridge, Mass., 2016
ISBN 10: 0262034751ISBN 13: 9780262034753
Seller: CitiRetail, Stevenage, United Kingdom
Book
Hardcover. Condition: new. Hardcover. Critical analyses, case studies, and artist interviews examine works of art that are realized with the physical involvement of the viewer.How are we to understand works of art that are realized with the physical involvement of the viewer? A relationship between a work of art and its audience that is rooted in an experience that is both aesthetic and physical? Today, these works often use digital technologies, but artists have created participatory works since the 1950s. In this book, critics, writers, and artists offer diverse perspectives on this kind of "practicable" art that bridges contemplation and use, discussing and documenting a wide variety of works from the last several decades. The contributors consider both works that are technologically mediated and those that are not, as long as they are characterized by a process of reciprocal exchange.The book offers a historical frame for practicable works, discussing, among other things, the emergence and influence of cybernetics. It examines art movements and tendencies that incorporate participatory strategies; draws on the perspectives of the humanities and sciences; and investigate performance and exhibition. Finally, it presents case studies of key works by artists including and offers interviews with such leading artists and theoreticians asClaire Bishop,Thomas Hirschhorn, Matt Adams of Blast Theory,Seiko Mikamiand Bruno Latour. Numerous illustrations of artists and their works accompany the text.ContributorsMatt Adams (Blast Theory), Jean-Christophe Bailly, Samuel Bianchini, Claire Bishop, Jean-Louis Boissier, Nicolas Bourriaud, Christophe Charles, Valerie Ch telet, Jean-Pierre Cometti, Sarah Cook, Jordan Crandall, Dominique Cunin, Nathalie Delbard, Anna Dezeuze, Diedrich Diederichsen, Christophe Domino, Larisa Dryansky, Gl ria Ferreira, Jean-Paul Fourmentraux, Gilles Froger, Masaki Fujihata, Jean Gagnon, Katrin Gattinger, Jochen Gerz, Piero Gilardi, Veronique Goudinoux, Usman Haque, Helen Evans and Heiko Hansen (HeHe), Jeppe Hein, Thomas Hirschhorn, Marion Hohlfeldt, Pierre-Damien Huyghe, Judith Ickowicz, Eric Kluitenberg, Janet Kraynak, Bruno Latour, Christophe Leclercq, Frederik Lesage, Rafael Lozano-Hemmer, Peter Lunenfeld, Lawrence Malstaf, Julie Martin, Seiko Mikami, Dominique Moulon, Hiroko Myokam, Ernesto Neto, Mayumi Okura, Eddie Panier, Fran oise Parfait, Simon Penny, Daniel Pinkas, Chantal Pontbriand, Emanuele Quinz, Margit Rosen, Alberto Sanchez Balmisa, Frederik Schikowski, Arnd Schneider, Madeline Schwartzman, Luke Skrebowski, Vanessa Theodoropoulou, Rirkrit Tiravanija, Andrea Urlberger, Erik Verhagen, Franz Erhard Walther, Peter Weibel, Renate Wiehager, Catherine Wood, Giovanna Zapperi, Anne Zeitz, David ZerbibEdited bySamuel BianchiniandErik Verhagen with the collaboration ofNathalie DelbardandLarisa Dryansky. Critical analyses, case studies, and artist interviews examine works of art that are realized with the physical involvement of the viewer. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Published by MIT Press, 2016
ISBN 10: 0262034751ISBN 13: 9780262034753
Seller: moluna, Greven, Germany
Book
Condition: New. Samuel Bianchini, an artist and researcher, is Associate Professor at the École Nationale Supérieure des Arts Décoratifs (EnsAD), PSL Research University Paris where he is the head of the Reflective Interaction Research Group of EnsadL.
Published by The MIT Press, 2016
ISBN 10: 0262034751ISBN 13: 9780262034753
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Book
Condition: New. Editor(s): Bianchini, Samuel; Verhagen, Erik. Series: Leonardo Book Series. Num Pages: 952 pages, 164 b&w illus. BIC Classification: ACXJ. Category: (P) Professional & Vocational. Dimension: 193 x 270 x 2. Weight in Grams: 1488. . 2016. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.
Published by MIT Press Ltd, Cambridge, Mass., 2016
ISBN 10: 0262034751ISBN 13: 9780262034753
Seller: AussieBookSeller, Truganina, VIC, Australia
Book
Hardcover. Condition: new. Hardcover. Critical analyses, case studies, and artist interviews examine works of art that are realized with the physical involvement of the viewer.How are we to understand works of art that are realized with the physical involvement of the viewer? A relationship between a work of art and its audience that is rooted in an experience that is both aesthetic and physical? Today, these works often use digital technologies, but artists have created participatory works since the 1950s. In this book, critics, writers, and artists offer diverse perspectives on this kind of "practicable" art that bridges contemplation and use, discussing and documenting a wide variety of works from the last several decades. The contributors consider both works that are technologically mediated and those that are not, as long as they are characterized by a process of reciprocal exchange.The book offers a historical frame for practicable works, discussing, among other things, the emergence and influence of cybernetics. It examines art movements and tendencies that incorporate participatory strategies; draws on the perspectives of the humanities and sciences; and investigate performance and exhibition. Finally, it presents case studies of key works by artists including and offers interviews with such leading artists and theoreticians asClaire Bishop,Thomas Hirschhorn, Matt Adams of Blast Theory,Seiko Mikamiand Bruno Latour. Numerous illustrations of artists and their works accompany the text.ContributorsMatt Adams (Blast Theory), Jean-Christophe Bailly, Samuel Bianchini, Claire Bishop, Jean-Louis Boissier, Nicolas Bourriaud, Christophe Charles, Valerie Ch telet, Jean-Pierre Cometti, Sarah Cook, Jordan Crandall, Dominique Cunin, Nathalie Delbard, Anna Dezeuze, Diedrich Diederichsen, Christophe Domino, Larisa Dryansky, Gl ria Ferreira, Jean-Paul Fourmentraux, Gilles Froger, Masaki Fujihata, Jean Gagnon, Katrin Gattinger, Jochen Gerz, Piero Gilardi, Veronique Goudinoux, Usman Haque, Helen Evans and Heiko Hansen (HeHe), Jeppe Hein, Thomas Hirschhorn, Marion Hohlfeldt, Pierre-Damien Huyghe, Judith Ickowicz, Eric Kluitenberg, Janet Kraynak, Bruno Latour, Christophe Leclercq, Frederik Lesage, Rafael Lozano-Hemmer, Peter Lunenfeld, Lawrence Malstaf, Julie Martin, Seiko Mikami, Dominique Moulon, Hiroko Myokam, Ernesto Neto, Mayumi Okura, Eddie Panier, Fran oise Parfait, Simon Penny, Daniel Pinkas, Chantal Pontbriand, Emanuele Quinz, Margit Rosen, Alberto Sanchez Balmisa, Frederik Schikowski, Arnd Schneider, Madeline Schwartzman, Luke Skrebowski, Vanessa Theodoropoulou, Rirkrit Tiravanija, Andrea Urlberger, Erik Verhagen, Franz Erhard Walther, Peter Weibel, Renate Wiehager, Catherine Wood, Giovanna Zapperi, Anne Zeitz, David ZerbibEdited bySamuel BianchiniandErik Verhagen with the collaboration ofNathalie DelbardandLarisa Dryansky. Critical analyses, case studies, and artist interviews examine works of art that are realized with the physical involvement of the viewer. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Published by The MIT Press, 2016
ISBN 10: 0262034751ISBN 13: 9780262034753
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Book First Edition
Condition: New. Editor(s): Bianchini, Samuel; Verhagen, Erik. Series: Leonardo Book Series. Num Pages: 952 pages, 164 b&w illus. BIC Classification: ACXJ. Category: (P) Professional & Vocational. Dimension: 193 x 270 x 2. Weight in Grams: 1488. . 2016. 1st Edition. Hardcover. . . . .