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Paperback. Condition: Fine. Dust Jacket Condition: No dust jacket. Edward Ruscha (illustrator). First edition. 8vo. 206pp. The Paris Review is a literary magazine featuring original writing, art, and in-depth interviews with famous writers. This issue contains interviews with John Cheever and John Hall Wheelock as well as work by Maxine Kumin, David Ignatow, and Aram Saroyan. The cover is by Edward Ruscha.
Published by Verlag Schnell and Steiner, 1998
ISBN 10: 3795412064ISBN 13: 9783795412067
Seller: ANARTIST, New York, NY, U.S.A.
Book
Softcover, 256 pages; in German; very good condition; no internal marks, clean and crisp.
Published by The San Francisco Earthquake, San Francisco, 1968
Magazine / Periodical First Edition
Paperback. 96p., poetry, articles, fiction, art and photography, very good trade paperback literary/arts journal in pictorial wraps with Roy Lichtenstein cover. Includes Carl Solomon's piece "On Learning of the Death of Neal Cassidy" with photo of Neal. Solomon was of course the mad poet on whom Ginsberg built his "Howl". Also Ginsberg's "Pentagon Exorcism".
Published by NY: Whitney Museum, 2004., 2004
Seller: Skyline Books, Forest Knolls, CA, U.S.A.
First Edition
Hardbound in cloth-covered boards. First edition. Foreword by Adam D. Weinberg. Beautiful illustrations throughout handsomely printed on heavy matte paper. Includes essays, an index of works, plus biographical and bibliographical information. Published on the occasion of an exhibition. As new.
Published by Edward Tyler Nahem Fine Art, 2016
ISBN 10: 0996918116ISBN 13: 9780996918114
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: As New. Unread book in perfect condition.
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Published by Artspace: Albuquerque, NM, 1990, 1990
Seller: Laurence McGilvery, ABAA/ILAB, La Jolla, CA, U.S.A.
Cover by Ed Ruscha, with article by Dave Hickey, "Ed Ruscha: the song of the giant egress" (pp. 28-31). Profusely illustrated. 68 pp. 27.6 x 21.4 cm. Other articles on Paul Schimmel, Linda Ridgway, Connie Hatch, Elliott Norquist, Michael McMillen, Hans Burkhardt, Constance De Jong, Judie Bamber, Mary Kelly, and Native American subjects. **Free domestic shipping with direct order.
Published by Artspace: Albuquerque, NM, 1990, 1990
Seller: Laurence McGilvery, ABAA/ILAB, La Jolla, CA, U.S.A.
Cover by Ed Ruscha, with article by Dave Hickey, "Ed Ruscha: the song of the giant egress" (pp. 28-31). Profusely illustrated. 68 pp. 27.6 x 21.4 cm. Other articles on Paul Schimmel, Linda Ridgway, Connie Hatch, Elliott Norquist, Michael McMillen, Hans Burkhardt, Constance De Jong, Judie Bamber, Mary Kelly, and Native American subjects.
Published by James Howe Gallery, Kean College of New Jersey Union, NJ, 1992
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
22 pp.; 19.1 x 19.2 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held February 20 - March 19, 1992. Curated and with text by Lewis Kachur. Additional text by Chris Campbell Sholander. Artists include Eric Bulatov, Lesley Dill, Edward Henderson, Jenny Holzer, Robert Indiana, Allan Kaprow, Svetlana Kopystiansky, M.M. Lum, Bruce Nauman, Claes Oldenburg, Archie Rand, Ed Ruscha, Robert Smithson, Mark Tansey, and Christopher Wool. Includes an exhibition checklist. Very Good. Rubbing and slight creasing of covers and light yellow staining of verso. Contents are clean and unmarked.
Published by San Francisco: The San Francisco Earthquake, 1968
Seller: Philip Smith, Bookseller, Berkeley, CA, U.S.A.
First Edition
Soft cover. Condition: Fine. 1st edition. Near Fine. 8vo, 96pp, printed wrappers. Uncommon fourth issue of this late 1960s San Francisco underground magazine, includes writing by William S. Burroughs (Schottlaender C214 / Shoaf III-123, includes a full-page portrait of WSB), Ginsberg, Carl Solomon (poem on the death of Neal Cassidy) and others, a photo piece by Edward Ruscha, a Sinclair Beiles/Annie Rooney collaboration, a Roy Lichtenstein cover, much else. Solid unmarked copy with a little outer rubbing. Not Signed.
Published by San Francisco, 1964, 1964
Seller: Laurence McGilvery, ABAA/ILAB, La Jolla, CA, U.S.A.
In 1963, when Ed Ruscha published Twentysix Gasoline Stations, his first book, he sent two copies to the U.S. Copyright Office, one to establish copyright, the other destined for the collection of the Library of Congress. Great! Recognition for the young artist. As you might imagine, LC receives a great deal of copyright material that it cannot store forever: commercial catalogues, advertising material, and many self-published books, among others. Jennings Wood, Chief, Exchange and Gift Division, sent Ed a very polite letter on October 2, 1963, as follows: "Dear Mr. Ruscha: I am, herewith, returning this copy of Twentysix Gasoline Stations, which the Library of Congress does not wish to add to its collection. We are, nevertheless, deeply grateful for your thoughtful consideration of our interests." What a blow! Ed turned this seeming setback into one of the wittiest pieces ever to appear in Artforum: a five-inch display ad on p. 55 of the March 1964 issue (volume 2, number 9). The following text accompanies a photograph of a hand holding the book: "REJECTED Oct. 2, 1963 by the Library of Congress Washington 25, D.C. copies available @ $3.00, National Excelsior 2351-1/2 Vestal Avenue Los Angeles 26, Calif. Wittenborn & Company 1018 Madison Avenue New York 21, New York." A facsimile copy of this letter accompanies the issue. This is item M6 in Edward Ruscha: editions 1959-1989 (Minneapolis: Walker Art Center, 1999). LC still does not own a copy of any edition of Twentysix Gasoline Stations, by the way. Later, Ruscha did layout and design work for Artforum, including the superbly inventive cover for the Surrealism issue, September 1966, volume 5, number 1 (see separate listing). Several pristine copies available of this rare, March 1964 issue of Artforum. Richly illustrated (no color this early). 60 pp. 27 x 26.5 cm (about 11 inches square). Cover by Larry Rivers. Includes articles on recent American ceramic art (Voulkos, etc.), Shiko Munakata, Pop Art in Canada, and, most notably, John Coplans on Wallace Berman. **Free domestic shipping with direct order.
Published by NY & Gottingen: Whitney Museum & Steidl, [2004]., 2004
Seller: Skyline Books, Forest Knolls, CA, U.S.A.
First Edition
4to. Quarter-bound in cloth and paper-covered boards. First edition. Splendid overview of Rucha's accomplishments as a photographer, featuring quality reproductions of images from all his photographic books, including 16 photos from Twenty-six Gasoline Stations not included in the original book. Other previously unpublished material includes photos from a 1961 trip through Europe. Features a long interview with Ruscha, and more. As new in shrinkwrap.
Published by Verlag der Buchhandlung Walther König, Köln (Cologne), 2000
ISBN 10: 3883754315ISBN 13: 9783883754314
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
Book First Edition
Hardcover. Condition: Fine. 1st Edition. First edition, first printing. Hardcover. Photographically illustrated laminated paper-covered boards, no dust jacket as issued. Paintings by Ed Ruscha. Edited by Philomene Magers. Includes texts (in English and German) by Thomas Demand and Diedrich Diederichsen and biographical notes, including a detailed bibliography of artist's books by Ruscha (with publication dates, edition sizes, etc). 80 pp., with 22 four-color plates. 8 x 10-1/4 inches. This first edition was limited to 1500 hardbound copies. Out of print. Fine (with slight rubbing to front cover).
Published by 2023, 2023
ISBN 10: 163345150XISBN 13: 9781633451506
Book
Cherix, Christophe (ed.). ED RUSCHA / Now Then: A Retrospective. 340 pages, including 265 color plates. Folio, cloth. New York, Museum of Modern Art, 2023. Spanning 65 years of Ed Ruscha's remarkable career and mirroring his own cross-disciplinary approach, Ed Ruscha / Now Then features over 250 objects, produced from 1958 to the present, including paintings, drawings, prints, films, photographs, artist's books and installations. Published to accompany the most comprehensive presentation of the artist's work to date, and his first solo exhibition at the Museum of Modern Art.
Published by Kunsthalle / Museum am Ostwall, Bern / Dortmund ., 1970
Seller: Galerie Buchholz OHG (Antiquariat), Köln, Germany
First Edition
Softcover. Condition: Good. 50 S., zahl. s/w Abb., kart., 26 x 23 cm. Aussen berieben u. etwas wellig. Darüber hinaus in guter Erhaltung.
Seller: 5Uhr30, Köln, Germany
Book First Edition
Condition: Wie neu. Steidl, Göttingen, 2004. First edition, first printing. New, mint, unread; still originally shrink-wraped in publisher`s plastic foil. Clothbound hardcover with a white foil embossing. 280 x 280 mm. 260 pages. 204 colour plates. Text in english. Perfect condition! Collector`s copy! "Showcases Ed Ruscha s singular vision and his wide range of highly personal mediums and techniques from pastels and gunpowder to blood, coffee, and tobacco stains. Ed Ruscha s work includes paintings, photographs, prints, books, and films, but his unique works on paper are perhaps his richest vein. Through his interpretations of cultural icons and vernacular subjects such as the Hollywood sign, trademarks, and gas stations, as well as his renderings of words and phrases in countless stylistic variations, Ruscha proposes a modern landscape based on keen observation and wry humor." Ed Ruscha is also famous for excellent artist and photo books like Twentysix Gasoline Stations, Various Small Fires, Some Los Angeles Apartments, Thirtyfour Parking Lots, Some Los Angeles Apartments, Nine Swimming Pools and A Broken Glass and Every Building on the Sunset Strip.***************Steidl, Göttingen, 2004. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweisst in der Plastikfolie des Verlags. Hardcover ohne Umschlag (nur so erschienen). 280 x 280 mm. 260 Seiten. 204 farbige Abbildungen. Text in englischer Sprache. Perfekter Zustand! Sammler-Exemplar! Das Buch zeigt die Zeichnungen des Künstlers. Beeindruckend! Ed Ruscha ist auch berühmt für ausgezeichnete Künstlerbücher und Fotobücher wie Twentysix Gasoline Stations, Various Small Fires, Some Los Angeles Apartments, Thirtyfour Parking Lots, Some Los Angeles Apartments, Nine Swimming Pools and A Broken Glass und Every Building on the Sunset Strip. Sprache: Englisch Gewicht in Gramm: 1600.
Published by Van Abbemuseum, Eindhoven ., 1970
Seller: Galerie Buchholz OHG (Antiquariat), Köln, Germany
First Edition
Softcover. Condition: Good. 50 S., zahl. s/w Abb., kart. im Pergamin.-OU., 26 x 23 cm. Umschlag m. Randläsuren. Darüber hinaus in guter Erhaltung.
Published by Ostfildern-Rutt: Haatje Cantz, [2005]., 2005
Seller: Skyline Books, Forest Knolls, CA, U.S.A.
First Edition
Oblong 16mo. Softbound. First edition. Published on the occasion of the 51st Venice Biennale. Text by Joan Didion, Frances Starck, Donna De Salvo, and Linda Norden. Ten color reproductions. As new in publisher's shrink-wrap.
Seller: Antiquariaat A. Kok & Zn. B.V., Amsterdam, Netherlands
[New York], Gagosian Gallery & [Go ttingen], Steidl, [2016]. 599,[1] pp. Num. col. ills. Orig. hardcover (cloth). In orig. cardboard slipcase. 4to. - Slipcase very sl. rubbed.
Published by Musée d'Art Moderne de la Ville de Paris and the Pasadena Art Museum, Paris, 1967
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
First Edition
Soft cover. Condition: Near Fine. 1st Edition. First edition, first printing. Soft cover. Printed wrappers; no dust jacket as issued. Exhibition catalogue featuring work by Llyn Foulkes, Craig Kauffman, John McCracken and Ed Ruscha. 44 pp., with four-color and black-and-white plates. 9 x 7-3/4 inches. Scarce. Near Fine (moderate surface wear and creasing to the spine, else Fine). Published on the occasion of the 5th Paris Biennale and a subsequent exhibition at the Pasadena Art Museum.
Published by 2002, 2002
ISBN 10: 0262182203ISBN 13: 9780262182201
Book
Schwartz, Alexandria (editor). Leave Any Information at the Signal: Writings, Interviews, Bits, Pages. (ED RUSCHA). xviii and 455 pp., roughly 90 b&w illustrations. 8vo, cloth. Cambridge and London, MIT Press, 2002. This book documents the influential work of Ed Ruscha, featuring statements, letters and other writings, nearly 50 interviews, sketch book pages, word groupings, and other notes that chart how he develops ideas and solves artistic problems.
Published by REDCAT, 2003
Seller: Books on the Boulevard, Sherman Oaks, CA, U.S.A.
Paperback. Condition: Near Fine. Reprint. Color plates, Gerald Nordland essay. ; 8.4 X 5.9 X 0.7 inches; 64 pages.
Softcover. Condition: Fine. Dust Jacket Condition: No Dust Jacket. First Edition; First Printing. First edition. Exhibition catalogue. Fine in grey printed wrappers with white & orange titles. (Tiny speck of rubbing at base of front cover. ) (47pp. ) (9" X 10") ; 9" X 10"; 47 pages.
Published by Auckland City Art Gallery, Auckland, 1978
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
First Edition
Soft cover. Condition: Near Fine. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated wrappers; no dust jacket as issued. Prints, drawings, books, films and short story by Ed Ruscha. Preface by Henry Geldzahler. Introduction by Andrew Bogle. Includes a biography, selected exhibition history and selected bibliography. 152 pp., with 88 black-and-white plates and 5 tipped-in four-color plates, as well as numerous additional illustrations. 9 x 7-1/2 inches. Scarce. Near Fine (moderate wear to the extremities and a few surface indentations, else Fine). Published on the occasion of an exhibition at the Auckland City Art Gallery.
Published by Leo Castelli Gallery, New York, 1997
Seller: Winged Monkey Books, Arlington, VA, U.S.A.
First Edition
First Edition. Softcover, very good with light wear to covers, INSCRIBED by artist Ed Ruscha.
Condition: Wie neu. Steidl, Göttingen, 2006. First edition, first printing. New, mint, unread; still originally shrink-wrapped in publisher`s plastic foil. Clothbound flexible hardcover with a tipped-in photograph. 205 x 255 mm. 184 pages. 214 illustrations. Text in english. Perfect condition! Collector`s copy! "Although known for his paintings and drawings, California artist Ed Ruscha has also attracted critical attention for his photography. A new exhibition and accompanying catalogue, Ed Ruscha, Photographer, depart from earlier books to explore how the artist`s different disciplines - painting, drawing, printmaking, and photography - are guided and shaped by a single vision. Ruscha`s relationship to photography is complex and ambivalent, and the work is difficult to define. He has referred to this photography as a "hobby" but from the outset it has drawn considerable critical interest. the small books of photographs that ruscha produced in the sixties and seventies earned him a reputation as an underground artist among his peers, and have influenced subsequent generations of artists in Europe and North America. The photographs were snapshot size, with an amateurish quality that intrigued his contemporaries. Neither purely documentary nor solely artistic, their subject matter was stereotypical and bnal, with motifs drawn from sites in Southern California or the western United States. This, combined with their serial presentation, created a mythical road-movie or photo-novel effect with Beat Generation innuendos and inspired interest among artists at a time when serial logic was prominent in Pop art and Minimalism, and later in Conceptual art. this Volume, "Ed Ruscha, Photographer", is produced in cojunction with a traveling exhibition to be shown n Europe in 2006, organized by The Witney Museum of American Art, New York. The exhibition photographs have been selected from the collections of the Whitney and the artist by independent curator Margit Rowell, who is also the author of the publication." (from the publisher). Ed Ruscha was born in Omaha, Nebraska in 1937 and grew up in Oklahoma City, Oklahoma from 1941 to 1956. He moved to Los Angeles, California and attended Chouinard Art Institute from 1956 to 1960. His work has been exhibited internationally and is represented in major museums and private collections throughout the world. In 2001, Ruscha was elected to The American Academy of Arts & Letters as a member of the Department of Art. He was chosen by the U.S. Department of State to represent the United States at the 2005 Venice Biennale. Ed Ruscha is famous for excellent artist and photo books like Twentysix Gasoline Stations, Various Small Fires, Some Los Angeles Apartments, Thirtyfour Parking Lots, Some Los Angeles Apartments, Nine Swimming Pools and A Broken Glass and Every Building on the Sunset Strip.***************Steidl, Göttingen, 2006. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweißt in der Plastikfolie des Verlags. Hardcover in Leinen mit einer eingelassenen Fotografie. 205 x 255 mm. 184 Seiten. 214 Abbildungen. Text in englisch. Perfekter Zustand! Sammler-Exemplar! Ed Ruscha wurde 1937 in Omaha/Nebraska geboren und wuchs in Oklahoma auf. Er studierte am Chouinard Art Institute in Los Angeles. Sein Werk wird weltweit ausgestellt und ist Bestandteil vieler bedeutender Museen und Sammlungen. Ed Ruscha, der an vier Documenta-Ausstellungen teilnahm, ist Mitglied der American Academy of Arts and Letters. Er lebt in Los Angeles. Ed Ruscha ist berühmt für ausgezeichnete Künstlerbücher und Fotobücher wie Twentysix Gasoline Stations, Various Small Fires, Some Los Angeles Apartments, Thirtyfour Parking Lots, Some Los Angeles Apartments, Nine Swimming Pools and A Broken Glass und Every Building on the Sunset Strip. Sprache: Englisch Gewicht in Gramm: 1600.
Seller: 5Uhr30, Köln, Germany
Book First Edition
Condition: Wie neu. Bucher, 1972. First edition, first printing. Softcover. 220 x 290 mm. 52 pages. Very scarce and brilliant printed magazine with 10 pages about the Bechers and 10 pages about Ed Ruscha. Very important and very early publication about these 2 famous artists with many photos. Condition: No flaws, no defects. Great copy! The Bechers are famous for their artist books (Martin Parr, The Photobook, vol 2, page 268/269). The Bechers - maker of " Anonyme Skulpturen " (Martin Parr, The Photobook vol 2, page 266). The Bechers - famous for the " Becher-Class " or " Becher - School ". The Bechers - Teacher of Andreas Gursky, Thomas Struth , Candida Höfer , Thomas Struth and others.***************Bucher, 1972. Deutsche Erstausgabe. Originalausgabe. Softcover. 220 x 290 mm. 52 Seiten. Sehr seltenes und überragend gedrucktes Magazin mit jeweils 10 Seiten über die Bechers und Ed Ruscha. Sehr wichtige und frühe Publikation über diese beiden weltberühmten Künstlers. Zustand: minimalst benutzt; keine Mängel. Toll erhalten! Die Bechers sind berühmt für ihre Künstlerbücher (Martin Parr, The Photobook, vol 2, Seite 268/269). Die Bechers - die Macher der " Anonyme Skulpturen " (Martin Parr, The Photobook vol 2, Seite 266). Die Bechers - berühmt für die "Becher-Klasse" or "Becher-Schule". Die Bechers - Lehrer von Andreas Gursky, Thomas Struth , Candida Höfer , Thomas Struth und anderen. Sprache: Deutsch Gewicht in Gramm: 1600.
Seller: 5Uhr30, Köln, Germany
Book First Edition
Condition: Wie neu. Steidl, Gottingen. Co-published by Gagosian Gallery. 2005. First edition, first printing. New, mint, unread; still originally shrink-wrapped in publisher`s plastic foil. Clothbound hardcover with alufin-mat debossed and stamped front and spine in slipcase. 241 x 292 mm. 408 pages. 304 colour plates, 13 black & white plates. With essays by Peter Wollen and Reyner Banham. Text in english. Perfect condition! Collector`s copy! "The Catalogue Raisonné of Paintings of Ed Ruscha is a six-volume series of books co-published by Steidl and Gagosian Gallery. This is the second volume, which contains entries on 178 paintings completed between 1971 and 1982 - from the artist`s crisis at the onset of the seventies, when he quits painting pictures, to his first major museum retrospective, which opened in March 1982 at the San Francisco Museum of Modern Art. The catalogue includes a comprehensive exhibition history, bibliography and biographical chronology, as well as a preface by the editor Robert Dean, an essay by UCLA film historian Peter Wollen examining Ruscha`s use of color as it relates to his use of language, and an essay by the late Reyner Banham." (from the publisher) Ed Ruscha was born in Omaha, Nebraska in 1937 and grew up in Oklahoma City, Oklahoma from 1941 to 1956. He moved to Los Angeles, California and attended Chouinard Art Institute from 1956 to 1960. His work has been exhibited internationally and is represented in major museums and private collections throughout the world. In 2001, Ruscha was elected to The American Academy of Arts & Letters as a member of the Department of Art. He was chosen by the U.S. Department of State to represent the United States at the 2005 Venice Biennale.***************Steidl, Göttingen. 2005. Deutsche Erstausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweisst in der Plastikfolie des Verlags. Hardcover in Leinen (wie erschienen) mit Schuber. 241 x 292 mm. 408 Seiten. 304 Farbabbildungen. 13 Abbildungen in schwarz-weiss. Text in englischer Sprache. Perfekter Zustand! Sammler-Exemplar! Ed Ruscha wurde 1937 in Omaha/Nebraska geboren und wuchs in Oklahoma auf. Er studierte am Chouinard Art Institute in Los Angeles. Sein Werk wird weltweit ausgestellt und ist Bestandteil vieler bedeutender Museen und Sammlungen. Ed Ruscha, der an vier documenta-Ausstellungen teilnahm, ist Mitglied der American Academy of Arts and Letters. Er lebt in Los Angeles. Sprache: Englisch Gewicht in Gramm: 1600.
Seller: 5Uhr30, Köln, Germany
Book First Edition
Condition: Wie neu. Steidl, Gottingen. 2008. Co-published with Gagosian Gallery, New York/Beverly Hills. First edition, first printing. New, mint, unread; still originally shrink-wrapped in publisher`s plastic foil. Clothbound hardcover with alufin-mat debossed and stamped front and spine in slipcase. 240 x 292 mm. 558 pages. Layout: Bruce Mau Design. Text in english. Perfect condition! Collector`s copy! "The Catalogue Raisonné of Paintings of Ed Ruscha is a six-volume series of books co-published by Steidl and Gagosian Gallery. This is the second volume, which contains entries on 178 paintings completed between 1971 and 1982 - from the artist`s crisis at the onset of the seventies, when he quits painting pictures, to his first major museum retrospective, which opened in March 1982 at the San Francisco Museum of Modern Art. The catalogue includes a comprehensive exhibition history, bibliography and biographical chronology, as well as a preface by the editor Robert Dean, an essay by UCLA film historian Peter Wollen examining Ruscha`s use of color as it relates to his use of language, and an essay by the late Reyner Banham." (from the publisher) Ed Ruscha was born in Omaha, Nebraska in 1937 and grew up in Oklahoma City, Oklahoma from 1941 to 1956. He moved to Los Angeles, California and attended Chouinard Art Institute from 1956 to 1960. His work has been exhibited internationally and is represented in major museums and private collections throughout the world. In 2001, Ruscha was elected to The American Academy of Arts & Letters as a member of the Department of Art. He was chosen by the U.S. Department of State to represent the United States at the 2005 Venice Biennale.***************Steidl, Göttingen. 2008. Deutsche Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweisst in der Plastikfolie des Verlags. Hardcover in Leinen (wie erschienen) mit Schuber. 240 x 292 mm. 558 Seiten. Buchgestaltung: Bruce Mau Design Inc. Text in englischer Sprache. Perfekter Zustand! Sammler-Exemplar! Ed Ruscha wurde 1937 in Omaha/Nebraska geboren und wuchs in Oklahoma auf. Er studierte am Chouinard Art Institute in Los Angeles. Sein Werk wird weltweit ausgestellt und ist Bestandteil vieler bedeutender Museen und Sammlungen. Ed Ruscha, der an vier documenta-Ausstellungen teilnahm, ist Mitglied der American Academy of Arts and Letters. Er lebt in Los Angeles. Sprache: Englisch Gewicht in Gramm: 1600.
Published by Gagosian Gallery, Beverly Hills, CA, 2003
ISBN 10: 1880154994ISBN 13: 9781880154991
Seller: Kensington Books, London, United Kingdom
Book First Edition
Soft cover. Condition: Fine. No Jacket. 1st Edition. Edward Ruscha - Seven Products, Twentyfive Apartments, Three Palm Trees, Six Rooftops and One Aerial Veiw, Gagosian Gallery 2003, 1st Soft Cover as issued. Slight wear to cover edges, otherwise in a Fine Condition.
Published by Kineticism Press., New York, 1973
First Edition
Softcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. First Edition; First Printing. First edition. Very good in stapled wrappers. (Trace of staining on front cover with a good deal more on rear cover. ) Unpaginated (80pp. ) (9 1/4" X 9 1/4") Features an interview with Edward Ruscha ".A KIND OF A HUH? ?" conducted by Willoughby Sharp. Plus ad for a French exhibition of Ruscha with photograph of "Texas Gallery" and inside front cover Leo Castelli Gallery ad with "EDWARD RUSCHA (ED-WERD REW-SHAY) YOUNG ARTIST" calling card. Also an interview with William Wegman conducted by Liza Bear. Wegman cover as well. 2 inserts present. Apart from the unfortunate stains on covers a pleasing copy of an obscure early piece. ; 9 1/4" X 9 1/4"; 80 pages.