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Published by New York, W.W. Norton, 1987
ISBN 10: 0874270529ISBN 13: 9780874270525
Book First Edition
Softcover. Condition: Sehr gut. Dust Jacket Condition: Sehr gut. 1. Auflage. 213 pages with many coloured illustrations; with illustrated jacket.
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Published by NY: Whitney Museum of American Art, 1989
ISBN 10: 0393304396ISBN 13: 9780393304398
Seller: Lorrin Wong, Bookseller, Los Angeles, CA, U.S.A.
Book
255 pages plus Photography Credits, illustrated. Light diagonal crease on rear cover otherwise a clean, unmarked, complete very good paperback book in decorative wrappers (soft cover book).
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Published by Whitney Museum of American Art ; Norton, 1991
ISBN 10: 0393307727ISBN 13: 9780393307726
Seller: Katsumi-san Co., Cambridge, MA, U.S.A.
Book First Edition
Soft cover. Condition: Good. 1st Edition. Top of inside front cover has former ownership name of a noted photographer; volume has some wear; spine lettering is a bit faded; tight, text clean. 392 p., fully illustrated. Heavy volume. Oversize [otob: 60].
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Published by Whitney Museum of American Art in association with W.W. Norton & Company, New York, 1989
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition
First edition. Softcover. 255 pages. Text by Richard Armstrong, John G. Hanhardt, Richard Marshall, and Lisa Phillips. Includes information and color and black and white illustrations of works by Donald Baechler, Ross Bleckner, Chris Burden, Saint Claair Cemin, Robert Gober, April Gornik, Mike Kelley, Jeff Koons, Sherrie Levine, Brice Marden, Charles Ray, Ray Smith, William Wegman and Christopher Wool who is also featured on the covers. A near fine copy in wrappers with some minor wear and some creasing to the spine.
Published by New York: Whitney Museum of American Art., 1991
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Manuscript / Paper Collectible
Condition: Good. 8vo. 255 pp., Soft Covers. Good with minor edge wear. Ex Library. Color and B/W Plates and Photographs.
Whitney Museum of American Art de New York. 1991. 1 vol in-4. Broché. 391 pages. Illustrations en noir et blanc et en couleurs hors texte. Bon état.
Published by New York: Whitney Museum of American Art., 1991
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Manuscript / Paper Collectible
Condition: Good. 8vo. 296 pp., Soft Covers. Very Good with minor edge wear. Color and B/W Plates and Photographs.
Published by New York: Whitney Museum of American Art., 1991
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condition: Good. 8vo. 391 pp., Trade Paperback, Very Good, covers slightly bowed. Color Plates.
Paperback. Condition: Good. pp. 391 English.
Published by Whitney Museum of American Art, New York, 1990
ISBN 10: 0874270693ISBN 13: 9780874270693
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Book First Edition
Paperback. Condition: Very Good. 1st. 355 pages, illustrations (some colour); 29 cm. Catalogue of an exhibition held at the Whitney Museum of American Art, New York, from February 20 through June 3, 1990. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps. OVERSIZE! No priority/international, except by arrangement. Profusely illustrated. CONTENTS: Between geometry and gesture, by Richard Armstrong; Postminimalism: an Argentine glance, by Robert Pincus-Witten; Beyond illusion: American film and video art 1965-75, by John G. Hanhardt; New York letter; Eccentric abstraction, by Lucy R. Lippard; The art of Bruce Nauman, by Fidel A. Danieli; New York: Eva Hesse, Fischbach Gallery, by Emily Wasserman; Anti form, by Robert Morris; 9 in a warehouse: an attack on the status of the object, by Max Kozloff; Robert Morris presents anti-form: the Castelli Warehouse Show, by Gre goire Mu ller; Barry Le Va: distributional sculpture, by Jane Livingston; Cayuga Salt mine site, by Robert Smithson; Richard Serra: slow information, by Robert Pincus-Witten; New York: Alan Saret, Bykert Gallery, by Emily Wasserman; Keith Sonnier: materials and pictorialism, by Robert Pincus-Witten. New York: process, Whitney Museum; Theodoron Awards, Guggenheim, by Emily Wasserman; Notes on sculpture, Part 4: beyond objects, by Robert Morris; An interview with Eva Hesse, by Cindy Nemser; The art of Richard Tuttle, by Robert Pincus-Witten; PheNAUMANology, by Marcia Tucker; New York: Richard Serra, Castelli Warehouse, by Philip Leider; Alan Saret's studio exhibition, by Emily Wasserman; New York: Keith Sonnier, Castelli, by Robert Pincus-Witten; Eva Hesse: the circle, by Lucy R. Lippard; Bruce Nauman, by Willoughby Sharp; Keith Sonnier at the Modern, by Kenneth Baker; The real thing, by Barbara Rose; Robert Smithson's development, by Lawrence Alloway; Wire/pencil/shadow: elements of Richard Tuttle, by Ellen Lubell; Reviews: Richard Tuttle at Betty Parsons, by Lizzie Borden; Richard Serra: sculpture redrawn, by Rosalind E. Krauss. Foam structures, by Klaus Kertess; Joel Shapiro: works in progress, by Jeremy Gilbert-Rolfe; Lynda Benglis: the frozen gesture, by Robert Pincus-Witten; Reviews: Lynda Benglis, the Clocktower, by Jeremy Gilbert-Rolfe; Reviews: Joel Shapiro, Paula Cooper Gallery, by James Collins; Barry Le Va: the invisibility of content, by Robert Pincus-Witten; Reviews: Lynda Benglis, by Thomas Hess. Size: 4to.