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Published by CreateSpace Independent Publishing Platform, 2017
ISBN 10: 1974370224ISBN 13: 9781974370221
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.
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Published by CreateSpace Independent Publishing Platform, 2011
ISBN 10: 1442141018ISBN 13: 9781442141018
Seller: SecondSale, Montgomery, IL, U.S.A.
Book
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Published by CreateSpace Independent Publishing Platform, 2013
ISBN 10: 1484884493ISBN 13: 9781484884492
Seller: ZBK Books, Carlstadt, NJ, U.S.A.
Book
Condition: good. Pages and cover are intact. Used book in good and clean conditions. Limited notes marks and highlighting may be present. May show signs of normal shelf wear and bends on edges. Item may be missing CDs or access codes. May include library marks.
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Published by CreateSpace Independent Publishing Platform, 2009
ISBN 10: 1449505716ISBN 13: 9781449505714
Seller: SecondSale, Montgomery, IL, U.S.A.
Book
Condition: Very Good.
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Published by CreateSpace Independent Publishing Platform, 2010
ISBN 10: 1451520360ISBN 13: 9781451520361
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
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Published by CreateSpace Independent Publishi, 2009
ISBN 10: 1442140712ISBN 13: 9781442140714
Seller: HPB-Ruby, Dallas, TX, U.S.A.
Book
paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Published by CreateSpace Independent Publishing Platform, 2017
ISBN 10: 1974370321ISBN 13: 9781974370320
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Good. Used book that is in clean, average condition without any missing pages.
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Published by CreateSpace Independent Publishing Platform, 2010
ISBN 10: 1453625399ISBN 13: 9781453625392
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Good. Used book that is in clean, average condition without any missing pages.
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Published by CreateSpace Independent Publishi, 2017
ISBN 10: 1974371786ISBN 13: 9781974371785
Seller: Half Price Books Inc., Dallas, TX, U.S.A.
Book
paperback. Condition: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Published by Createspace Independent Publishing Platform, 2010
ISBN 10: 1453878246ISBN 13: 9781453878248
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Book
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.62.
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Published by Createspace Independent Publishing Platform, 2017
ISBN 10: 1974370453ISBN 13: 9781974370450
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Book
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.4.
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Published by CreateSpace Independent Publishing Platform, 2017
ISBN 10: 1974372049ISBN 13: 9781974372041
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Book
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.7.
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Published by CreateSpace Independent Publishing Platform, 2017
ISBN 10: 1974468569ISBN 13: 9781974468560
Seller: booksXpress, Bayonne, NJ, U.S.A.
Book
Soft Cover. Condition: new.
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Published by CreateSpace Independent Publishing Platform, 2010
ISBN 10: 145150506XISBN 13: 9781451505061
Seller: Irish Booksellers, Portland, ME, U.S.A.
Book
Condition: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book.
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Published by Renaissance E-Books, Incorporated, 2011
ISBN 10: 1600893198ISBN 13: 9781600893193
Seller: TextbookRush, Grandview Heights, OH, U.S.A.
Book
Condition: Very Good. Ships SAME or NEXT business day. We Ship to APO/FPO addr. Choose EXPEDITED shipping and receive in 2-5 business days within the United States. See our member profile for customer support contact info. We have an easy return policy.
Published by Oxford University Press, 2000
Seller: Shore Books, London, United Kingdom
Magazine / Periodical
Soft cover. Condition: Very Good. 180 pages. Illustrated. Christopher Page "Around the performance of a 13th-century motet" / Magnus Williamson "Pictura et scriptura - the Eton Choirbook" / Klaus Pietschmann "A Renaissance composer writes to his patrons - Cristobal de Morales to Cosimo I de' Medici and Cardinal Alessandro Farnese" / Noel O'Regan "Tomas Luis de Victoria's Roman churches revisited" / Edmund A Bowles "Music in court festivals of State: festival books as sources for performance practices" / Edward Corp "Francois Couperin and the Stuart court at St-Germain-en-Laye, 1691-1712: a new interpretation" / Bernard D Sherman "Bach's notation of tempo and early music performance: some reconsiderations" / Eva Badura-Skoda "The Anton Walter fortepiano - Mozart's beloved concert instrument".
Published by Oxford University Press, 2007
Seller: Shore Books, London, United Kingdom
Magazine / Periodical
Soft cover. Condition: Very Good. 168 pages. Illustrated. Ruth Smith "Early music's dramatic significance in Handel's Saul" / Naomi J Barker "Un-discarded images: illustrations of antique musical instruments in 17th and 18th-century books, their sources and transmission" / Christopher Macklin "Approaches to the use of iconography in historical reconstruction, and the curious case of Renaissance Welsh harp technique" / Jane A Bernstein "Publish or perish? Palestrina and print culture in 16th-century Italy" / DonFader "Philippe II of d'Orleans's 'chanteurs italiens', the Italian cantata and the gouts-reunis under Louis XIV" / Alexandro Vera "Santiago de Murcia's Cifras Selectas de Guitarra (1722): a new source for the Baroque guitar" / Graham Pont "French overtures at the keyboard: the Handel tradition".
Published by Createspace Independent Publishing Platform, 2011
ISBN 10: 1466269995ISBN 13: 9781466269996
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Book
Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
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Published by CreateSpace Independent Publishing Platform, 2017
ISBN 10: 1546564535ISBN 13: 9781546564539
Seller: Revaluation Books, Exeter, United Kingdom
Book Print on Demand
Paperback. Condition: Brand New. 44 pages. 8.00x5.25x0.11 inches. This item is printed on demand.
Published by Second Renaissance Books, Oceanside, CA, 1993
Seller: Bloomsbury Books, Las Vegas, NV, U.S.A.
Book First Edition
Soft cover. Condition: As New. 1st Edition. Offered is "A Portrait of Ayn Rand: 1994 Calendar" published in 1993 by Second Renaissance Books out of Oceanside, California. An upper-stapled calendar measuring 11" by 8-1/2" and containing 28 pages including front and rear covers. Each calendar month for the 1994 year is accompanied by a splendid historical photograph of Ayn Rand to the upper leaf along with a quote from her writings. In mint condition.
Published by Renaissance Books / Kilmog Press, Dunedin, 2014
Seller: Renaissance Books, ANZAAB / ILAB, Dunedin, New Zealand
First Edition
Hardcover. Condition: New. Dust Jacket Condition: No Dust Jacket. First Edition. An edition of 21 copies, of which 6 are for sale. (120) pages. Page dimensions: 205 x 145mm. Papered boards with handset lettering on spine and front board. Illustrated. Bound by Kilmog Press, Dunedin. "Hardwicke Knight (1911-2008) worked as a medical photographer. Besides photography, his interests included history, travel, architecture, literature, painting, crafts, and woodworking. He was a pioneering writer on the history of photography in New Zealand, and also wrote several books on the history of Dunedin, its buildings, and the Otago Peninsula. In his Otago Peninsula home he amassed a large collection of books, artefacts, photographs, architectural fittings, tools, moa bones, research materials, and his own paintings.Offered in this catalogue are various late 19th and early 20th century British guidebooks; travel books on Spain and Constantinople; the Harris "Letters from the Scenes of the Recent Massacres in Armenia" (1897); prints of St. Michael s Mount, Cornwall; children s books; science; religion; poetry etc. etc." ; 8vo.
Condition: Fine. The book is in fine condition.
Condition: Fine. The book is in fine condition.
Condition: Fine. The book is in fine condition.
Published by 11 May On letterhead of Phaidon Press Ltd Publishers 3 Cromwell Place London SW7, 1954
Manuscript / Paper Collectible
Grafe s putative intelligence work during the war is referenced in Helen Fry s The Walls Have Ears | The Greatest Intelligence Operation of World War II (2019). He worked as translator and editor from as early as 1950 (for Phaidon) and 1986 (for Thames and Hudson). Nigel Spivey, in his Phaidon 1923-98 (1999), describes how, during the Harvey Miller period at the firm, Steady editorial continuity within the workforce at Cromwell Place was provided by an ex-Viennese scholar called Innocenz Grafe (who for a perhaps obvious reason preferred to be known as simply Dr G. . Robertson had begun his long career at Edinburgh University eight years before (1946), having worked through the war at Bletchley Park, before joining the unit assigned to track down works of art looted by the Nazis. 2pp, 8vo. In fair condition, lightly aged and creased. Folded twice for postage. Addressed to Robertson at the Fine Art Department of Edinburgh University, and signed I. Grafe , above the following in type: Dr. I. Grafe / Editorial Assistant / PHAIDON PRESS LTD. Grafe begins the letter by explaining that Phaidon are at present engaged in publishing a complete edition of the Drawings of Rembrandt in six volumes, with collotype reproductions and a critical Catalogue by Professor Otto Benesch, at whose suggestion we now write to you . Although Benesch s manuscript is written in English, it requires, we think, a certain amount of stylistic revision before it can be set up . Benesch has emphasized that such revision can only be successful if undertaken by a scholar of high standing , and has informed Phaidon that in days past you had the kindness of assisting him in preparing lectures and we hope therefore we may enquire whether you would be prepared to help again in the same way . Both publishers and author would very greatly appreciate a positive reply . Grafe offers to send the first two volumes, which are already bound and will shortly appear.
Published by Global Books, 2020
ISBN 10: 1912961067ISBN 13: 9781912961061
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Book
Hardback. Condition: New. New copy - Usually dispatched within 4 working days.
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Published by Venezia, Bolognino Zaltieri, 1570., 1570
Seller: Antiquariat Thomas Rezek, München, Germany
Signed
4°, circa 22 x 16 cm. 12 ff., 357 pp., 1 blank leaf, title with engraved scrollwork border, 5 half-page woodcuts, many woodcut ornaments Modern half-calf Mortimer 348; Boffito, Scrittori Barnabiti, III, pp. 78-81; CNCE 38239. Uncommon work with pretty illustrations based on the Petrarca Trionfi. The outstanding engraved title with cherubs and satyrs, the arms of the dedicatee Michele della Torre above, and the printer's device below. The author Pagani (1526-1589; born as Marco, assumed name Antonio) lived in Venice and belonged to the Barnabites. He had published some of these here collected and enlarged poems between 1554 and 1557 under his given name. - This copy with 12 preliminary leaves signed a, b, a - apparently there are copies with less leaves at the beginning. - Minor browning, few leaves with light waterstains but mostly quite clean, modern binding.
Published by Antwerpen , 21 January 1567, 1567
Manuscript / Paper Collectible Signed
1 p. Small 32mo. French document on paper, c. 3,5 x 21 cm, with on verso the address of Gassen, and the receipt signed by Nicolas de Castro on 1 February 1567.The "lingier" Pierre Gassen was a close Paris friend of Plantin and his foremost partner in the lace trade. Plantin s daughter Catharina married Gassen s son Jehan in 1571. Could this Nicolas de Castro be Nicolaas van der Borcht (1503-1573), bishop of Middelburg? Ref. Not in Correspondance de Plantin, nor in the Supplément. - Plantin was born in France, probably in Saint-Avertin, near the city of Tours, Touraine. As a youth he apprenticed as a bookbinder in Caen and also married there. In 1545, he and his wife, Joanna Riviere, set-up shop in Paris, but after three years they chose to relocate to the booming commercial center of Antwerp, where Plantin became a free citizen and a member of the Guild of St Luke, the guild responsible for painters, sculptors, engravers and printers. The quality of his work as a bookbinder brought him into contact with nobility and wealth. While delivering a prestigious commission he was mistakenly attacked, receiving an arm wound that prevented him from labouring as a bookbinder and led him to concentrate on typography and printing. By 1555, he has his own printshop and is an accomplished printer. The first book he is known to have printed was La Institutione di una fanciulla nata nobilmente, by Giovanni Michele Bruto, with a French translation. This was soon followed by many other works in French and Latin, which in point of execution rivalled the best printing of his time. The art of engraving then flourished in the Netherlands, and Dutch engravers illustrated many of his editions.In 1562, while Plantin was absent in Paris, his workmen printed a heretical pamphlet, which resulted in his presses and goods being seized and sold. It seems, however, that he eventually recovered much of the value that was taken from him. With the help of four Antwerp merchants he was able to re-establish and expand his printing business significantly. Among these friends were two grand-nephews of Daniel Bomberg, who furnished him with the fine Hebrew typefaces of that renowned Venetian printer.[1] This co-venture only lasted until 1567 however it enabled Plantin to acquire a house on Kammerstraat which he named "De Gulden Passer" (The Golden Compass). This gesture mirrors the commercial success of publishing emblem books, which present collections of images paired with short, often cryptic, text explanations. It is also at this time that Plantin adopted a printer's mark which would appear in various forms on the title pages of all Plantin Press books. The motto Labore et Constantia ("By Labor and Constancy") surrounds the symbol of a compass held by a hand extending from a bank of clouds and inscribing a circle. The center point of the compass indicates constancy, the moving point which renders the circle is the labor.[2] Plantin holds this instrument in portraits of him, such as the one commissioned from the Flemish painter Peter Paul Rubens.In November 1576, the Spaniards ruthlessly plundered and burned Antwerp essentially ending its supremacy as the commercial center and richest city of Europe and Plantin had to pay an exorbitant ransom to protect his printing works. He established a branch of his firm in Paris. In 1583, the states of Holland sought a typographer for the newly erected university at Leiden. Plantin moved there after leaving his much reduced business in Antwerp to his sons-in-law John Moerentorf and Frans van Ravelingen (Raphelengius). Plantin left his Leiden office to Raphelengius and returned to Antwerp after it became more settled, subsequent to its conquest by the prince of Parma in 1585. Plantin laboured in Antwerp until his death.Plantin was a prolific printer and prosperous entrepreneur, publishing more than 40 editions of emblem books. In contrast, his most important work is considered to be the Biblia Regia (King's Bible), also known as the Plantin Polyglot. In spite of clerical opposition, Plantin was encouraged by King Philip II of Spain, who sent him the learned Benito Arias Montano to lead the editorship. With Montano's zealous help, the work was finished in five years (1569 1573, 8 vols, folio). This work earned Plantin little profit, but resulted in Philip's granting him the privilege of printing all Roman Catholic liturgical books (missals, breviaries, etc.) for the states ruled by Philip, the title "Architypographus Regii," which he dutifully added to the title pages of Plantin Press books, and the unwanted duty of prototypo-graphus regius, obligating him to inspect and verify the skill and dogmatic adherence of other printers.[3]Besides the Plantin Polyglot, Plantin published many other works of note, such as the "Dictionarium Tetraglotton" of 1562, which was a dictionary in Greek, Latin, French and Flemish, editions of St. Augustine and St. Jerome, the botanical works of Dodonaeus, Clusius and Lobelius, and the description of the Netherlands by Guicciardini. His editions of the Bible in Hebrew, Latin and Dutch, his Corpus juris, Latin and Greek classics, and many other works are renowned for their beautiful execution and accuracy. A skillful businessman, by 1575 his printing firm reckoned more than 20 presses and 73 workmen, plus various specialists who did job-work out of their homes. The vast collection of handwritten ledgers and letters of the Officina Plantiniana, as it was known, can be examined online following digitization by the Museum Plantin-Moretus and hosting by World Digital Library.[4]Though outwardly a faithful member of the Catholic Church, he appears to have used his resources to support several sects of Protestant heretics. It is now proven that many of their books, published without naming the printer, came from Plantin Press.After Plantin's death, his firm was taken over by his son-in-law, Jan Moretus. Today, the building that housed the firm is called the Plant.