Search preferences

Product Type

  • All Product Types
  • Books (1)
  • Magazines & Periodicals
  • Comics
  • Sheet Music
  • Art, Prints & Posters
  • Photographs
  • Maps
  • Manuscripts &
    Paper Collectibles

Condition

Binding

Collectible Attributes

  • First Edition
  • Signed
  • Dust Jacket
  • Seller-Supplied Images
  • Not Printed On Demand

Seller Location

Seller Rating

  • Seller image for A Modern Pilgrim's Print Book (travel, Local Artist's Works and Short Bios, Woodblock Printinting Styles of Tod Lindenmuth, Karl Knaths, Chas. Kaeselau, Oliver Chaffee, Blanche Lazzell, Agnes Weinrich, V B Rann, Saul Yalkert, Shelby Shakelford, more) for sale by GREAT PACIFIC BOOKS

    Paperback, folded chapbook. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. Black and White Illlustrations, artworks (illustrator). 24 page booklet, staple bound, reprinted edition. Good clean condition. Pictorial. Paperback : soft cover edition in very good clean condition, a typical used book with some slight wear to edges and spine. Firmly readable. As to be expected with used books, there may be some minor bumping, creases, and/or scuffs. Overall a good copy. We appreciate your consideration of one of our books, art prints or novelty items. ~ About the movement: Provincetown Printers was an art colony in Provincetown, Massachusetts during the early 20th-century of artists who created art using woodblock printing techniques. It was the first group of its kind in the United States, developed in an area when European and American avant-garde artists visited in number after World War I. The "Provincetown Print", a white-line woodcut print, was attributed to this group. Bror Julius Olsson Nordfeldt is credited with developing the technique, based upon Japanese ukiyo-e woodblock printing, though there is evidence that a lesser-known Provincetown artist, Edith Lake Wilkinson, was making white-line prints in 1914, a year earlier than Nordfeldt's first known efforts. Blanche Lazzell is said to have mastered the technique. Rather than creating separate woodblocks for each color, one block was made and painted. Small groves between the elements of the design created the white line.[2] Because the artists often used soft colors, they sometimes have the appearance of a watercolor painting. Agnes Weinrich, Broken Fence, a white-line woodblock made in or before 1917; at left: the woodblock itself; at right: a print pulled from the woodblook. Early artists in the group included Ethel Mars, Ada Gilmore, Mildred McMillen, Maud Hunt Squire, Juliette Nichols and Bror Julius Olsson Nordfeldt. Other artists included William Zorach, Ferol Sibley Warthen, Blanche Lazzell, Karl Knaths, and Agnes Weinrich. Edna Boies Hopkins, a friend of Squires and Mars from the Art Academy of Cincinnati, also visited the community. ~ We strive to offer fast, courteous and professional service to all our patrons. Reading is one of life's great pleasures. Please inquire for further details, our items arrive shrink wrapped and well packed. ~ Thank you for viewing and stopping by. 24 p. Book.