Product Type
Condition
Binding
Collectible Attributes
Free Shipping
Seller Location
Seller Rating
Published by Faber Faber Inc, 1998
ISBN 10: 0571143474ISBN 13: 9780571143474
Seller: Book Trader Cafe, LLC, New Haven, CT, U.S.A.
Book
Paperback. Condition: Good. Unmarked text; tanned pages; moderate wear. Ships with tracking the same or next business day from New Haven, CT. We fully guarantee to ship the exact same item as listed and work hard to maintain our excellent customer service.
Published by Faber and Faber, 1986
ISBN 10: 057113811XISBN 13: 9780571138111
Seller: GF Books, Inc., Hawthorne, CA, U.S.A.
Book
Condition: Good. Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting.
Published by Cambridge, Massachusetts: Harvard University Press, 1986
Seller: My Father's Books, Bennington, VT, U.S.A.
Book First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Printed in Great Britain. First Printing. Original French Title: "Points de repère." Date on the title page. Translator's Note, Editor's "On Reading Boulez", Footnotes, Index; 541 pages. The original black (simulated?) cloth is near-fine, with only a slight bump to the upper board; bright silver lettering on the spine. The interior is fresh, bright, and completely clean---seeming never to have been read. The original glossy pictorial dust jacket echoes the bump and is otherwise fine. [Please see my five images of the actual book.] "Pierre Boulez is one of the most influential---and controversial---figures in the world of contemporary music. As composer, conductor, and critic, his challenging views of modern developments are lent a special authority by his high standing as an interpreter of classic composers . . . including Berlioz, Debussy, Wagner, Mahler, Schoenberg, Stravinsky, and Messiaen." from the flap. As with every book from my father's collection, tipped-in at the front is the small, attractive, acid-free bookplate pictured on my homepage. All books are wrapped with special care and are shipped promptly with tracking; international sales sent via global priority, also with tracking.
Published by Harvard University Press, 1990
ISBN 10: 0674643763ISBN 13: 9780674643765
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: New.
Published by Harvard University Press, 1990
ISBN 10: 0674643763ISBN 13: 9780674643765
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: As New. Unread book in perfect condition.
Published by Harvard University Press, 1990
ISBN 10: 0674643763ISBN 13: 9780674643765
Seller: GreatBookPricesUK, Castle Donington, DERBY, United Kingdom
Book
Condition: New.
Published by London / Boston, Faber and Faber., 1986
ISBN 10: 057113811XISBN 13: 9780571138111
Seller: Inanna Rare Books Ltd., Skibbereen, CORK, Ireland
Book
16 cm x 24 cm. 541 pages. Some black and white diagrams and bars of music throughout. Original Hardcover with the rare illustrated dustjacket in protective collector's Mylar. Excellent, close to new condition with only minor signs of external wear. Includes for example the following essays: Aesthetics and the Fetishists / Time, Notation and Coding / The Composer as Critic / An Interview with Dominique Jameux / Experiment, Ostriches and Music / Why I say 'No' to Malraux / The Bauhaus Model / Arousing Interest in New Music / Freeing Music etc. Also includes chapters dedicated to many composers such as Beethoven, Wagner, Mahler, Satie, Schoenberg, Bartók, Stravinsky etc and tributes to Wolfgang Steinecke, Edgar Varese, T.W. Adorno, Bruno Maderna and a few others. Sprache: english.
Published by Harvard University Press, 1990
ISBN 10: 0674643763ISBN 13: 9780674643765
Seller: GreatBookPricesUK, Castle Donington, DERBY, United Kingdom
Book
Condition: As New. Unread book in perfect condition.