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Published by Oxford University Press, 1991
Seller: Shore Books, London, United Kingdom
Magazine / Periodical
Soft cover. Condition: Very Good. 172 pages. Illustrated. Performance and 'Authenticity' (pp. 501-506+508) Lewis Lockwood The Old and New Mozart Editions (pp. 513-532) Cliff Eisen The Neue Mozart-Ausgabe: A Retrospect (pp. 533-537) Marius Flothuis Mozart Performance in the 19th Century (pp. 538-555) George Barth Mozart's Belmonte (pp. 556-563) Thomas Bauman 'Ich bin die erste Sängerin': Vocal Profiles of Two Mozart Sopranos (pp. 565-576+579) Patricia Lewy Gidwitz Mozart's Italian buffo Singers (pp. 580-583) Alessandra Campana Susanna's Hat (pp. 585-589) Daniel Heartz Subjectivity and Objectivity in Mozart Performance (pp. 593-600) William Kinderman Mozart's First Thoughts: The Two Versions of the Sonata in D Major, K284 (pp. 601-613) László Somfai Topical Content in Mozart's Keyboard Sonatas (pp. 615-619) Leonard G. Ratner 20th-Century Analysis and Mozart Performance (pp. 620-626) Carl Schachter.