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Published by Niyogi Books, New Delhi, 2014
ISBN 10: 9383098406ISBN 13: 9789383098408
Seller: Books in my Basket, New Delhi, India
Book
Hardcover. Condition: New. ISBN: 9789383098408, 218pp.
Published by Niyogi Books, New Delhi, 2013
ISBN 10: 9383098406ISBN 13: 9789383098408
Seller: PsychoBabel & Skoob Books, Didcot, Oxfordshire, OXON, United Kingdom
Book
Hardcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. Hardcover with printed boards, no dust jacket, in an unread condition. From the collection of Christopher Pinney, Professor of Anthropology and Visual Culture at University College London. LW. Used.
Published by Niyogi Books, 2015
ISBN 10: 9383098406ISBN 13: 9789383098408
Seller: GF Books, Inc., Hawthorne, CA, U.S.A.
Book
Condition: Fine. Book is in Used-LikeNew condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear.
Published by Niyogi Books, 2015
ISBN 10: 9383098406ISBN 13: 9789383098408
Seller: Books Unplugged, Amherst, NY, U.S.A.
Book
Condition: New. Buy with confidence! Book is in new, never-used condition.
Published by Niyogi Books, 2015
ISBN 10: 9383098406ISBN 13: 9789383098408
Seller: Vedams eBooks (P) Ltd, New Delhi, India
Book First Edition
Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. Tailored to the choices of its compiler, the scrapbook is an exemplar of graphic authorship and memory making. As one of the most understudied models of personal expression and public encounter, this publication reveals the pluralistic and raw visual samplings of Filmi Jagat (the Cinema Universe), a found scrapbook that is reproduced in entirety as plates following three exploratory texts. The richly illustrated lead essays by Kaushik Bhaumik and Debashree Mukherjee, probe conceptual and biographical strains emanating from the object, repeatedly stamped on several pages by the alleged owner/creator, Mangaldas V. Lohana. Its composite structure includes clippings from film magazines, song booklets, and advertisements produced between the 1930s-1940s. Therein emerges an intimate and fragmented history of early Hindi film from the pre-Independence period, featuring snippets of lost movies such as Apni Nagaria, Kunwara Baap, Duniya Kya Hai, and Tasveer. Currently in the growing, assorted collection of Rahaab Allana, his own essay presents 19th century specimens as well as film stills and lobby cards from the 1950s-80s, briefly examining the evolving fashions of visual autobiography. Hence, as an ensemble, this edited volume attempts a sensory connection with photography and print history through personal ephemera, emphasising its cultural value in a digital age. (jacket).