Published by D.A.P./Distributed Art Publishers, 2001
ISBN 10: 1891024248 ISBN 13: 9781891024245
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
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Published by Witte de with Center for Contemporary Art, 2005
ISBN 10: 9073362652 ISBN 13: 9789073362659
Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Condition: Used - Very Good. Paperback. Small remainder mark on bottom of text block. Otherwise, Very Good.
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Published by Oldenburg: Edith-Russ Site for Media Arts; Frankfurt am Main: Revolver, 2002
ISBN 10: 3934823556 ISBN 13: 9783934823556
Seller: Zubal-Books, Since 1961, Cleveland, OH, U.S.A.
Condition: Very Good. *Price HAS BEEN REDUCED by 10% until Monday, Sept. 23 (sale item)* Inverted text in English and German, 36 pp., Paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
Published by Hatje Cantz Publishers, 2002
ISBN 10: 3775711740 ISBN 13: 9783775711746
Seller: Red's Corner LLC, Tucker, GA, U.S.A.
Condition: Good. All orders ship by next business day! This is a used paperback book. Has moderate wear on cover and/or pages. Has markings on pages. Spine has been opened/creased. For USED books, we cannot guarantee supplemental materials such as CDs, DVDs, access codes and other materials. We are a small company and very thankful for your business!.
Published by Witte de With, 2005
ISBN 10: 907336261X ISBN 13: 9789073362611
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, 96 pages, in English; very good condition, light wear to covers; no internal marks.
Published by Goldsmiths Press, 2023
ISBN 10: 1913380726 ISBN 13: 9781913380724
Seller: HPB-Ruby, Dallas, TX, U.S.A.
paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Published by Sandra Gering Gallery, 1998
Seller: ANARTIST, New York, NY, U.S.A.
Exhibition invite, 4 x 6 inches; very good condition; an unmailed copy.
Published by Koenig Books, 2017
ISBN 10: 3863359089 ISBN 13: 9783863359089
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
Published by (New York: Splash Publications, Inc.), 1988., 1988
Seller: Blue Mountain Books & Manuscripts, Ltd., Cadyville, NY, U.S.A.
Condition: Very good. - Folio [approximately 13 inches high by 9-1/2 inches wide], softcover bound in pictorial black-and-white wrappers with a cover portrait of Grace Jones by Robert Mapplethorpe. The wraps are lightly rubbed with the corners slightly creased. Unpaginated. Profuse illustrations and pictorial ads in color and black & white, many of them full-page. Very good. The illustrations include 5 full page classic color photographs of his Weimaraners by William Wegman. The text includes interviews with Ben Kingsley, William Wegman, John Lurie, Grace Jones and Robert Longo.
Published by Sao Paulo, Brazil Paco das Artes 2002, 2002
Seller: James Pepper Rare Books, Inc., ABAA, Santa Barbara, CA, U.S.A.
First Edition
First Edition. Paperbound, 5 7/8Ó x 11 7/8Ó. Text in Portuguese. An illustrated catalogue issued to accompany an exhibition of video art by Tina Keane and Jordan Crandall. With essays by Vitoria Daniela Bousso, Guy Amado, and Daniela Maura Ribeiro. Fine in printed wrappers.
Published by Editions sensibles de l'art contemporain, 2002
Seller: Ammareal, Morangis, France
Softcover. Condition: Très bon. Ancien livre de bibliothèque. Petite(s) trace(s) de pliure sur la couverture. Ammareal reverse jusqu'à 15% du prix net de ce livre à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Slightly creased cover. Ammareal gives back up to 15% of this book's net price to charity organizations.
Published by Kerber Verlag, 2013
ISBN 10: 3866788037 ISBN 13: 9783866788039
Seller: WeBuyBooks, Rossendale, LANCS, United Kingdom
Condition: Good. Most items will be dispatched the same or the next working day.
Published by Rotterdam. Die Autoren, Witte de With 2004. 96 Seiten., 2004
Seller: Antiquariat Bernd Preßler, Ahnatal Weimar, Germany
In tadellosem Zustand. Farbige Abbildungen (Kunst). Original kartoniert.
Published by New York: Eyebeam Atelier / Distributed Art Publishers., 2001
ISBN 10: 1891024248 ISBN 13: 9781891024245
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
First Edition
Condition: Good. 8vo. 160 pp. Soft cover. Near Fine. B/W Illustrations. Features works by Ursula Biemann, Ricard Basbaum, Critical Art Ensemble, Eve Andree Laramee, et al. First Edition.
Published by New York: Crandall Enterprises, Inc., 1988., 1988
Seller: Blue Mountain Books & Manuscripts, Ltd., Cadyville, NY, U.S.A.
Condition: Very good. - Quarto [13 inches high by 9-3/8 inches wide], softcover bound in pictorial black-and-white wrappers with a cover photo of Isabella Rossellini by Robert Mapplethorpe. The wraps are lightly bumped with the rear wrap heavily rubbed & with the tail of the spine torn. Unpaginated. Profusely illustrated in black & white and color. The contents are near fine. Very good. Among the contents of this issue are an interview with Vito Acconci, articles on Isabella Rossellini, Robert Mapplethorpe, Tim Rollins + K.O.S., and "Author in Search of an Artist" on W. Somerset Maugham and Paul Gaugin.
Published by Crandall Enterprises, Osprey, FL, 1986
Seller: Warwick Books, member IOBA, South Pasadena, CA, U.S.A.
Association Member: IOBA
First Edition
Paperback. Condition: Very Good. First Edition. Softcover magazine. Light overall wear to cover and stapled spine but clean and unmarked. Articles by and about Andy Warhol, Peter Max, James Rosenquist, and Timothy Leary, among others. Ads throughout for then-current gallery shows, presenting a nice reflection of the mid-80s art world. Folio. 92 pp.
Published by Whitney Museum of American Art, 2003, 2003
Seller: Longhouse, Publishers & Booksellers, Brattleboro, VT, U.S.A.
First Edition
First edition Scarce. Each page doubled-up and bound for viewing Ñ there are many expansive photo spreads hidden in many of the folds. 418 illustrations, 394 in color. Showcasing a major retrospective of the firm's work at the Whitney Museum Ñ Spring 2003. Bright lime green decorative boards with three dimensional front panel. Very close to fine and bright hardcover. A wild and quite disciplined ride of visuals and text including Laurie Anderson, Jordan Crandall, Aaron Betsky, K. Michael Hays, Edward Dimendberg, RoseLee Goldberg, Ashley Schafer. New and bright all around, gift quality.
Published by Artforum, 1998
Seller: castlebooksbcn, Barcelona, Spain
Magazine / Periodical
Encuadernación de tapa blanda. Condition: Bien. Dust Jacket Condition: Bien. Essays "Books: Arthur C. Danto on Clement Greenberg," by Arthur C. Danto; "Film: Howard Hampton on Michael Haneke's 'Funny Games,'" by Howard Hampton; "Hot List: Jordan Crandall on European Net Communities," by Jordan Crandall; "Hot List: Andrew Hultkrans on 'Wired' Design," by Andrew Hultrans; "Spin Cycle: Christoph Cox on Mouse on Mars," by Christoph Cox; "Spin Cycle: Matt Ashare on Ric Ocasek," by Matt Ashare; "Spin Cycle: David Krasnow on Arto Lindsay," by David Krasnow; "Top Ten," by Andrew Hultkrans; "Ifs, Ands, and Buts: Elizabeth Murray's 'If Only,'" by David Frankel; "Mass Hysteria: The Photography of Weegee," by Max Kozloff; "Pretty Ugly: Sandra Bernhard's 'I'm Still Here. Damn It!," Guy Trebay talks with Sandra Bernhard; "Moving Company: The Second Johannesburg Biennale," by Manthia Diawara; "OpeningsL Sarah Jones," by Chris Townsend. Reviews by David Frankel, David Rimanelli, Peter Plagens, Dan Cameron, Donald Kuspit, Barry Schwabsky, David Levi Strauss, Thad Ziolkowski, Alexander Alberro, Nico Israel, Justin Spring, Andrew Perchuk, Tom Breidenbach, Julie Caniglia, Kirby Gookin, Ronny Cohen, RoseLee Goldberg, Carlos Basualdo, Maria Porges, Rosetta Brooks, Bruce Hainley, Lisa Gabrielle Mark, Yishai Jusidman, Jérôme Sans, Juan Vicente Aliaga, Gabriele Guercio, Francesca Pasini, Olivier Zahm, Christian Kravagna, Yilmaz Dziewior, Harald Fricke, Alexandre Melo, and Michael Archer. Cover: Carroll Dunham.
Published by Whitney Museum of American Art, New York, 2003
Seller: Halper's Books, Tel Aviv, Israel
Hardcover. Condition: Very Good. Very light shelf wear.
Published by whitney, New York, 2003
ISBN 10: 0874271312 ISBN 13: 9780874271317
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
First Edition
hardcover. Condition: fine. 418 illustrations, with 394 in color. Each page doubled-up and bound for viewing. Lime green boards with a holographic image on the front cover; die-cut fore-edges. New York: Whitney Museum of American Art, (2003). First Edition. Board edges lightly scuffed, still a near fine copy. Showcasing a major retrospective of the firm's work at the Whitney Museum in the Spring of 2003.
Box. Condition: Fine. Dust Jacket Condition: No dust jacket. From its beginning in 1990, Blast has set out to explore contemporary texts and images and their accompanying practices of reading, viewing, and authoring. Blast has conducted these explorations in terms of a publication, investigating the changing procedures, systems, and positions of this medium as it intertwines with emerging communications networks. Situating itself at the interstices, it embraces content that is both material and digital, online and offline, recorded and live. It endeavors to make this content partial and contingent, foregrounding the networks of relations in which it is embedded. Displacing direct, predetermined links between viewer and image, reader and author, representation and object, it seeks to develop potent complications that uncover and reflect alternate relationships in the reading-viewing experience. As this formerly private space of reading and viewing opens out into complex mixture of public and private space, Blast abandons any conception of its role as a publication and instead positions itself entirely within the globalized sphere of communications. The spaces of Blast are now the vast urban networks of representations, technologies, and embodied agents that codetermine each other in complex patterns and modalities. Its space has therefore become politicized:.