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Published by Brand: Springer Pub. Co, 1976
ISBN 10: 0826119603ISBN 13: 9780826119605
Seller: Ergodebooks, Houston, TX, U.S.A.
Book
Hardcover. Condition: Good. Book by Mary; Arnheim, Rudolf Henle.
Published by Springer Publishing Company, 1976
ISBN 10: 0826119603ISBN 13: 9780826119605
Book Signed
Hardcover. Condition: Very Good. No Jacket. Signed and inscribed by Rudolf Arnheim on the dedication page. Text is unmarked; pages are bright, though the page edges are age toned. Binding is cocked. Covers show some light edgewear. No dust jacket. 186pp. Inscribed by Author.
Published by Springer Pub. Co, New York, 1976
ISBN 10: 0826119603ISBN 13: 9780826119605
Book
Hardcover. Illustrated ornage cloth covers. xviii, 186 pages : illustrations. Contents: Visual perception: Held, R. Single vision with doubled images. Metelli, F. What does "more transparent" mean? Kanizsa, G. and Gerbino, W. Convexity and symmetry in figure-ground organization. Kennedy, J.M. Attention, brightness, and the constructive eye. Jameson, D. and Hurvich, L.M. From contrast to assimilation. Wallach, H. The apparent rotation of pictorial scenes. Gibson, J.J., et al. The change from visible to invisible. -- Visual thinking: Schaefer-Simmern, H. Basic structures in the earliest beginnings of artistic activity. Nash, E. Hidden visual patterns in Roman architecture and ruins. Gardner, H. Illuminating comparisons in the arts. -- Artifact : Sekler, E.F. Le Corbusier's use of a "pictorial word" in his tapestry La femme et le moineau. Teuber, M.L. Blue night by Paul Klee. Zucker, W.M. The representation of the invisible. Hess, W. Formal analysis of a painting by Jan Vermeer. Ashton, D. Art and social change. Mary Henle, editor ; foreword by Rudolf Arnheim. VG, covers have normal wear. Previous owner's marks on flyleaf.