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Published by The Museum of Modern Art, 2002
ISBN 10: 0870703781ISBN 13: 9780870703782
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: New.
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Also find Hardcover First Edition Signed
Published by Hatje Cantz Verlag, 1900
ISBN 10: 3775712569ISBN 13: 9783775712569
Book
Hardback. Condition: Very Good+. Black leather-effect boards a touch rubbed on corners, cover image and gilt lettering bright; Pages crisp, no ownership marks, coloured plates; Binding tight. ; 9.5 x 9.5"; 112 pages.
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Hardcover. Second Edition. Condition is Very Good, bound in textured boards with color photograph mounted to front panel. Slight lean to spine, small bump to spine base. Interior is clean and unmarked. Szarkowski's essay (15 pages) printed on green paper, pagination continues up to 110 with color plates on white backgrounds. Slightly oblong small 4to, 9 1/2"w x 9 1/4"h.
Published by Eakins Press Foundation, 2019
ISBN 10: 0871300796ISBN 13: 9780871300799
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: As New. Unread book in perfect condition.
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Published by The Museum Of Modern Art, New York, 1976
ISBN 10: 087070317XISBN 13: 9780870703171
Seller: Andre Strong Bookseller, Blue Hill, ME, U.S.A.
Book
Hardcover. Condition: Very Good +. 9 1/4 x 9 1/4 inches. 112 pages. No edition or printing stated. Condition is Very Good+; very light rubbing to cover photograph, top fore edge corners lightly bumped, bindong is tight and very square, text and illustrations are very clean. A classic. Photo RGR.
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Published by The Museum of Modern Art (c.1976), New York, 1976
Seller: ReadInk, ABAA/IOBA, Los Angeles, CA, U.S.A.
First Edition
Hardcover. Condition: Fine. First Edition. (no dust jacket, as issued) [nice clean copy with no discernible wear]. (color photographs) Monograph issued in conjunction with the first major exhibition of the work of this modern master of photography, usually acknowledged as the man who put color photography on the map, as it were, artistically. Some initial criticism of his work focused on the fact that his subject matter was often quite mundane -- to which writer/ photographer Eudora Welty had the best riposte: "No subject is fuller of implications than the mundane world!".
Published by 1976, 1976
ISBN 10: 087070317XISBN 13: 9780870703171
Book First Edition
Szarkowski, John. WILLIAM EGGLESTON's Guide. 110 pp. with many color plates. 4to, cloth. New York, MOMA, 1976. First edition. A little rubbing to bottom of spine; some rubbing to tipped-in image on cover. Roth, 234.
Published by The Eakins Press Foundation, New York, 2019
ISBN 10: 0871300796ISBN 13: 9780871300799
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
Book First Edition Signed
Soft cover. Condition: New. 1st Edition. Price is net to all; promotional discounts do not apply. SHIPPING NOTE: Due to size and weight (e.g., multi-volume sets), additional shipping fees apply (calculated at checkout). First edition, first printing. Signed by Friedlander. Boxed set of six volumes sharing the following format: Soft cover. No dust jacket as issued; contained in a printed paper-covered slipcase. Photgraphs by Lee Friedlander. Set 240 pp., with 191 duotone plates. 9 x 8-1/2 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. New in publisher's shrink-wrap (opened only for signature). From the publisher: "In the 1960s and '70s, Lee Friedlander (born 1934) developed his signature approach to documenting the American "social landscape": deadpan, structurally complex black-and-white photographs of seemingly anything, anybody or anyplace that passed in front of his lens. But as he was making his name as a documentary photographer capturing the look and feel of modern American life, he was also photographing his closest friends, a practice he has continued throughout his long career. A slipcased set of six paperback books, The Mind and the Hand presents the photographer's intimate portraits of six of his best friends taken over the past five decades. The subjects, each presented in their own separate volume, comprise a veritable who's who of one of America's most fertile periods in photography: Richard Benson, William Christenberry, William Eggleston, Walker Evans, John Szarkowski and Garry Winogrand. Each volume begins with a relevant quote from its subject." Signed by Author.
Published by MIT Press for the Museum of Modern Art, New York, 1976
ISBN 10: 087070317XISBN 13: 9780870703171
Seller: Riverrun Books & Manuscripts, ABAA, Ardsley, NY, U.S.A.
Book First Edition
4to. 110 pages. 48 color photographs and one black-and-white portrait of Eggleston. Original black bonded leather with gilt-stamped spine and cover onlay. First edition; no date on the title-page; copyright page dated only 1976. Issued as the companion to Eggleston's seminal 1976 exhibition at the MoMA. Auer 598; Open Book 308-309; Parr and Badger I:265; Roth 238-239. Owner's name of a prominent photo historian written on front free endpaper and dedication leaf, covers with some slight wear at extremities, lower sheets edges of last few leaves just bumped.
Published by Museum of Modern Art, NY, 1976
Seller: Kenneth Mallory Bookseller ABAA, Decatur, GA, U.S.A.
First Edition
Hardcover. Condition: Very good. Hardcover. First Edition. Near fine copy bound in textured boards with photo affixed to the front. Top edge lightly foxed, but the inset shows virtually none of the rubbing common with this title. Nice copy of Eggleston's first book, the first show devoted to color photography at MOMA. and an undisputed classic. Ref.:Roth 234-5; Parr and Badger265; The Open Book, page 308.
Published by Museum of Modern Art, New York, 1976
Seller: Reilly Books, Richmond, VA, U.S.A.
Book First Edition
Hardcover. Condition: Near Fine. 1st Edition. First edition. Square 8vo., text and 47 color plates. Simulated leather illustrated with color photo-plate mounted on cover. Near fine+, with faint foxing to top edge, light scuff to back cover. Includes original exhibition invitation card for William Eggleston: Color Photographs 1966-1977 at Castelli Graphics / Leo Castelli, New York, November 25, 26 December 10, 1977. Measures 6" x 6" folded; fine condition.
Published by MIT Press for the Museum of Modern Art, New York, 1976
ISBN 10: 087070317XISBN 13: 9780870703171
Seller: Riverrun Books & Manuscripts, ABAA, Ardsley, NY, U.S.A.
Book First Edition
4to. 110 pp. 48 color photographs and one black-and-white portrait of Eggleston. Original black bonded leather with gilt-stamped spine and cover onlay. A fine copy. FIRST EDITION (no date on the title-page; copyright page dated only 1976). Issued as the companion to Eggleston's seminal 1976 exhibition at MoMA, a landmark in the history of photography. "I once heard William Eggleston say that the nominal subjects of his pictures were no more than a pretext for the making of color photographs-the Degas position. I did not believe him, although I can believe that it might be an advantage to think so, or to pretend to think so. To me it seems that the pictures reproduced here are about the photographer's home, about his place, in both important meanings of that word. One might say about his identity" (John Szarkowski, pp. 5-6). "As pictures . these seem to me perfect: irreducible surrogates for the experience they pretend to record, visual analogues for the quality of one life, collectively a paradigm of a private view, a view one would have thought ineffable, described here with clarity, fulness, and elegance" (ibid., p. 14). Auer 598; Open Book 308-309; Parr and Badger I:265; Roth 238-239.
Published by Museum of Modern Art, New York, 1976
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition
First edition. Hardcover. First printing. Eggleston's first book, a landmark monograph of color images from suburbia which was published to coincide with an exhibition at The Museum of Modern Art. A tight very near fine copy with a color photograph mounted on the front panel. A very nice copy. (Parr & Badger, v1 265; Roth 238-239).
Published by The Museum of Modern Art/Mit Press, New York/cambridge, 1976
First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: No Dust Jacket. First Edition; First Printing. First edition. Fine in gilt-embossed, pebble-grained boards with the pastedown of the green tricycle on front cover. Not issued in dust jacket. Cited in Martin Parr's 101. Published in conjunction with the photographer's 1976 exhibition. (112pp. ) (9 1/4" X 9 1/4") Features 48 color and 1 b&w illustration. A superb example of this landmark production. ; 9 1/4" X 9 1/4"; 112 pages 087070317.
Published by Museum of Modern Art (1976), New York, 1976
Seller: Old New York Book Shop, ABAA, Atlanta, GA, U.S.A.
First Edition Signed
Hardcover. Condition: Fine. First Edition. 111p quarto, illustrated. A fine copy in original black cloth. Inscribed for "A & J W. Eggleston Sept 1982".
Published by New York, New York, U.S.A.: Museum of Modern Art, 2011
ISBN 10: 0870703781ISBN 13: 9780870703782
Seller: Riverby Books, Fredericksburg, VA, U.S.A.
Book Signed
Hardcover. Condition: Very Good. Hardcover. 110 pages. Gold lettering on the spine and cover. Color pastedown photograph on the front cover. Color photographs throughout, following Szarkowski's essay. Title page and essay are printed on green paper. This is a reprint of Eggleston's important 1976 exhibition catalogue. This copy has no date on the title page, but the copyright page lists 2006, 2007, 2010 and 2011. It also has a modernized 13 digit ISBN on the title page. In all other ways, it is an exact facsimile of the first edition (although it is slightly thicker than the first edition - a copy of which I have in another listing). This copy is signed on the title page, 'To our future friendship!! William Eggleston'. This is a sentiment he often expresses in inscriptions. There is no recipient named. Please feel free to email with questions or to request photos. Signed by Author(s).
Condition: Fine. Number of books: 1 book.