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Published by Forgotten Books, 2018
ISBN 10: 0366628119ISBN 13: 9780366628117
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
Book
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Publication Date: 2022
Seller: S N Books World, Delhi, India
Book Print on Demand
LeatherBound. Condition: NEW. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1920 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 134 Language: French Pages: 134.
Published by London : The Studio, 1929
Seller: MW Books, New York, NY, U.S.A.
First Edition
First Edition. Near fine copy in the original colour-printed boards. Spine bands and panel edges very slightly dulled. Hinges slightly loose. Remains particularly well-preserved overall. Physical description; 1 preliminary leaf, 6 pages, 8 color mounted plates : illustrations ; 30 cm. Subjects; Debucourt, Philibert-Louis 1755-1832; history. Debucourt, Philibert-Louis 1755-1832; studies. Debucourt, Philibert-Louis 1755-1832; artworks. 1 Kg.
Published by Forgotten Books, 2018
ISBN 10: 0366628127ISBN 13: 9780366628124
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
Book
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Publication Date: 1927
Seller: Librairie Lalibela, Ckelles, PARIS, France
First Edition
Couverture souple. Condition: Très bon. Edition originale. Grand in-quarto broché, couverture rouge carmin imprimée. Cette revue ne se présente jamais en raison de sa grande fragilité dans un tel état excellent de conservation. L'Art vivant est une revue artistique publiée bimensuellement à partir de 1925. La parution est mensuelle de 1931 à 1934 et irrégulière de 1935 à 1939, éditée par Les Nouvelles littéraires et associée aux éditions Larousse. Le premier numéro est publié le 1er janvier 1925. Les titres et sous-titres alors indiqués sont Revue bimensuelle des amateurs et des artistes. L'art vivant. Arts décoratifs et appliqués. Peinture. Le livre. Sculpture. Les arts de la femme. Les directeurs fondateurs sont Jacques Guenne (qui dirige la revue jusqu'à sa disparition en 1939) et Maurice Martin du Gard. Le rédacteur en chef est Florent Fels jusqu'en septembre 1930. La revue a accueilli, notamment, dans ses colonnes Georges Charensol et Georges Rivière. Elle disparaît en juillet 1939 après 234 numéros. - - - - - - Large paperback quarto, printed carmine red cover. This journal never comes due to its great fragility in such an excellent state of preservation. L'Art vivant is an artistic magazine published bimonthly from 1925. The publication is monthly from 1931 to 1934 and irregular from 1935 to 1939, published by Les Nouvelles littéraires and associated with Larousse editions. The first issue was published on January 1, 1925. The titles and subtitles then indicated are Bimonthly magazine for amateurs and artists. Living art. Decorative and applied arts. Paint. The book. Sculpture. The arts of women. The founding directors are Jacques Guenne (who directed the journal until its disappearance in 1939) and Maurice Martin du Gard. The editor-in-chief is Florent Fels until September 1930. The review has welcomed, in particular, in its columns Georges Charensol and Georges Rivière. It disappeared in July 1939 after 234 issues. - - - - - Gran libro en rústica en cuarto, tapa impresa en rojo carmín. Esta revista nunca llega por su gran fragilidad en tan excelente estado de conservación. L'Art vivant es una revista artística publicada bimensualmente desde 1925. La publicación es mensual desde 1931 hasta 1934 e irregular desde 1935 hasta 1939, editada por Les Nouvelles littéraires y asociada a las ediciones Larousse. El primer número se publicó el 1 de enero de 1925. Los títulos y subtítulos que se indican a continuación son Revista bimestral para aficionados y artistas. Arte vivo. Artes decorativas y aplicadas. Pintar. El libro. Escultura. Las artes de la mujer. Los directores fundadores son Jacques Guenne (quien dirigió la revista hasta su desaparición en 1939) y Maurice Martin du Gard. El redactor jefe es Florent Fels hasta septiembre de 1930. La revista ha acogido, en particular, en sus columnas a Georges Charensol y Georges Rivière. Desapareció en julio de 1939 tras 234 números. - - - - Großes Taschenbuch im Quarto-Format, bedruckter karminroter Einband. Dieses Journal kommt aufgrund seiner großen Fragilität nie in einem so hervorragenden Erhaltungszustand. L'Art vivant ist eine Kunstzeitschrift, die ab 1925 alle zwei Monate erscheint. Die Veröffentlichung erscheint monatlich von 1931 bis 1934 und unregelmäßig von 1935 bis 1939. Sie wird von Les Nouvelles littéraires herausgegeben und ist mit den Larousse-Ausgaben verbunden. Die erste Ausgabe erschien am 1. Januar 1925. Die damals angegebenen Titel und Untertitel lauten Zweimonatliche Zeitschrift für Amateure und Künstler. Lebendige Kunst. Dekorative und angewandte Kunst. Malen. Das Buch. Skulptur. Die Künste der Frauen. Die Gründungsdirektoren sind Jacques Guenne (der die Zeitschrift bis zu ihrem Verschwinden im Jahr 1939 leitete) und Maurice Martin du Gard. Chefredakteur war bis September 1930 Florent Fels. Die Rezension begrüßte in ihren Kolumnen insbesondere Georges Charensol und Georges Rivière. Es verschwand im Juli 1939 nach 234 Ausgaben.
Published by London : "The Studio", Limited, 1929
Seller: MW Books, New York, NY, U.S.A.
First Edition
1st edition. Good copy in the original paper-covered boards. Spine bands worn and partly torn; panel edges somewhat dust-toned and rubbed as with age. Text remains clear and without blemish. Physical description; 1 preliminary leaf, 6 pages VIII color mounted plates 30 x 25 cm. Notes; Each plate accompanied by guard sheet with descriptive letterpress. Subjects; Debucourt, Philibert-Louis 1755-1832. Prints 18th century France. Color prints, French. Color prints, French. France Engraving. Engravers. 1 Kg.
Published by London : The Studio, 1929
Seller: MW Books Ltd., Galway, Ireland
First Edition
First Edition. Near fine copy in the original colour-printed boards. Spine bands and panel edges very slightly dulled. Hinges slightly loose. Remains particularly well-preserved overall. Physical description; 1 preliminary leaf, 6 pages, 8 color mounted plates : illustrations ; 30 cm. Subjects; Debucourt, Philibert-Louis 1755-1832; history. Debucourt, Philibert-Louis 1755-1832; studies. Debucourt, Philibert-Louis 1755-1832; artworks. 1 Kg.
Published by London : "The Studio", Limited, 1929
Seller: MW Books Ltd., Galway, Ireland
First Edition
1st edition. Good copy in the original paper-covered boards. Spine bands worn and partly torn; panel edges somewhat dust-toned and rubbed as with age. Text remains clear and without blemish. Physical description; 1 preliminary leaf, 6 pages VIII color mounted plates 30 x 25 cm. Notes; Each plate accompanied by guard sheet with descriptive letterpress. Subjects; Debucourt, Philibert-Louis 1755-1832. Prints 18th century France. Color prints, French. Color prints, French. France Engraving. Engravers. 1 Kg.
1791 , A Monsieur De Montini , Marzola Conseiller d'Ambassade le Roy de France Gravure in kleurendruk achter glas in houten kader ; afm. lijst: : 16,7 x 13,9 cm ; gravure: H.10.5 x 7.2 cm. Bibliography: Fenaille, Maurice. L'Oeuvre grave de P.L. Debucourt (1755-1832). Paris: Librairie Damas- cene Morgand, 1899.
Published by La Mesangere, Paris Circa 1798 - 1808, 1800
Seller: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, U.S.A.
Association Member: IOBA
Art / Print / Poster First Edition
Single Sheet. Condition: Fine. Original Engraving. Sheet 19 X 28 Cm. Text Above Image "Modes &C No. 9 Floreal An 8", Text Below Image "Debucourt Sc", "L'escarpolette / (Chapeau De Paille Brode' Sans Ruhans". Philibert-Louis Debucourt, (1755 ? 1832) Was A French Painter And Engraver. Debucourt Was Born In Paris In 1755, And Became A Pupil Of Vien. He Executed A Few Plates In Mezzotint, Such As The Heureuse Famille, The Benediction De La Mariée, And The Cruche Cassée, After His Own Designs. Most Of His Work Was, However, In Aquatint. He Became The Leading Maker Of Multi-Plate Colour Prints, Combining Washes Of Aquatint With Line-Engraving.[2] He Used A Number Of Different Techniques, But Most Involved Three Colour Plates, And A Fourth Key Plate, Outlining The Design In Black. Debucourt's Father-In-Law Was The Sculptor Louis-Philippe Mouchy. In The Marriage Contract Mouchy Generously Offered To Provide A Three-Room Apartment At The Louvre, Where Debucourt Lived For Twelve And A Half Years. The Address Of This Apartment Is Often Given On His Prints. ]Some Of His Work Was Satirical, Such As La Promenade Publique, An Aquatint Of 1792 Showing A Crowd In The Gardens The Palais-Royal. As Well As Work From His Own Designs, He Made Aquatints After Carle Vernet, Including The Horse Frightened By A Lion, The Horse Frightened By Lightning And The Strayed Huntsman. Debucourt Was Assisted For Some Years By His Pupil And Nephew, Jean-Pierre-Marie Jazet.
Published by Paris Circa 1800-1850, 1825
Seller: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, U.S.A.
Association Member: IOBA
Art / Print / Poster First Edition
Single Sheet. Condition: Fine. Original Engraving. Sheet 19.3 X 16.4 Cm. No Text; Not Identified. Early Nineteenth Century, And Almost Certainly French, Possibly By Debucourt. Philibert-Louis Debucourt, (1755 ? 1832) Was A French Painter And Engraver. Debucourt Was Born In Paris In 1755, And Became A Pupil Of Vien. He Executed A Few Plates In Mezzotint, Such As The Heureuse Famille, The Benediction De La Mariée, And The Cruche Cassée, After His Own Designs. Most Of His Work Was, However, In Aquatint. He Became The Leading Maker Of Multi-Plate Colour Prints, Combining Washes Of Aquatint With Line-Engraving.[2] He Used A Number Of Different Techniques, But Most Involved Three Colour Plates, And A Fourth Key Plate, Outlining The Design In Black. Debucourt's Father-In-Law Was The Sculptor Louis-Philippe Mouchy. In The Marriage Contract Mouchy Generously Offered To Provide A Three-Room Apartment At The Louvre, Where Debucourt Lived For Twelve And A Half Years. The Address Of This Apartment Is Often Given On His Prints. ]Some Of His Work Was Satirical, Such As La Promenade Publique, An Aquatint Of 1792 Showing A Crowd In The Gardens The Palais-Royal. As Well As Work From His Own Designs, He Made Aquatints After Carle Vernet, Including The Horse Frightened By A Lion, The Horse Frightened By Lightning And The Strayed Huntsman. Debucourt Was Assisted For Some Years By His Pupil And Nephew, Jean-Pierre-Marie Jazet.
Seller: LA FRANCE GALANTE, Saint MARTIN sur LAVEZON, France
Book
Couverture souple. Condition: Bon. Paris . Chez l'Auteur . Cour du vieux Louvre . 1788 . UNE ESTAMPE en AQUATINTE de 1788 en 325 x 500 m/m - Cuvette 280 x 380 m/m de Philibert-Louis DEBUCOURT . Tirage sur papier fort , filigrane J. PERRIGO . Exemplaire RARE en grandes marges . Quelques rousseurs en marges .
Seller: LA FRANCE GALANTE, Saint MARTIN sur LAVEZON, France
Book
Couverture souple. Condition: Bon. Paris . Chez l'Auteur . Cour du vieux Louvre . 1788 . UNE ESTAMPE en AQUATINTE de 1788 en 325 x 500 m/m - Cuvette 280 x 380 m/m de Philibert-Louis DEBUCOURT . Tirage sur papier fort , filigrane J. PERRIGO . Exemplaire RARE en grandes marges .
Publication Date: 1789
Seller: Antiquariat Braun, Gengenbach, Germany
Art / Print / Poster
Gedruckt auf Bütten. Condition: Gut. Format (Plattenrand): 34 x 26,5 cm. Blatt: 46 x 38 cm. *Sehr gutes farbfrisches Exemplar in tadelloser Erhaltung. Sprache: Französisch Gewicht in Gramm: 1200.
Seller: Librairie Seigneur, VOINGT, France
Art / Print / Poster First Edition
Condition: très bon. édition originale. Catalogue Fenaille n° 368. Cadre moderne. Collection de costumes dessinés d'après nature par Carle Vernet. N° 4 de la livraison(7 octobre 1816).
Published by Paris: Charles Bance, [1818], 1818
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. Handcolored aquatint on laid paper 37.6 x 28.8 cm. sheet size. Subdued colors. Stains and défraîchi. Series: Series: Collection de costumes dessinés d'après nature.Scène de rue. Métier. Balayeur. Homme tendant son bras à une dame pour l'aider à passer une rue inondée sur une planche à deux roues. Homme marchant tenant un parapluie de la main droite et enjambant de l'eau. Mode 19e siècle. En arrière-plan, paysage urbain.Fenaille 1899 / L'Oeuvre gravé de P.L. Debucourt (1755-1832) (377)IFF / Inventaire du Fonds Français: Bibliothèque Nationale, Département des Estampes (67)Dayot 1925 / Carle Vernet, étude sur l'artiste suivie d'un catalogue de l'oeuvre gravé et lithographié et du catalogue de l'exposition rétrospective de 1925 (81.1).
Condition: Very Good. Philibert Louis Debucourt (illustrator). Engraved print with period hand colouring. Print measures 35x25.cm. [14x10 inches ]. A nice clean print.
Publication Date: 1812
Seller: Librairie Seigneur, VOINGT, France
Art / Print / Poster
51 x 67 avec le cadre. 1812 Eau-forte et aquatinte 51 x 67 avec le cadre. Déposé à la Bibliothèque le 31 janvier 1812 par Bance. Aquatinte et eau-forte imprimée en deux tons noir et bleu dans les fonds et la neige. Cette pièce encadrée dans une large marge noire à l'aquatinte ne porte pas de titre. Fenaille n° 307 - 2è état (sur 2) Cadre de l'époque en pin marqueté de filets plus clairs.
Seller: Il Bulino Antiche Stampe srl, Milano, MI, Italy
Book
senza rilegatura. Condition: in ottime condizioni. Acquatinta misure: mm 229 x 311 Pittore e incisore francese. Inizialmente la sua produzione artistica è caratterizzata da piccoli quadri di genere per poi approdare, intorno al 1785, alla tecnica incisoria dell'acquatinta. Conquistò il pubblico con scene campestri, scene umoristiche e satiriche della Parigi del tempo e scene di vita famigliare trattandole con eleganza e gusto settecentesco. Questa stampa pubblicata nel volume Voyage pittoresque et historique du Nord de l'Italie, 1820 di T.C Bruun Neergard è tratta da un disegno di Thomas-Charles Naudet (1773-1810). L'incisione è la n.9, come indicato dal numero in alto a sinistra, rappresenta un bellissimo scorcio di una Milano ancora poco urbanizzata. La chiesa di San Ambrogio, inserita in un contesto campestre, viene vista lateralmente, attraverso delicati contrasti chiaroscurali, tra i tetti e le fronde degli alberi colpite dai raggi del sole si notano il campanile dei canonici e il tiburio ottagonale. Questo presenta una sovrapposizione di ordini ad archetti i quali scandiscono l'incurvatura della cupola. In primo piano un frate francescano sembra stia discutendo animatamente con una giovane donna, sulla destra sotto le fronde di un albero si riposa un uomo con la sua cesta. Titolo al centro oltre l'immagine. La lastra è stampata con inchiostro color seppia il che crea un'atmosfera solare, mistica e rarefatta. Impressione eccellente su carta vergellata. Buono stato di conservazione, eccetto piccole mancanze. Bibliografia: P. Arrigoni, Milano nelle vecchie stampe, 1969, pag. 42, n.140.
Rara acquatinta a colori, mm. 180x233 relativi alla sola parte inc. + ampi marg. bianchi ancora in barbe. Bella veduta animata, di squisito gusto decorativo in ottimo stato di conservazione, salvo lievissime fiorit. ai marg. bianchi. Debucourt (1755-1832), fu pittore e incisore; abbandonò definitivamente la pittura nel 1875 dedicandosi esclusivamente all'incisione di riproduzione (acquatinta, bulino, maniera nera) riprendendo disegni propri e di C. Verne. (Per notizie sull'a. e sulla seguente opera cfr. Benezit III, pp.409-411).
Published by Paris Ch Bance 1814, 1814
Seller: Harrison-Hiett Rare Books, Richelieu, France
Art / Print / Poster
An attractive hand coloured engraving by Debucourt after Carle Vernet. First state, with 1er to the top left of the plate, and No. 1 to the top right. This was conceived as the first in the "Collection de Costumes" series, which was to have been a collection of 56 plates with accompanying text showing costumes of the nations. This plate was deposited at the Library by Aumontle on November 2, 1814 at the same time as the "March of English Officers." The English are shown as fairly brutish, as is often in French prints of the time. A good strong print with attractive original hand colouring. There is moderate to strong foxing across the whole plate. plate area 36cm x 27cm. Sheet is 39cm x 28cm. . Une belle gravure coloriée à la main par Debucourt d'après Carle VERNET. Premier état, avec le 1er en haut à gauche de la planche, et le No. 1 en haut à droite. Cette gravure a été conçue comme la première de la série "COLLECTION DE COSTUMES", qui devait être une collection de 56 planches accompagnées d'un texte montrant les costumes des nations. Cette planche a été déposée à la Bibliothèque par Aumontle le 2 novembre 1814 en même temps que la "Marche des officiers anglais". Les Anglais sont représentés de manière assez brutale, comme c'est souvent le cas dans les estampes françaises de l'époque. Il s'agit d'une estampe de bonne qualité, avec des couleurs originales attrayantes. Il y a des rousseurs modérées à fortes sur l'ensemble de la plaque. La surface de la plaque est de 36cm x 27cm. La feuille fait 39cm x 28cm.
Published by Imprimerie de Firmin Didot, Parigi, 1820
Seller: libreria antiquaria perini Sas di Perini, Verona, VR, Italy
Art / Print / Poster
Fascinosa incisione in rame all'acquatinta monocroma grigia, mm 183x237; raffigura Sirmione sullo sfondo con una scena animata di pesca in primo piano e con il Monte Baldo sullo sfondo. Eseguita da uno dei pi? stimati e innovatori artisti e incisori francesi vissuto tra sette e ottocento. Tratta da " Voyage pittoresque et historique du nord de l'Italie " di Bruun Neergaard. Ottimo esemplare marginosissimo in perfetto stato di conservazione.
Aquatinta mit Punktierstich 29,5 x 23 cm (hoch), Blattgröße 32,5 x 24,5 cm. Aquatinta von Philibert Louis Debucourt, einige Partien in Punktiermanier gearbeitet, altkoloriert. Satirische Darstellung sinngemäß Engländer essen Eis in uneleganter Art. Eine Familie sitzt an einem Tisch und isst Eis. Im Hintergrund ein fassungsloser Kellner, der weitere Portionen Eis bringt. Der grobschlächtig dargestellte, Zeitung lesende Familienvater leckt das Eis aus dem Becher, das Mädchen benutzt für ihre Portion einen Löffel. Philibert Louis Debucourt 1755 1832, französischer Maler und Kupferstecher. Rückseitig Spuren alter Rahmung, das Bild ohne Makel, sehr fein im Druck und Farbigkeit, das Motiv wunderbar detailgetreu.
Seller: Luis Porretta Fine Arts, Nanaimo, BC, Canada
First Edition
Non-Book. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. First Edition. This very rare engraving by Philibert-Louis Debucourt entitled "Le Compliment ou La Matinée du jour de l'an" (The Compliment or New Year's Morning) , ca1787. This Etching was printed in blue, red, yellow, carmine, and black inks and 11 13/16 × 9 7/8 in (30 × 25.1 cm). It is printed on woven paper which has been framed and shows light sunning. We believe this to be an original etching as we have been unable to confirm the existence of restrikes and as such is very scarce. Most engravings by Debucourt of this subject are in museums and national galleries. The engraving is offered unframed. ; 12" x 10".
Published by [Paris: Charles Bance (Bance jeune)], 1818
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. Handcolored aquatint on laid paper 37.5 x 28.3 cm. sheet size. Subdued colors. Small stains in left marge and slightly défraîchi. Series: Series: Collection de costumes dessinés d'après nature.Charbonnier se faisant raser la barbe.Description from the British Museum:Coalman seated on a chair, and woman standing before him and shaving him.Bibliographic referencesFenaille 1899 / L'Oeuvre gravé de P.L. Debucourt (1755-1832) (377)IFF / Inventaire du Fonds Français: Bibliothèque Nationale, Département des Estampes (67)Dayot 1925 / Carle Vernet, étude sur l'artiste suivie d'un catalogue de l'oeuvre gravé et lithographié et du catalogue de l'exposition rétrospective de 1925 (81.1).
Published by [Paris: Charles Bance (Bance jeune)], 1818
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. Handcolored aquatint on laid paper, 38 x 27.5 cm. sheet size. Subdued colors. Small tear in lower margin. Series: Series: Collection de costumes dessinés d'après nature.Bibliographic referencesFenaille 1899 / L'Oeuvre gravé de P.L. Debucourt (1755-1832) (377)IFF / Inventaire du Fonds Français: Bibliothèque Nationale, Département des Estampes (67)Dayot 1925 / Carle Vernet, étude sur l'artiste suivie d'un catalogue de l'oeuvre gravé et lithographié et du catalogue de l'exposition rétrospective de 1925 (81.1); Fenaille 381; Beraldi XII.288.
Published by Parigi,, 1820
Seller: libreria antiquaria perini Sas di Perini, Verona, VR, Italy
Art / Print / Poster
Incisione all'acquatinta, mm 180x230. Tratta da " Voyage pittoresque et historique du nord de l'Italie " di Bruun Neergaard. Buon esemplare rifilato alla battuta del rame.
Splendida veduta panoramica animata. Acquatinta seppiata mm. 180x240 relativi alla sola parte inc. + ampi marg. bianchi ancora in barbe. Ottimo stato di conservazione. Debucourt (1755-1832), fu pittore e incisore; abbandonò definitivamente la pittura nel 1875 dedicandosi esclusivamente all'incisione di riproduzione (acquatinta, bulino, maniera nera) riprendendo disegni propri e di C. Verne. (Per notizie sull'a. e sulla seguente opera cfr. Benezit III, pp.409-411).
Splendida veduta panoramica animata. Acquatinta seppiata mm. 190x250 relativi alla sola parte inc. + ampi marg. bianchi ancora in barbe. Ottimo stato di conservazione. Debucourt (1755-1832), fu pittore e incisore; abbandonò definitivamente la pittura nel 1875 dedicandosi esclusivamente all'incisione di riproduzione (acquatinta, bulino, maniera nera) riprendendo disegni propri e di C. Verne. (Per notizie sull'a. e sulla seguente opera cfr. Benezit III, pp.409-411).
Splendida veduta panoramica animata, in un giorno invernale. Acquatinta a colori, superba resa dell'effetto neve, mm. 200x250 relativi alla sola parte inc. + ampi marg. bianchi ancora in barbe. Una piega secca della carta, peraltro ottimo stato di conservazione. Debucourt (1755-1832), fu pittore e incisore; abbandonò definitivamente la pittura nel 1875 dedicandosi esclusivamente all'incisione di riproduzione (acquatinta, bulino, maniera nera) riprendendo disegni propri e di C. Verne. (Per notizie sull'a. e sulla seguente opera cfr. Benezit III, pp.409-411).