David Pierre Giottino Humbert Superville (4 results)

LeatherBound. Condition: New. LeatherBound edition. Condition: New. Reprinted from 1815 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 158 Language: French.

Leather Bound. Condition: New. Language: French. This book is available in 5 different Leather color without any extra cost. Explore More Options by Clicking on 'More Images' and Notify Us of Your Choice via Email within 24 hours of placing the order. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1815. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages: - 158, Print on Demand. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 158.

Couverture rigide. Condition: Trčs bon. Edition limitée ŕ 200 exemplaires.Les reproductions des illustrations dont il est question font l'objet d'un ouvrage titré Miscellanea Humbert de Superville (manquant).Leyde et Paris, non nommé - 1998. Réédition de la publication de 1827 ŕ Leyde.Reliure pleine toile taupe avec nom de l'auteur doré sur le premier plat. Titre doré au dos. Tampon sur le titre. Trčs bon état. Format in-4°(31x27).

First edition. First edition. Oblong. In near contemporary half leather, gilt title on spine. Panels covered with marbled paper, edges tinted. [9] letterpress leaves, and 72 hand-colored engraved plates. An extremely scarce copy, with 72 plates, of this unusual French version of Hamilton's Collection of Engravings from Ancient Vases mostly of pure Greek workmanship. The original edition of the Collection of Engravings from Ancient Vases Mostly of Pure Greek Workmanship Discovered in Sepulchres in the Kingdom of the Two Sicilies [.] now in the possession of Sir Wm. Hamilton [.] was published in four volumes by Wilhelm Tischbein in Naples between 1791 and 1803, as a catalogue describing and illustrating Hamilton's second vase collection. The plates for this collection, unlike those in his previous catalogue, are line engravings, so as to be more affordable, as well as more useful to artists and manufacturers as a pattern book. Hamilton's previous 4-volume album, Collection of Etruscan, Greek and Roman Antiquities From the Cabinet of the Hon. W. Hamilton (1766-1776) was one of the most splendid publications of the 18th century, and constitutes in itself a chapter in European cultural history, by its aim to disseminate a new style throughout Europe (Schutze, 2) The success of this programme could be measured by the appearance of a French edition of the work in a smaller-format in five volumes (1785-1788), and also by the present, less known album, which was published around 1803 in Paris, issued in a sequel of twelve livraisons (an advertisement for the sale of the last five livraisons could be found in the Journal de Paris no. 191, of 1 April 1803., p. 1215). In the present oblong album, each plate is carefully executed and - unlike the original Naples edition - hand painted, in the same manner as in Hamilton's first Collection, many of them with four colors. The original drawings, either copies of those by Tischbein for the second Collection, or made directly after the vases in Hamilton's collection, were made by Humbert de Superville. Although his name is not mentioned in the book, neither indicated on the plates yet, in the collection of the Leiden University Libraries sixteen of Humbert de Superville's original sketches for these illustrations are held. William Hamilton (1730-1803) was the British envoy to the Court of Naples, living there for 37 years. Besides his official duties as ambassador and his scientific studies of volcanoes, he also acted as a collector of antiquities and paintings, as well as a dealer of art, antiquities, and furniture for collectors and friends in England. He is best known for amassing and publishing two great collections of Greek vases. His first collection, including 730 vases, besides other ancient objects, was sold to the British Museum in 1771, the second - except for a part which went down with the ship carried them to England in 1798 - was sold on private and public sales in 1801. (Ramage 1990). Spine worn at edges, opened at tail. With 72 hand-colored plates, many of them with 4 colors (black, orange, yellow, red). Free endpapers creased. Light water stain to lower left corner throughout, not affecting the images. Letterpress explanations for plate no. XXXVII-XLVII not bound into. The last two leaves with double-page letterpress explanations were bound in reverse order. Oblong. In near contemporary half leather, gilt title on spine. Panels covered with marbled paper, edges tinted.