Product Type
Condition
Binding
Collectible Attributes
Seller Location
Seller Rating
Published by Hastings House, 1972
ISBN 10: 0803880618ISBN 13: 9780803880610
Seller: SecondSale, Montgomery, IL, U.S.A.
Book
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Published by Hastings House, 1972
ISBN 10: 0803880618ISBN 13: 9780803880610
Seller: BooksByLisa, Highland Park, IL, U.S.A.
Book
Hardcover. Condition: New. 3rd Edition. STORED NEW PRISTINE CONDITION SANITIZED THEN WRAPPED. Book.
Published by Hastings House / Focal Press Communications Arts Books, New York, 1972
ISBN 10: 0803880618ISBN 13: 9780803880610
Seller: Aladdin Books, Fullerton, CA, U.S.A.
Book First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. Very good with no markings or bookplate. Previous bookseller rubber-stamped address on flyleaf. In a good dust jacket with some fading to red background along spine. Minor edge wear to jacket, no chips and not price-clipped. First printing.
Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. First edition, first printing. Hardback in dustwrapper. 23.5 × 15.5cm, 245pp. "This is the first comprehensive work by one of the world's greatest film cameramen. It will serve as an authoritative source of information on camera technique in large scale feature productions. The text describes the duties of the director of photography in detail; his working condition, the people with whom he comes into contact, his day to day routine and equipment. It explores lighting and camerawork for every conceivable indoor and outdoor situation, including special effects and techniques. It discusses the nature of his relationship with the director within the context of the film, and then looks into his wider involvements with process as a whole." The book is illustrated with photographs and technical drawings. Condition: The book itself is in very good condition, with a neat previous owner's name to the ffep. The dustwrapper is faded to the spine but is otherwise clean and has not been price-clipped.
Published by Hastings House, 1972
ISBN 10: 0803880618ISBN 13: 9780803880610
Seller: BennettBooksLtd, North Las Vegas, NV, U.S.A.
Book
Condition: New. New. In shrink wrap. Looks like an interesting title! 1.5.
Published by Focal Press, 1975
ISBN 10: 0240507665ISBN 13: 9780240507668
Seller: HADDON'S, Hastings, ESUX, United Kingdom
Book First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Hardcover in dust-jacket.First published in 1972.This edition published in 1975 ( Second Impression ) Some imperfections to fore-page edges.Dust-jacket has some creasing to head of spine.A little fading to spine.
Published by Hastings House Pub., New York, 1972
ISBN 10: 0803880618ISBN 13: 9780803880610
Seller: Ira Joel Haber - Cinemage Books, Brooklyn, NY, U.S.A.
Book
Cl.w.dj. 1st American Edition. Comprehensive textbook by the great cinematographer on all aspects of the art of cinematography. Illus. throughout w. many diagrams + 37 b&w stills & production candids on plates. Fine/fine. Book.
Published by London & New York; Focal Press, 1972., 1972
Seller: Keel Row Bookshop Ltd - ABA, ILAB & PBFA, Whitley Bay, United Kingdom
First Edition Signed
Hardcover. FIRST EDITION. ASSOCIATION COPY with Archive. Octavo. 245 pp. Numerous monochrome photographic plates plus diagrams and line drawings in text. Book Condition: Very Good. Jacket Condition: Very Good. Publisher's red cloth with gilt titles to spine in unclipped pictorial dust-jacket. Cover cloth rubbed at corners and spine tips; jacket spine sunned with nicks & creases top edge; corners a little bumped. Gift inscription to cinematographer David Samuelson from the Author to half-title dated 1972; Samuelson's bookplate to ffep, featuring the first known illustration of a Projection Screen, and typed letter taped to front pastedown from the publishers, in response to the Author's request to send Samuelson a copy upon publication. In addition a number of items are loosely inserted : a 3-D lenticular photograph of Freddie Young, labelled in ink to rear, with his three Oscars; 35mm photographic negatives of Young and his son on set shooting The Battle of Britain in 1970; two Orders of Service for Young's memorial service in 1998 in which Samuelson gave the second reading, together with a printed copy of the heartfelt Tribute on 2 sheets of A4 paper; a signed menu for Young's 90th birthday dinner which was hosted by Michael Samuelson Lighting at Pinewood Studios and at which Samuelson read the Tribute, inscribed to Samuelson and his wife Elaine and signed Freddie and Joan; Samuelson's invitation to the Press Launch of the book in 1972; 4 sheets of A4 paper printed recto only, referring to the work of the Andor Kraszna-Krausz foundation and its connection to Focal Press; 8 A4 sheets printed recto only which are printouts of emails responding to news of Young's death and include addresses and tributes from other luminaries of the movie world like digital artist and photographer Feliciano di Giorgio and director Kurt Rauf. Freddie Young is widely regarded as one of the greatest cameramen of all time and is best-known for his triple Oscar winning work on David Lean's productions of Ryan's Daughter, Doctor Zhivago and Lawrence of Arabia. Young was responsible for the iconic scene in Lawrence of Arabia in which Omar Sharif emerges through a mirage; this film inspired Steven Spielberg to take up film making as a career. Young was awarded an OBE in 1970 for his services to the film industry and was the first English director of photography to shoot in wide-screen cinemascope. Young was a close friend and colleague of Samuelson for many years and this association is borne out by this very personal archive.