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Published by Newnes, London
Seller: Counterpane Books, Frazier Park, CA, U.S.A.
Book
Hardcover. Condition: Good. No Jacket. Hardcover, without date (looks to be an early printing--late 30's?), bound in brown cloth, with faded gilt lettering on spine, is in G condition, having bumped and slightly worn corners, overall light surface and edge wear to covers; last 60 or so pages show at top right corners some slight bending (just in the margin section) due probably to improper storage at some time; very small hole/damaged area (about 1/4 of inch) on last printed page; former owner's bookplate on first fixed endpaper; interior pages show very slight handling wear, there is tiny smudge facing title-page, and pages have normal age-toning. With an "acceptance" of dedication to the book by Sergei Eisenstein. Translated from Russian to English by Stephen Garry, with "editorial advice" by Ivor Montagu. Illustrated with more than 200 b&w illustrations. Shot designs and composition, and their meanings and effects, by a camera operator for S. M. Eisenstein. Performing Arts. Cinema. Film. Technique. DB.
Published by Hill and Wang, 1959
Seller: Small World Books, Rochester, NY, U.S.A.
Book
Hardcover. Condition: Very Good. Dust Jacket Condition: Near Very Good. More than 200 Illustrations (illustrator). 2nd Printing. Former owner's address stamp on front endpaper. A few lightly underlined lines with pencil have been erased, there may be small mark on side of page. Clean and solid copy. Dust jacket shows normal shelfwear with moderate edgewear, dj's spine sunned, price on flap $6.95. No copyright date. Library of Congress catalog number 59-8663.
Published by Newnes, 1936
Seller: Jeff Stark, Barstow, CA, U.S.A.
Book
Hardcover. Condition: Fair. No Jacket. No date in book. Circa 1936. Original vintage edition in red cloth no dust jacket. Has a pencilled nam "John Stix" on the inside blank page - probably from Julliard, but not sure. Fair used copy. Tight Written by a student of Eisenstein and translated into English - here for the first time.
Published by Hill and Wang, New York
Seller: Russ States, Oil City, PA, U.S.A.
Cloth. Condition: Very Good -. No Jacket. nd (c. 1959), 227pp, illus., red cloth, trans. by Stephen Garry, slight shelfwear & soiling to cover, browning from newspaper clippings to last blank pg, no dj, contents clean.
Publication Date: 2023
Seller: True World of Books, Delhi, India
Book Print on Demand
LeatherBound. Condition: New. LeatherBound edition. Condition: New. Reprinted from 1959 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 230.
Published by Hill and Wang [1959], New York, 1959
Seller: ReadInk, ABAA/IOBA, Los Angeles, CA, U.S.A.
First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good dj. First American Edition. [foxing to top edge and fore-edge of text block, a little bit of black gunk on lower part of front and back covers (from one of those old-style jacket protectors, now removed and replaced); jacket a little wrinkled, some wear to spine extremities, light internal staining (but no bleed-through)]. (B&W photos, drawings, etc.) A dense and heavily-illustrated work of film theory and practice by Sergei Eisenstein's cameraman (incorporating "more than two hundred illustrations," per the title page). Eisenstein himself contributed "an Appreciation" to the volume, with Ivor Montagu credited for "editorial advice.".
Published by Hill and Wang, New York, 1959
Seller: Village Works, New York, NY, U.S.A.
Book First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. 1st Edition. First American Edition. Due to the weight, and/or size, and/or rarity of this book, we will request an additional $4(domestic) to $24 (international) for shipping from you the buyer based on actual shipping costs, after your order is placed through this platform. This will not slow down your shipping time. Thank you for understanding.
Published by Hill & Wang, 1972
ISBN 10: 0809034506ISBN 13: 9780809034505
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Book
Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 2.3.
Published by Hill and Wang, New York * * * * *
Seller: L. Michael, North Hollywood, CA, U.S.A.
Book
Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. Book: Fine/, (illustrator). Book: Fine/, $58.81 the CINEMA as a GRAPHIC ART. On the Theory of Representation in the Cinema * NILSEN, Vladimir; EISENSTEIN, S. M.; GRRY, Stepen; MONTAGU, Ivor Hill and Wang New York * * * * * D/j + H/c Red With One Black Rectangle On Spine And Title In 0ff~White And Black Letters, Dust Jacket: Very Good/, Shelf Edge And Corner Wear And TEARS. Front Interior Flap, $6.00. Hard Book: Fine/, Shelf, Edge And Corner Wear. 437 Numbered Pages, Printed On 0ff~White Paper, Clean And Tight To The Spine Which Has No Little Play, Appear To Be Lightly Read, In Fine/ Condition. Spine Is Tight And Corners Are Near Square. This Item Will Be Sent Wrapped In Plastic, Taped Shut And In A = Corrugated Mailing B0X. * To Prevent Shipping Damage So That It Will Arrive In The Description Described Which Applies To This B00K, Only. = No Odors, No Writing, No Names, No Rippling, Not Stuck Together, No Book Plate, Not X~Library, No Other Marks. = Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift, For The Discriminating Reader / Collector. = WORLD WIDE SHIPPING, AVAILABLE *.
Published by Hill and Wang, New York, 1959
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First American edition. Translated by Stephen Garry with editorial advice from Ivor Montagu. Introduction by S.M. Eisenstein. 227pp. Over 200 illustrations. Publisher's File Copy, with stamp on the topedge. Boards very lightly spotted, crown bumped, base of the spine with chips, thus very good or better in a rubbed, very good dust jacket with a sunned spine, several chips and small tears, and faint foxing on the flaps. An important guide to camera work in film.
Published by Newnes, London
Seller: Renaissance Books, ANZAAB / ILAB, Dunedin, New Zealand
First Edition
Hardcover. Condition: Good. Dust Jacket Condition: Poor. First Edition. Slight fraying to cloth at spine ends and at tail corner of front board. Moderate foxing to endpapers. No signatures. Dust wrapper chipped. Dust wrapper spine mostly missing. Dust wrapper held together in archival mylar cover. ; No date [1930's]. Dedicated to Sergei Mikhailovitch Eisenstein. With an Appreciation by S. M. Eisenstein. Transalted by Stephen Garry. 226, [1] pages. Illustrated. Red cloth boards with gilt lettering on spine. Dimensions: 10" by 6 1/2". ; 8vo.
Published by George Newnes Ltd., Great Britain, 1936
Seller: JERO BOOKS AND TEMPLET CO., SANTA MONICA, CA, U.S.A.
First Edition
Hardcover. Condition: Good. Dust Jacket Condition: Acceptable. 1st Edition. 1st Edition Hardcover with dust jacket 8vo with 226 pages The book is in good condition with some rubbing to the covers and bumping to the edges The dust jacket has some foxing and bumping and tearing along the edges and 1in x .5in tear missing from the top of the spine The interior is mostly clean and tight with some foxing that does not affect the text The spine is brown and green with black text Size: 8vo. Hardcover.
Published by Hill and Wang, New York
Seller: J. Wyatt Books, Ottawa, ON, Canada
With an appreciation by S. M. Eisenstein. Trans. by Stephen Garry, with editorial advice from Ivor Montagu. 227 pp. White endpapers. Red cloth with black titles. Head and tail of spine and corners lightly worn. Red DJ with black and white titles. Faded spine, small chips, light wear along the edges. VG+/VG.
Published by Newnes : Limited
Seller: J. Wyatt Books, Ottawa, ON, Canada
Hard Cover. Condition: Very Good. With an Appreciation by S. M. Eisenstein. With more than 200 illustrations. Translated by Stephen Garry, with Editorial Advice from Ivor Montagu. 227 pages in good condition. Red cloth cover in good condition. Corners bumped and spine top and bottom worn. Spine yellowed. Binding tight. VG/.
Published by Newnes. First English edition [1937], London, 1937
Seller: Badger Books, Woollahra, NSW, Australia
First Edition
Hardcover/Hardback. Condition: Very Good. First Edition. 'On a Theory of Representation in the Cinema', the author cinematographer's study of the art of camerawork emphasising 'artistic distortion as an expressive necessity in cinema'; 200+ reproductions, appreciation by Sergei Eisenstein (the dedicatee of the book) translation by Stephen Garry; Peter Brook's copy with his signature Original red cloth. Spine darkened, corners bumped. Very good. No dustwrapper. book.
Condition: Fine. Number of books: 1.
Seller: Librairie Chat, Beijing, China
Condition: Fine. Number of pages: 349p Size: 19cm Number of books: 1.
Seller: Librairie Chat, Beijing, China
Condition: Fine. Number of pages: 349p Size: 19cm.
Condition: Fine. The book is in fine condition.
Published by Newnes, London, 1937
Seller: SAVERY BOOKS, Brighton, East Sussex, United Kingdom
Book
Hardback. Condition: Very Good. Dust Jacket Condition: Very Good. Undated: circa 1937. Hardback in jacket. 25x17cm. 227 pages. More than 200 black & white Illustrations. Clean & tight book. No inscriptions. Jacket has edge wear, some foxing & minor marks. , Jacket is now under clear removable covers. Dispatched ROYAL MAIL FIRST CLASS with TRACKING next working day or sooner securely boxed in cardboard. ref f-stw. The Cinema as a Graphic Art. On a Theory of Representation in the Cinemaby Vladimir Nilsen; Dedicated to and with an appreciation by Sergei M. Eisenstein. Translated by Stephen Garry. Publishesd by Newnes, London.
Published by Newnes, 1937
Seller: Stephen White Books, Bradford, United Kingdom
Unknown Binding. Condition: Good. Ex-library book, usual markings. Hardback, in good condition. Clean text, sound binding. Quick dispatch from UK seller.
Published by Newnes n.d., London
Seller: Thomas A. Goldwasser Rare Books (ABAA), CHESTER, CT, U.S.A.
First Edition
First edition. Red cloth,gilt, near-fine copy in dust jacket. 1939 inscription.
Published by [Published by George Newnes Ltd] Printed by Butler & Tanner Ltd, Frome and London, 1936
Cloth. Condition: Very Good. B&W photos (illustrator). Review Copy with slip on title page. Tall 8vo, brown cloth, appreciation by S[ergei]. M. Eisenstein the dedicatee, mylar clear sleeve added, more than 200 B&W illustrations (diagrams, stills, compositional plans, script shots, story boards, photos), 226, [227] pages. Important early overview of cinema production methods. Very well illustrated with B&W images: some from early Soviet era films. Thoughtful text is interlaced with Marxist allusions. Vladimir Nilsen (1906 - 1938) was a Soviet camera operator, cinematographer, expert on camera work and associated electronics, and writer. He is probably best known for this important early study of cinematography. For his excellent work, Nilsen was awarded the Order of the Badge of Honor. Solid, clean copy. Cloth has moderate wear. Paper is lightly age-toned with very occasional spots. Plates are clean. Endpapers more age-toned. Bookstore label pasted to lower portion of title page. Label has owner's name in ink; same name on front pastedown. Mylar added. Book elaborates and illustrates cinematic theories associated with Sergei Mikhailovich Eisenstein (1898 - 1948), a Soviet film director and film theorist, a pioneer in the theory and practice of montage. He is noted in particular for his silent films Strike (1925), Battleship Potemkin (1925) and October (1928), which are also mentioned in this work.
Published by Newnes Ltd. London. 1936. 1st English ed. Cl. w/o. dj., 1936
Seller: Ira Joel Haber - Cinemage Books, Brooklyn, NY, U.S.A.
Classic study of filmic composition & the uses of the camera by a Russian cinematographer. Well illus. & designed with over 250 photos, stills, repros. & diagrams. Minute wear to covers and top and bottom edges of the cloth, bookstore label on bottom of front pastedown and a tiny stain to the bottom corner of the front endsheet. Light wear otherwise vg. Scarce. Book.
Published by Newnes Limited, (London), 1936
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. First English edition. Translated by Stephen Garry with editorial advice from Ivor Montagu. Introduction by S.M. Eisenstein. Over 200 illustrations. Endpapers foxed, else near fine in spine-toned overall very good price-clipped dust jacket. An important guide to camera work in film.
Published by Newnes Limited, (London), 1936
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First English edition. Translated by Stephen Garry with editorial advice from Ivor Montagu. Introduction by S.M. Eisenstein. Over 200 illustrations. Just about fine in uniformly soiled, very good or better dustwrapper. An important guide to camera work in film.
Published by George Newnes Limited, London, 1935
Seller: Book Booth, Berea, OH, U.S.A.
Hardcover. Condition: Good. Dust Jacket Condition: Fair. Dust jacket has heavy wear, rubbing, soil and pieces missing. Book has minor wear. Binding tight. No writing. 227 pages. Composition of film scenes and how to shoot movies. Black and white illustrations. Size: 6.75 x 10.