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ISBN 10: 3864170060ISBN 13: 9783864170065
Seller: medimops, Berlin, Germany
Book
Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
Published by Spesunica, 1998
Seller: Antiquariat Bookfarm, Löbnitz, Germany
Book
8°. 310 S. Leichte bis moderate Lager- und Gebrauchsspuren. Insgesamt guter Zustand. Ehemaliges Bibliotheksexemplar mit Stempel und Rückensignatur. Kbx 8° D 3301 fu058641 Sprache: Deutsch Gewicht in Gramm: 550.
Published by Canisius-Werk Verlag;, 2001
ISBN 10: 3934692095ISBN 13: 9783934692091
Seller: books4less (Versandantiquariat Petra Gros GmbH & Co. KG), Welling, Germany
Book
Broschiert. Condition: Gut. 3., erw. Aufl. 438 Seiten; Das Buch befindet sich in einem ordentlich erhaltenen Zustand. Sprache: Deutsch Gewicht in Gramm: 640.
Published by Oslo, Hogskolen i Oslo, 1999
Seller: Antiquariat Bookfarm, Löbnitz, Germany
Book
8°. 2. Ehemaliges Bibliotheksexemplar mit Stempel innen und Bibliothekssignatur auf Einband in gutem Zustand. Ex-library with stamp and catalogue number on spine. GOOD condition, some traces of use. Kbx 8° O 3991 fu058642 Sprache: Deutsch Gewicht in Gramm: 550.
Published by Oslo, 1996
Seller: Roland Antiquariat UG haftungsbeschränkt, Weinheim, Germany
Book Signed
8° (18,5-22,5 cm), Kart. 401 S. Gering berieben, sonst: Sehr gut erhalten. Fast neuwertig. Mit Widmung des Verfassers auf dem Vorsatz! no Gewicht in Gramm: 524.
Published by Ruppichteroth: Edition Kirchliche Umschau - Canisius-Werk e.V., 2001
ISBN 10: 3934692095ISBN 13: 9783934692091
Seller: Antiquariat Weber, Neuendorf b. Elmshorn, SH, Germany
Association Member: GIAQ
Book
kart. 21 cm ; 3., erweiterte Auflage. Paperbackausgabe, 438 Seiten. Gutes Exemplar. hwR.-L. ISBN: 3934692095.
Published by Labyrinth Press, Oslo, 1991
ISBN 10: 8273930122ISBN 13: 9788273930125
Seller: Winged Monkey Books, Arlington, VA, U.S.A.
Book First Edition
First Edition in English. Large hardcover in jacket, Very good with slight shelf wear. English language text. Illustrated.
Published by Ruppichteroth, Kirchlische Umschau, 2006
ISBN 10: 3934692095ISBN 13: 9783934692091
Seller: Antiquariat Thomas Nonnenmacher, Freiburg, Germany
Book
Softcover/Paperback. Condition: Gut. 4., erweiterte und korrigierte Auflage. 438 Seiten. Buchrücken mit deutlichen Knickspuren vom Lesen. Vorderer und oberer Schnitt etwas angeschmutzt. Ansonsten gut erhalten. 3934692095 Sprache: Deutsch Gewicht in Gramm: 1800.
Published by Labyrinth Press, 1991
ISBN 10: 8273930122ISBN 13: 9788273930125
Seller: Michael Patrick McCarty, Bookseller, New Castle, CO, U.S.A.
Book First Edition
Hard cover. Condition: Very Good. Dust Jacket Condition: Good. First edition. With b/w illustrations throughout; text in Norwegian. An uncommon title. Per Ung (5 June 1933 20 June 2013) was a Norwegian sculptor and graphic artist. He received his sculptor education under the influential of Per Palle Storm (1910 1994) at the Norwegian National Academy of Fine Arts from 1952-55. He became a student of Anthony Caro (1924 2013) at St. Martin's School of Art in London in 1960. Ung made a number of public portrait statues and monuments, most of them on private assignments. His first large public commission was the statue of actress Johanne Dybwad (bronze. 1959), located on Johanne Dybwads plass outside the National Theatre in Oslo. His monument of figure skater Sonja Henie ( (bronze. 1985) is located at Frogner stadion. His statue of Nobel Prize laureate Fridtjof Nansen (bronze. 1993) is placed outside the Fram building at BygdÃ?Æ?Ã?â??Ã?â??Ã?žy. A monument of the composer Johan Halvorsen (bronze. 2002) is placed outside the National Theatre in Oslo. Ung was member and served as chairman of the Norwegian Association of Sculptors (Norsk Billedhuggerforening), was a member of the Young Artists Society (Unge Kunstneres Samfund) and served on the Board of Supervisors of Kunstnernes Hus in Oslo from 1967-69. He was granted the A. C. Houens legat in 1953, Conrad Mohrs legat in 1958 and 1964, Moltzaus legat in 1957 and Lorch-Schives legat in 1960. He received the Ingeborg og Per Palle Storms Ã?Æ?Ã?â??Ã?â??Ã?Šrespris in 1995. In 2007, he was appointed Knight 1st Class in the Order of St. Olav.
Published by Oslo Academic Press, Oslo, 2021
ISBN 10: 8274772318ISBN 13: 9788274772311
Seller: CitiRetail, Stevenage, United Kingdom
Book
Hardcover. Condition: new. Hardcover. This anthology springs out of a productive environment that in recent years has been created in Norway for research into the art of Edvard Munch. Comprising scholars from both the University of Oslo and the Munch Museum, this environment is seeking to internationalise the research and broadening the network of scholars working on Munch's art. The nine essays written by art historians from USA, Germany, Switzerland and Norway shed new light upon different sides of Munch and his art, as well as on the impact he has had in art history. The authors in this anthology are more critical of their sources than has been seen earlier in research on Munch, and their interpretations of works are increasingly based on information that can be documented. A diversity of theory now supplements the traditionally biographical approach. One of the authors describes the process of identifying a formerly unknown Munch painting, Seated nude and three male heads, as well as addressing general problems of dating concerning Munch's oeuvres.Another essay focuses on Munch's portrayals of one of the most radical Norwegian art movements in the late 19th century, Kristianiabohemen, and the importance of this movement for Munch's development as an artist. Through analysis of Munch's paintings the authors also focus on Munch's role in the creation of a national identity, and his perception of the male role in contemporary society. In the last essay of the book it is being argued that Munch and his works have often been better comprehended by other artists than by traditional art historians. The essay shows how certain artists, most of them American such as Jim Dine, Andres Serrano and Elizabeth Jones, have appropriated and developed Munch's pictorial imagination, in independent works or in visual quotations. An anthology that springs out of a productive environment that has been created in Norway for research into the art of Edvard Munch. It includes nine essays written by art historians from USA, Germany, Switzerland and Norway that focus on different sides of Munch and his art, as well as on the impact he has had in art history. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Published by Oslo Academic Press, Oslo, 2021
ISBN 10: 8274772318ISBN 13: 9788274772311
Seller: AussieBookSeller, Truganina, VIC, Australia
Book
Hardcover. Condition: new. Hardcover. This anthology springs out of a productive environment that in recent years has been created in Norway for research into the art of Edvard Munch. Comprising scholars from both the University of Oslo and the Munch Museum, this environment is seeking to internationalise the research and broadening the network of scholars working on Munch's art. The nine essays written by art historians from USA, Germany, Switzerland and Norway shed new light upon different sides of Munch and his art, as well as on the impact he has had in art history. The authors in this anthology are more critical of their sources than has been seen earlier in research on Munch, and their interpretations of works are increasingly based on information that can be documented. A diversity of theory now supplements the traditionally biographical approach. One of the authors describes the process of identifying a formerly unknown Munch painting, Seated nude and three male heads, as well as addressing general problems of dating concerning Munch's oeuvres.Another essay focuses on Munch's portrayals of one of the most radical Norwegian art movements in the late 19th century, Kristianiabohemen, and the importance of this movement for Munch's development as an artist. Through analysis of Munch's paintings the authors also focus on Munch's role in the creation of a national identity, and his perception of the male role in contemporary society. In the last essay of the book it is being argued that Munch and his works have often been better comprehended by other artists than by traditional art historians. The essay shows how certain artists, most of them American such as Jim Dine, Andres Serrano and Elizabeth Jones, have appropriated and developed Munch's pictorial imagination, in independent works or in visual quotations. An anthology that springs out of a productive environment that has been created in Norway for research into the art of Edvard Munch. It includes nine essays written by art historians from USA, Germany, Switzerland and Norway that focus on different sides of Munch and his art, as well as on the impact he has had in art history. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Published by Unipubforlag and Oslo Academic Press, 2006
ISBN 10: 8274772318ISBN 13: 9788274772311
Seller: ANARTIST, New York, NY, U.S.A.
Book
Hardcover with dustjacket, 226 pages, new condition, clean and crisp; no internal marks.
Published by Institutt for filosofi, idé- og kunsthistorie og klassiske språk, Universitetet i Oslo, Oslo, 2016
Paperback. Bw illustrated wraps; red/white lettering on black spine. 432 pp. with 112 color images. Text in Norwegian. An ambitious PhD thesis/dissertation about Edvard Munch. VG+ a clean, tight copy; just a hint of shelf life.