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Published by Dutton Paperback Original, 1966, 1966
Seller: Longhouse, Publishers & Booksellers, Brattleboro, VT, U.S.A.
First Edition
First edition Near fine pictorial stiff wraps with crisp bright text throughout. Nicely illustrated. From a scholar's library we note brief marks to text, nothing at all offensive.
Published by E. P. Dutton & Co., Inc., New York, 1968
ISBN 10: 0525472118ISBN 13: 9780525472117
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Book
Paperback. Condition: Fair. 448 pages, illustrations; 20 cm. An acceptable reading copy, with a creased spine & front cover. A few scattered marks within. A scruffy, but serviceable copy. Another copy available. Essential reading for anyone interested in Minimalism and the art of the 1960s. All the seminal writings, including Michael Fried's "Art and Objecthood", are included. CONTENTS: Introduction; Systemic painting, by Lawrence Alloway; Sculpture as architecture : New York letter, 1966-1967, by Michael Benedikt; Serial art, systems, solipsism, by Mel Bochner; The razed sites of Carl Andre, by David Bourdon; Subject matter in the work of Barnett Newman, by Nicolas Calas; Art and objecthood, by Michael Fried; Questions to Stella and Judd, by Bruce Glaser; Two exhibitions, by E. C. Goossen; Photographs, by Dan Graham; Recentness of sculpture, by Clement Greenberg; Mannerism in the abstract, by Peter Hutchinson; A systematic revery from abstraction to now, by David Lee; Minimal art and primary meanings, by Allen Leepa; Eros presumptive, by Lucy R. Lippard; Notes on sculpture, by Robert Morris; Literalness and the infinite, by Toby Mussman; Minus Plato, by Brian O'Doherty; Minimal abstracts, by John Perreault; A quasi survey of some "minimalist" tendencies in the quantitatively minimal dance activity midst the plethora, or an analysis of trio A, by Yvonne Rainer; A B C art, by Barbara Rose; Defining art, by Harold Rosenberg; Gesture and non-gesture in recent sculpture, by Irving Sandler; Luminism and kineticism, by Willoughby Sharp; Schemata, by Elayne Varian; Talking with Tony Smith; Samuel Wagstaff, Jr.; Minimal art, by Richard Wollheim; Writings, by Martial Raysse, Dan Flavin, Robert Smithson. Size: 8vo.
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Published by E. P. Dutton & Company, Inc.
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Mass Market Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.48.
Published by E. P. Dutton & Co., Inc., New York, 1975
ISBN 10: 0525473777ISBN 13: 9780525473770
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Book
Paperback. Condition: Good. xxx, 322 pages, 8 leaves of plates, illustrations (some colour); 22 cm. D377. Good+. Firm binding, gently creased spine. Clean inside copy. Age toning. CONTENTS: What is super realism?: The real thing, by G. Henry. Rent is the only reality; or, The hotel instead of the hymns, by I. Karp. The deductive image, by J.P. Marandel. The closeup vision, by C. Nemser. Some women realists, by L. Nochlin; Theory and criticism: Existential vs. humanist realism, by L. Chase. The ersatz object, by K. Levin. Realism now, by L. Nochlin. Beyond freedom, dignity, and ridicule, by H. D. Raymond. Reality again, by H. Rosenberg; The artists : The photo as subject, by W. Dyckes. The silk purse of high-style interior decoration, by G. Henry. Malcolm Morley, post-style illusionism, by K. Levin. Verist sculpture, Hanson and De Andrea, by J. Masheck. Paint, flesh, Vesuvius, by G.R. Swenson. Realism in drag, by H. Truewoman. The grand style, by J. van Baron; Gallery of artworks (p. [237]-[319]). Size: 8vo.
Published by Art Digest, Inc., New York, 1969
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st. Cloth, 168 pages, illustrations (some colour); 33 cm. Near fine. Firm binding, clean inside copy. Age toning. Dust jacket with light edgewear. OVERSIZE! No priority/international, except by special arrangement. Size: Folio. Collectible.
Published by E.P. Dutton & Co, New York, 1973
ISBN 10: 0525473440ISBN 13: 9780525473442
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
Book First Edition
Softcover. Condition: Good. First edition. Mass market paperback. 203pp. Some underlining and check marks on a few pages and inside rear wrapper, edges rubbed, a good only copy. An anthology to present a direct rationale behind Idea Art.
Published by E. P. Dutton & Co., Inc., New York, 1966
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Mass Market Paperback. Condition: Good. 1st. 254 pages, illustrations; 19 cm. D178. Firm binding, creased spine. Clean inside copy. Age toning, top edge lightly soiled. Once upon a time, almost everyone interested in contemporary art owned a copy of this book. Now, it's relatively scarce. Still a great collection of essays by leading art critics. CONTENTS: The creative act, by Marcel Duchamp; Contemporary art and the plight of its public, by Leo Steinberg; The big canvas, by E. C. Goossen; New directions in American painting, by Sam Hunter; The new art, by Alan Solomon; Notes on Op art, by Lawrence Alloway; The art audience and the critic, by Henry Geldzahler; Modernist painting, by Clement Greenberg; In praise of illusion, by Dore Ashton; Critical schizophrenia and the intentionalist method, by Max Kozloff; Anti-art and criticism, by Allen Leepa; Non-writing and the art scene, by Susan Sontag; A tale of two cities, by Thomas B. Hess; And now the sphinx, by Nicolas Calas; New York letter 1965: Reinhardt, Duchamp, Morris, by Lucy R. Lippard; Writings, by Ad Reinhardt; Jasper Johns: stories and ideas, by John Cage; Paul Brach's pictures, by Leo Steinberg; Andy Warhol, by Samuel Adams Green; Humanism and reality : Thek and Warhol, by Gregory Battcock; Toward a trans-literal and trans-technical dance-theater, by Kenneth King; Endowments for the great society, by Martin Ries. Size: 12mo.
Published by E. P. Dutton & Co., Inc., NY, 1968
Seller: Clausen Books, RMABA, Colorado Springs, CO, U.S.A.
First Edition
Wraps. Condition: Very Good. B&W Photographs (illustrator). First Edition. B&W photographs, textblock is clean and tight. All page edges are straight and sound. Reading crease along the spine, shelf worn edges, surface scuffed covers. 448p., including index. Size: 8vo - Over 7 3/4" - 9 3/4 " Tall. Paperback.
Published by A Dutton Paperback - E. P. Dutton & Co., Inc., New York, 1973
ISBN 10: 0525473610ISBN 13: 9780525473619
Seller: Past Pages, Oshawa, ON, Canada
Book
Mass Market Paperback. Condition: Very Good. Second Edition 1st Printing. Previous Owner Markings; Light Creasing on Front, Rear Covers, Spine; Front, Rear Covers, Spine Lightly Chipped; Spine Slightly Cocked; Edges Lightly Soiled; Slight Yellowing Due to Age. SUB-TITLE: A Critical Anthology. BOOK NUMBER: D361. CONTENTS: Preface to Revised Edition; Introduction; Dore Ashton: End of an Age; Gregory Battcock: Humanism and Reality - Thek and Warhol; Gregory Battcock: The Warhol Generation; John Cage: Jasper Johns: Stories and Ideas; Marcel Duchamp: The Creative Act; Henry Geldzahler: The Art Audience and the Critic; E. C. Goossen: The Big Canvas; Clement Greenberg: Modernist Painting; John Hendricks, Poppy Johnson, and Jean Toche: Toward a New Humanism; Thomas B. Hess: A Tale of Two Cities; Sam Hunter: New Directions in American Painting; Ada Louise Huxtable: Anyone Dig the Art of Building?; Kenneth King: Toward a Trans-Literal and Trans-Technical Dance-Theater; Allen Leepa: Anti-Art and Criticism; Lucy Lippard: The Dilemma; Howard Press: Marxism and Aesthetic Man; Ad Reinhardt: Writings; Harold Rosenberg: De-Aestheticization; Alan Solomon: The New Art; Leo Steinberg: Contemporary Art and the Plight of Its Public; Marcia Tucker: The Structure of Color; William S. Wilson III: Art: Energy and Attention. SYNOPSIS: Today's critic is beginning to seem almost as essential to the development - indeed, the identification - of art as the artist himself. The purpose of this volume is to bring together some of the best recent critical essays on the new art in the United States. Most of these articles date from after 1960, and were originally published in periodicals and museum catalogues. But in keeping with the new role of the critic as interpreter, the pieces included in this anthology do more than simply describe, or even define their subject; their authors are actively and consciously engaged in the preparation of a new aesthetic. This is a unique collection that will be indispensable to all who wish to understand more about the new art in America. Gregory Battcock is editor of several anthologies of criticism in the fine arts, including The New Art, Minimal Art, The New American Cinema, and The New Music. He is Special Correspondent for Arts Magazine and New York Correspondent for Art and Artists. Critical essays by Mr. Battcock have been published in Art in America, Domus, and The Art Journal. He teaches at William Paterson College in New Jersey and is general editor of the Dutton series called "Documents in Modern Art Criticism." Size: 12mo - over 6¾" - 7¾" tall.
Published by University of California Press, Berkeley, 1995
ISBN 10: 0520201477ISBN 13: 9780520201477
Seller: Springhead Books, Rochester, United Kingdom
Book
Soft cover. Condition: Very Good. xv, 454 pages : illustrations ; 21 cm. Slight shelf wear to edges, crease to front cover corner, spine faded, previous owner's name and date on front free endpaper, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.
Published by A DUTTON ORIGINAL PAPERBACK, New York, 1968
Seller: beat book shop, Boulder, CO, U.S.A.
Book
Soft cover. Condition: Very Good -. First Edition Paperback. Stephen King's copy bought from a friend of his from Boulder with an explanation & credible evidence.