Arnoux, Hippolyte (9 results)

Condition: Befriedigend. Originalfotografie (Albuminabzug) von Hippolyte Arnoux mit dem bekannten Motiv des Hafens von Port Said in Ägypten, geprägt durch einen regen Verkehr von Ruderbooten, teils auch besetzt mit Touristinnen. Das große Gebäude halblinks beherbergte das Grand Hotel Continental, das Reisbüro Thos. Cook & Son und den Schiffsausrüster (Ship Chandler) James Slavick. Die Grindlays Bank ist auf der rechten Seite zu erkennen. Foto mit eingelichteter Beschriftung "He. Arnoux Port Said No 14 Quai de Port- Said". Die Fotografie ist auf starken Karton aufgezogen, leicht bestoßen und angeschmutzt mit ganz kleinen Schäden im Foto. Sprache / Language: fr ca. 21,2 x 27,8 cm.

Soft cover. Condition: Very Good. Unpaginated, [8], profusely illustrated in 59 sepia colour photographs by Arnoux, selected from 11 albums donated to the National Archives by l'Association du Souvenir de Ferdinand de Lesseps et du Canal de Suez, copy in mint condition. A catalogue of an exhibition held at the Centre Historique des Archives Nationales in Paris from 6 November 1996 - 3 February 1997. Hippolyte Arnoux (active ca. 1860 - ca. 1890) was a French photographer and publisher. During the 1860s, he documented the excavation of the Suez Canal and published the resulting photographs. At the same time, he occasionally worked with the Port Said photographic studio, Adelphoi Zangaki. In the late 1860s, Arnoux was a partner of Antonio Beato. #36151.

Large format albumen print photograph, 21.7 x 28 cm, captioned and signed in the negative, mounted on an album leaf (browning, tear at the foot not affecting the image), 26.5 x 35 cm, the head of the photograph a trifle foxed, but with good tone. Scarce example of Hippolyte Arnoux's work, who worked on the project document works on the Suez Canal. He was one of the the first commercial photographers to produce large scale images of Egypt.

Large format albumen print photograph, 21.7 x 28 cm, captioned and signed in the negative, with a horizontal crease, mounted on thick card (browning, corners bumped, with an edge tear not affecting the image), 26.5 x 35 cm, the print with very good tone. Scarce example of Hippolyte Arnoux's work, one of the the first commercial photographers to produce large scale images of Egypt. He worked on the project document works on the Suez Canal. His studio was in Place Ferdinand de Lesseps, Port Said?s main square. Along with with the Zangazi Brothers, he exhibited a large number of photos at the Universal Exhibition held in Paris in 1889. From the estate of the late collector and scholar Arthur Hacker.

Albumen print. Very good rich tones and in excellent condition.

Album de photographies in-8 oblong "à l'italienne" ( 280 X 380 mm ), demi-chagrin vert, dos à nerfs janséniste, plats de percaline chagrinée de la même teinte contenant 48 photographies en tirage albuminé vers 1880-1894 de formats divers contrecollées sur feuillets de papier fort montés sur onglets.Bel album de voyage, les photographies sont parfois légendées au crayon sur le carton de montage, parfois dans la photographie, parfois muettes. Nous relevons la signature des photographes suivants: Hippolyte ARNOUX, ZANGARI, Félix BONFILS ( pour les photographies d'Egypte ).Détail des photographies:- TONKIN. 25 photographies essentiellement de format 17 X 22,5 cm. Hanoï, Pêcheurs, Charpentiers -Sculpteurs, Barbiers, Ecole Franco-Anamite, Comédiens, Fabrication du papier, Chanteurs, Porteurs d'eau.- OBOCK-DJIBOUTI. 3 photographies de format 220 X 260 cm.- EGYPTE: 9 photographies essentiellement de format 220 X 280 cm.- TUNISIE: 9 photographies essentiellement de format 130 X 170 cm.A la suite sont contrecollés 33 documents divers: cartes-postales, vignettes, photographies etc. de France. TUNISIE EGYPTE YEMEN DJIBOUTI TONKIN PHOTOGRAPHIES Explorations Voyages.

Gran Bretagna, 1880 ca. Album (cm. 28 x 38) in tutta percallina rossa coeva, con cornici dorate e impressioni floreali a secco al piatto anteriore, filetti dorati al dorso, tagli dorati, cc. 40 in cartoncino spesso sulle quali sono applicate 96 foto originali all'albumina della seconda metà dell'800, tutte di ottima fattura e quasi tutte animate, di cui oltre 60 di grande formato (cm. 28 x 22 ca.), raffiguranti noti luoghi d'Egitto, India, Algeria, Francia, Italia, di Hippolyte Arnoux, Félix Adrien Bonfils, Giorgio Sommer, forse Giovanni Crupi, Samuel Bourne, G.W. Lawrie & Co, e altri. Completano la splendida raccolta, 4 disegni colorati a mano dell'epoca, raffiguranti divinità indù. Lievi tracce d'uso alla legatura; lievi difetti marginali alla foto n. 1. ma davvero ben conservato. Elenco delle foto contenute nell'album: EGITTO (tutte di grande formato): 1. Arnoux: Le Sphynx - 2. Arnoux: Pyramides de Gizeh et le Nil, Caire - 3. Arnoux: [Scena di gruppo su una piramide arcaica (Saqqara?)] - 4. Arnoux N. 626. Dahabie sur le Nil (Caire) - 5. Arnoux N. 618. Tombaux des Califes et la Citadelle, Caire - 6. Arnoux N. 613. Intérieur del la la Mosquées Mehemet Ali - 7. Arnoux N. 721. .Mosquée Kail Bey, Caire - 8. Arnoux N. 656. Panorama du Caire et Pyramide - 9. Arnoux N. 644. [Cittadella, Cairo] - 10. Arnoux N. 838. [Due donne velate in costume tradizionale con bambini in spalla] 11. Arnoux N. 392. [Ritratto di lavoratore, con anfora su supporto in legno] - 12. Bonfils N. 208. Reine Cléopatre, Egypte - 13. Bonfils N. 210. Déesse Isis, Egypte - 14. Bonfils N. 211. [Bassorilievo, dettaglio] - 15. Arnoux N. 651. Obelisque de Heliopolis a Matarieh, Caire - 16. Bonfils N. 186. Vue général de Louqsor - 17. Bonfils N. 159. Medinet Abou. Vue général du petit temple, Détail de la porte - 18. Bonfils N. 146. Karnak. Les trois obelisques du Grand Temple - 19. Bonfils N. 128. Pylone et Obelisque de Louqsor - 20. Bonfils. N. 142. Karnak, Avenue centrale de la salle hypostyle - 21. Bonfils. N. 131. Karnak, Temple de Ramessés IV, la porte - 22. Bonfils. N. 166. Thèbes, Colosses de Memnon - 23. Bonfils N. 178. La première cataracte. Les rapides. 24. Bonfils N. 200. Nubie. Temple d'Abou-Simbel - 25. Arnoux N. 20. Place de Lesseps à Port Said. YEMEN (entrambe di grande formato): 26. [Caravanserraglio con un gran numero di cammelli a riposo e montagne sullo sfondo] Aden - 27. [Cisterns of Tawila] Tanks of Aden. INDIA (di grande formato: 28-38, 45, 64-65, 68-74): 28. [Bourne], [Parsee] Tower of Silence, Bombay - 29. [Bourne (attribuita a)]. Trimurti, Elephanta Caves, Bombay ? 30. [Bourne & Shepherd?], Temple of Elephanta [Interior of Elephanta Cave] - 31. Manack Chowk, Jeypur [Mercato, molto animato, Jaipur] - 32. Amber [The old city of Amber, Jaipur, veduta] 33. Amber [Fort] - 34. Vacca sacra - 35. G.W. Lawrie & Co, Landour (panorama) - 36. The Angel of Cawnpore [Memorial commemorating the massacre of the Indian Mutiny of 1857] 37. Sikandarah (Agra), Mausoleum of Akbar - 38. [Bourne?], Fatehpur Sikri, Tomb of Salim Chishti - 39. Mosque, Agra - 40. Jam'i Masjid or Great Mosque, Agra - 41. Gateway of Sikandarah (Agra) - 42. Tomb of I'tim d-ud-Daulah, Agra - 43. Throne of Jahangir, Agra - 44. Window of the Tomb of I'tim d-ud-Daulah, Agra - 45. Taj Mahal - 46. The Taj Mahal from the Banks of the Yamuna River - 47. [Moschea] - 48. Screen of the Mausoleum of the Taj Mahal - 49. Diwan-i-Kas, Agra - 50-57. Vedute di monumenti, Lahore 58. Great Mosque, Delhi - 59. Humayun's Tomb, Dehli - 60. Red Fort, Delhi - 61. Lahori Gate, Delhi - 62. Feroz Shah Kotla, Delhi - 63. Gate taken from Qutb Minar - 64. Qutb Minar - 65. Mutiny memorial (from the bridge), Delhi - 66. Kashmiri Gate, Delhi - 67. [Foto di gruppo, edificio coloniale sullo sfondo] - 68. [Panorama fluviale] - 69. [Panorama bucolico] - 70. [Grande edificio coloniale, con servitù] - 71. [Foresta con contadini] - 72. [Alberi] - 73. [Palmizi] - 74. [Foto di famiglia indiana altolocata: tre donne con bambino] - 75. Ganesha (disegno a colori) - 76. Parvati (disegno a colori) - 77. The Gange flowing from the mouth of Shiva (disegno a colori) - 78. Pianta (disegno a colori). ALGERIA: 79-80. [Due plastici di fortezza o palazzo reale, (Algeria?)] - 81. ND [Napoléon Dufeu] n. 125, Tlemcen, Vue générale de Bou Médine - 82. ND [Napoléon Dufeu] n. 133, Tlemcen, L'Enceinte de Mansourah - 83. danza di Dervishi (riproduzione fotografica di un disegno) - 84. G. Berggren n. 15, La porte du Vieux Sérail - 85. ND [Napoléon Dufeu] n. 101, Oran, Le Djebel Mourdjadjo, vue prise de la promenade de Letang - 86-87. [Due panorami marittimi non identificati]. FRANCIA: 88. J. Coupé, Le Ménec, Carnac [Allineamenti di Carnac; cm. 19 x 45, ripiegata]. ITALIA (tutte di grande formato): 89. Rive (attribuito a) N. 1813. Siracusa, Tremiglia - 90. Rive (attribuito a) N. 1815. Siracusa, Anfiteatro - 91. Rive (attribuito a) N. 1805. Siracusa, Chiesa di San Giovanni, entrata alle catacombe - 92. Sommer n. 8709, Latomie ai Cappuccini, Siracusa - 93. Sommer n. 1379, Il fiume Anapo e il papiro, Siracusa - 94. N. 1818. Siracusa, Museo, Venere - 95. Sommer, N. 1377. Finestre gothique nel palazzo Montalto, Siracusa - 96. Sommer n. 1392, Latomie dei Cappuccini, Siracusa - 97. Sommer n. 1386, Entrata delle catacombe, Siracusa - 98. N. 1817. Siracusa, Teatro - 99. Sommer N. 1808, Orecchio Dionysus, Siracusa - 100. Crupi [n. 72], Eruzione di fumo bocca centrale, vista dal Teatro Greco, 18 maggio 1886, ore 11 am.

, 74 unnumbered pages (16 pages are empty at the back of the book), a late 19th century photography album compiled of 28 tipped in large photographic albumen prints, 18 signed by Hippolyte Arnoux including 4 portraits, sphinx, pyramids, mosques and ports ( one of the first photographers to produce images of Egypt and the Suez Canal project ) First Edition , denting and marks to boards, rubbing at corners, and head and tail of spine, pages are foxed the prints are not foxed though some are lightly marked, possible repair to upper hinge, piece missing from upper pastedown foot, chipped page corners and edges in places, good condition , half dark brown morocco and grey morocco, 8 raised bands with gilt to spine, full gilt edges , 37.5cm x 28cm Hardback SIGNED by photographer ISBN:

1870-1872. Folio-oblong (395 x 320 mm). Original brown half calf, recased - the original cloth (with gilt lettering to the front) has been expertly mounted on to the new boards, and most of the original gilt leather spine has been preserved over a perfectly matching new lovely brown half calf. "Tordenskjold / 1870 - 1873" in gilt lettering, partly worn of, to front board. End-papers renewed. 71 albumen print in various sizes and by various photographers (see below) mounted on 59 contemporary white cardboard leaves (measuring 370 x 310 mm), all re-hinged. The album was water-damaged at some point, but has been expertly and neatly retored and appears in overall very good condition with good tones. 1, Oval photo of Tordenskjold (205 x 60mm) 2, Photo of Tordenskjold (190 x 143 mm) 3, Crew aboard Tordenskjold (200 x 14 mm) 4, Crew aboard Tordenskjold (157 x 128 mm) 5, Crew and equipment aboard Tordenskjold (228 x 176 mm) 6, Naval officers about Tordenskjold (167 x 130 mm). 7, 8 small photos of various places on one plate (274 x 190 mm) 8, The harbor of Port Said. By Hippolyte Arnoux (247 x 190mm) 9, Muddigging machines in the channel of Port Said. By Hippolyte Arnoux. (245 x 190mm) 10, Port Said. By Hippolyte Arnoux. 11, Malta (262 x 207 mm) 12, Two photos of Malta (each measuring 134 x 120 mm) 13, Two photos of Gibraltar (Each measuring 148 x 114) 14, Deep Water Bay, Hong Kong (194 x 130 mm). 15, Two photos depicting telegraph-house and ships in Deep Water Bay (each measuring 150 x 112) 16, Boat with people. By Felice Beato, coloured (294 x 235 mm) 17, House next to river. By John Thomson, December 1870 (278 x 225 mm) 17, Seamen?s hospital in Hong Kong. (261 x 190 mm) 18, Hong Kong. (270 x 195 mm) 19, Hong Kong, by Floyd (270 x 192 mm) 20, Hong Kong, by Floyd (240 x 190 mm) 21, Two photos of sites in Hong Kong (each measuring 165 x 127 mm) 22, Five Persians in Hong Kong (215 x 244 mm) 23, Group of women in Hong Kong, (326 x 215 mm) 24, Two photos of Hong Kong harbour, one photo depicting ?Cella? (182 x 105" 130 x 98 mm) 25, Villa at Canton. (264 x 190 mm) 26, Pagode in Xuexiu Park, Guangdong. By William Pryor Floyd. (195 x 246 mm) 27, Boats in Canton. William Pryor Floyd,(270 x 223 mm) 28, Pou-Ting-Qua?s Garden, Canton. By John Thomson. (289 x 230 mm) 29, Fields in Canton. (205 x 155 mm) 30, Houses in Canton. (267 x 210 mm) 31, Canton harbor. By John Thomson. (245 x 202 mm) 32, Boat on the Canton river. (274 x 204 mm) 33, Wall around Canton. (260 x 200 mm). 34, Boats in Canton (293 x 225) 35, Telegraphstation in Woosung. (150 x 110 mm) 36, Boats in Foochow. (287 x 232 mm) 37, Temple in Foochow. By John Thomson (190 x 237 mm) 38, Pagode in Foochow. Presumably by John Thomson. (287 x 220 mm). 39, Tomb of Fou Tcheou. By John Thomson. (290 x 225 mm). 40, Temple in Shanghai. (237 x 188 mm). 41, Shanghai. (232 x 176 mm) 42, Chaochow bridge, Kwangtung. By John Thomson. (266 x 204 mm). 43. Panorama of Nagasaki consisting of two photos. (371 x142 mm) 44, Two photos of Nagasaki. Felice Beato. (Each measuring 169 x 119 mm). 45, Two photos from Nagasaki. Presumably by Felice Beato. (Each measuring 165 x 118 mm) 46, Two photos from Nagasaki. Presumably by Felice Beato. (Each measuring 165 x 118 mm) 47, Temple in Nagasaki. Presumably by Felice Beato. (169 x 118 mm). 48, Photo of Japanese woman in kimono. By Felice Beato. (205 x 255 mm). 49, Two photos of officers in house in Yokohama. (162 x 125 mm). 50, The Abbot and Monks of Kushan Monastery. By John Thomson. (287 x 204 mm). 51, Wooden structure, presumably Nagasaki. Presumably by Felice Beato. (270 x 208 mm) 52, Pagode, presumably Nagasaki. Presumably by Felice Beato. (234 x 185 mm) 53, Cityscape with lake, presumably Nagasaki. Presumably by Felice Beato. (280 x 228 mm). 54, Two photos, cemetery and stairs to temple. By Felice Beato. (Each measuring 168 x 118 mm). 55, People standing outside house, presumably Hong Kong. By John Thomson. (185 x 155 mm) 56, Guangzhou Great Norh Gate, Canton. By John Thomson (245 x 156 mm). 57, Two photos, one of the building of a telegraph station (presumably in Wladivostok) and a view of Wladivostok from the sea (154 x 123 130 x 99 mm). 58, Seascape of two ships. (130 x 140 mm). 59, Ship laying for anchor. (170 x 123 mm) Exceedingly rare photo-album documenting the Danish vessel Tordenskjold?s mission in laying the very first telegraph cables in East Asia thereby connecting China and Japan to the global telegraph system. The album consists of photos taken aboard the vessel Tordenskjold, of Tordenskjold itself along with its crew, by an unknown photographer, and of photographs of the visited cities and surrounding areas by some of the finest photographers operating in East Asia at the time, such as John Thomson, William Floyd, Felice Beato and, in Egypt, Hippolyte Arnoux - all photographs presumably brought home by William Lund, Captain on board Tordenskjold. The present album depicts a pivotal moment in international relations and communications and does so through some of the earliest photos taken in China, Japan, and of the excavation of the Suez Canal. Submarine telegraph cables were first brought to China by Danish magnate Carl Fredrick Tietgen (1829-1901), a Dane who in 1870 set up the Great Northern China and Japan Extension Company. The company was created to build and operate a telegraph cable linking Hong Kong, Shanghai, and Japan with each other, and on to Vladivostok on Russia's east coast. From Vladivostok, a cable ran along the Trans-Siberian Railway, linking Hong Kong to telegraph networks in Britain, Europe, and America. Tietgen fought off strong, primarily English, competition and eventually won the concession to lay and operate new telegraph cables connecting Russia, China and Japan. It was a grand and risky project Tietgen and his partners were embarking on. Undersea cables would need to be laid in waters that had not been sounded, and cables were to be brought ashore on coasts where the prevailing con.