About this Item
Approximate Plate Size: 8 x 10 1/2 inches - Approximate Overall Size: 12 x 9 1/2 inches CONDITION: Folded. German Text. As Scanned. Fig. 11. Katharine de Medici, Queen of France (1519-89), after a contemporary miniature. Dalmatian attire under French livery. Characteristic are the shoulder veils, the puffed undersleeves, and the ruffled collar. The latter was made by Italians. Fig. 12. Don Juan of Austria after a portrait by El Greco in the Museum of Madrid, around 1572. Stiff ruffled collar, under which is a long adjacent cloth, tightly padded upper shoulder pads, jersey. Chain of the Order of the Golden Fleece. (After A. v. Heyden, Costumes Illustrated, Vol. III) Fig. 13. Noble Italian woman around 1520, after the so-called "Bella di Tiziano" in the Gallery of the Pitti Palace in Florence. Garment made of dark blue silk damask, adorned with red velvet stripes and red, slit undersleeves under the puffed upper sleeves. The fur over the right hand served to lure vermin into the body. (After A. v. Heyden, ibid., Vol. II) Fig. 14. Elegant Florentine from the 15th century with a red, bulbous cap, from which the silk band hangs down. Multicolored stockings (mi-parti). From a painting of the 15th century in the Guarrazzi Collection in Florence. Fig. 15. Noble Florentine woman from the 16th century with a gold-embroidered hood, whose points are twisted together and hang down on the shoulders. After a fresco painting by Domenico Ghirlandajo in Santa Maria Novella in Florence. (From A. v. Heyden, Papers on Costume, Vol. I., Berlin 1876, F. Lipperheide.) Fig. 16. Johanna of Flanders, wife of John of Montfort, Duke of Brittany (1041), with a cone-shaped hood with a stiff understructure (Hennin), from which a veil hangs down. After a miniature in the Paris National Library. Fig. 17. Burgundian noblewoman from the 15th century, from a Burgundian Hautelisse tapestry in Metz. Gold trim of the long dress 10 cm wide. (After A. v. Hayden, ibid.) Fig. 18. French nobleman (Charles of Montagne, killed at Agincourt 1415), with shoulder pads (flaholtres) and jagged, tang-like sleeves (so-called. Baggy costume). After a miniature from the 15th century. Fig. 19. Noble German citizen around 1480. From the murals by Michael Wohlgemuth in the homage hall of the town hall in Goslar. Damask chaperone, patterned with gray, natapf ornaments. Hairstyle: bulb cut. (After A. v. Heyden, ibid., Vol. III.) Fig. 20. Noble German woman from the same period and from the same painters. Rough, pointed hood with gold brocade lace and with a turban-like bulge. The wide sleeves are lined with fur. Undergarment of light blue stuff (After A. v. Hayden, ibid., Vol. I.) Fig. 21. Nuremberg citizen from 1500, in a chaperone adorned with three gold borders and with a beret. After a watercolor by A. Dürer in the Albertina in Vienna. Fig. 22. Nuremberg woman from 1500, according to the accompanying inscription cum tans going. Hood with chin strap. Long upper sleeves, lined with white fur. Watercolor same place. Fig. 23. Landsknecht. around 1520. After a woodcut by Niklas Meldemann. Slit trunk hose. Furred jerkin with puff sleeves. NOTE THE FOLLOWING BEFORE YOU PURCHASE: This is a GENUINE ANTIQUE PRINT. It is NOT a modern reproduction, ie. a laser scan, photocopy etc. It is the original from the antique atlas or book publication. This map/print was published on the date mentioned, or circa of the date mentioned at the top of the page. The print/map I have for sale, like many antique maps and prints that you see online, originate from an antique book or atlas publication. The publication may not always be known. If you have any questions, emails are welcome. Seller Inventory # 6519
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