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The Flame Throwers (SIGNED)

Kushner, Rachel

ISBN 10: 1439142017 / ISBN 13: 9781439142011
Published by Simon & Schuster; New York, 2014
Condition: As New Soft cover
From virtualrarities (san francisco, CA, U.S.A.)

AbeBooks Seller Since 12 January 2009

Quantity Available: 1

About this Item

Simon & Schuster. New York. 2014. SIGNED SOFTCOVER in AS NEW, FINE Condition. Flat SIGNED by author on title page; otherwise INTERIOR PRISTINE: clean, tight, bright, unread. A National Book Award Finalist & one of the 10 Best Books of 2013 as decreed by The New York Times Book Review. Carefully shipped in secure parcel. Bookseller Inventory # 509381

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Bibliographic Details

Title: The Flame Throwers (SIGNED)

Publisher: Simon & Schuster; New York

Publication Date: 2014

Binding: Soft cover

Book Condition:As New

Dust Jacket Condition: No Jacket

Signed: Signed by Author(s)

Edition: 3rd Edition

About this title

Synopsis:

NATIONAL BOOK AWARD FINALIST · NAMED ONE OF THE TEN BEST BOOKS OF 2013 BY THE NEW YORK TIMES BOOK REVIEW
New York magazine’s number one book of the year and named a Best Book of 2013 by The Wall Street Journal; Vogue; O, The Oprah Magazine; Los Angeles Times; The San Francisco Chronicle; The New Yorker; Time; Flavorwire; Salon; Slate; The Daily Beast; Bookish; The Jewish Daily Forward; The Austin American-Statesman; Complex; and The Millions, Rachel Kushner’s The Flamethrowers was a finalist for the National Book Award and a New York Times bestseller. Includes a new essay by the author, with a folio of images.

Reno, so-called because of the place of her birth, comes to New York intent on turning her fascination with motorcycles and speed into art. Her arrival coincides with an explosion of activity—artists colonize a deserted and industrial SoHo, stage actions in the East Village, blur the line between life and art. Reno is submitted to a sentimental education of sorts—by dreamers, poseurs, and raconteurs in New York and by radicals in Italy, where she goes with her lover to meet his estranged and formidable family. Ardent, vulnerable, and bold, Reno is a fiercely memorable observer, superbly realized by Rachel Kushner.

“Superb...Scintillatingly alive...A pure explosion of now.”—The New Yorker

Review:

Guest Review of Flamethrowers

By Lauren Groff

Every so often, you’ll come across a book that burns so hot and bright it’ll sear a shadow on your vision. For a while afterwards, everything you look at will have the book’s imprint on it; your world will be colored in the book’s tones, and you will glimpse the book’s characters on the street and feel your heart knocking in your chest for a few blocks, as if you’d escaped a close call.

This is how I felt after I read Rachel Kushner’s brilliant The Flamethrowers. The night I finished it, I dreamt of racing motorcycles across sun-shot salt-flats and of floating in glimmering Italian swimming pools. In the morning, I tried to describe the book to a friend but I eventually faltered into silence.

This is a beautiful book, I finally said, a book full of truth, a book about art and motorcycle racing and radicalism, about innocence and speed and stepping up to a dangerous brink, a book very deeply about the late seventies in New York City and its powerful blend of grittiness and philosophical purity.

Oh, said my friend. So. What is it about?

I tried again. I said: It’s a love story, about a young artist under the sway of an older, established artist, scion of a motorcycle family, who betrays her, and she joins up with an underground group in Italy. It feels like a contemporary European novel, philosophical and intelligent, with an American heart and narrative drive, I said.

Oh, said my friend.

Just read the book, I said and my friend did, and loved it to speechlessness, as well. Wow, is all he could say when he returned the book to me.

I don’t blame him. The truth is, this is a strange and mysterious novel, a subtle novel. Much of its power comes from the precision of Kushner’s language and how carefully she allows the flashes of perception to drive the narrative forward. See Reno, the offbeat narrator, describing ski racing to her lover, Sandro, saying, “Ski racing was drawing in time.” Suddenly you can see what she means, a body’s crisp slaloming down the white slope, the way the skier draws a perfect serpent down the clock.

Or see Reno, racing her motorcycle: “Far ahead of me, the salt flats and mountains conspired into one puddled vortex. I began to feel the size of this place. Or perhaps I did not feel it, but the cycle, whose tires marked its size with each turn, did. I felt a tenderness for them, speeding along under me.” There is something deeply eerie happening under the words, something on the verge of tipping over and spilling out; and, at the same time, a gentleness and innocence at the core of all that noise and speed.

Rachel Kushner is an unbelievably exciting writer, a writer of urgent and beautiful sentences and novels that are vast in their ambition and achievement. I finished it months ago, but The Flamethrowers—startling, radiant—still haunts me.

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