Figured Bass Accompaniment in Europe
Livio Ticli (ed)
From BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgium
Seller rating 5 out of 5 stars
AbeBooks Seller since 04 July 2002
From BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgium
Seller rating 5 out of 5 stars
AbeBooks Seller since 04 July 2002
About this Item
Hardback, xiv + 424 pages, Size:210 x 270 mm, Illustrations:43 b/w, 12 tables b/w., 75 musical examples, Language(s):English, Italian. ISBN 9782503608518. Sixteen internationally-renowned scholars map the figured bass accompaniment in Europe through a wide timespan: from the early-seventeenth-century Germany to late continuo realisations by Johannes Brahms and Robert Franz. Summary At the very end of his new and charming chapter included in this volume, Thomas Christensen sensuously claims that for each generation, figured bass has something new to say, though it rarely gives up its secrets without a fight. This book, therefore, attempts to do justice to the fight lead by sixteen internationally-renowned scholars who ventured mapping the figured bass accompaniment in Europe through a wide timespan: from the early-seventeenth-century Germany to late continuo realisations by Johannes Brahms and Robert Franz. The volume also addresses several issues such as different ways to sketch and write extensively the instrumental accompaniment, its rendition into practice and how to teach and apply formulas for improvising (and realising) a contrapuntal texture over the bass. For the first time, counterpoint, basso continuo and partimento are put into dialogue, overcoming terminological antinomies and underlining the points of continuity amongst different accompaniment practices in France, Germany, England and Spain for over three centuries. Case studies shed some lights on accompaniment of specific instruments such as cello and guitar. TABLE OF CONTENTS Figured Bass Accompaniment in Europe Livio Ticli (ed.), 2023 Livio Ticli, Introduction: Figured Bass in the European Tradition: Continuities and Changes of a Practice Through Alps and Pyrenees To the Sea: Continuity and Discontinuity in Performance Practice 1. David Chung, The Significance of the Preludes with Figured Bass in F-Pn Vm8 1139 for Keyboard Pedagogy in Early Eighteenth-Century France 2. Clotilde Verwaerde, The Three-voice Texture in Eighteenth-Century French Continuo 3. Marie Demeilliez, The Encyclop die ou Dictionnaire raisonn des sciences, des arts et des m tiers (1751-1772): A Source for Basso Continuo Accompaniment in Eighteenth-Century France 4. Isaac Alonso de Molina, Acompa amientos con las llamadas del Baxo y lo que se puede tocar sobre cada uno de ellos : partimenti diminuiti in Manuscript M/1188 of the Biblioteca Nacional de Espa a (Madrid) 5. Michael Fuerst, Hieronymus Praetorius, Multiple-Bass Notation in Organ Parts, and Continuo Performance Practices of Polychoral Music in the Hanseatic Cities of Northern Europe Connected by Strings: Cello Accompaniment Performance Practice 6. John Lutterman, Partimento, German Thoroughbass Practice, and Improvised Solo Performance on the Cello 7. Hilary Metzger, National Styles in Lower String Accompaniment of Secco Recitative in the Late 18th and Early 19th Centuries From the Page to the Performance through Space and Time 8. Valeria Mannoia, Per ogni tradizione il suo basso. I bassi seguenti italiani in alcune antologie tedesche del Seicento 9. Francesca Mignogna, Il basso continuo nelle composizioni per i defunti di Pierre-Louis Pollio (1724-1796). Uso, notazione e problematiche relative all?edizione moderna della partitura 10. Anthony Abouhamad, The Principles of Partitura Playing: An Introduction to Basso Continuo Instruction and Practice in Eighteenth-Century Salzburg 11. Martin Ennis, Quod licet Bacho non licet Francisco : A New Perspective on the Continuo Realisations of Johannes Brahms and Robert Franz Basso Continuo and Partimento as a Pedagogical Tool Then and Now 12. Thomas Christensen, Figured Bass: Then and Now 13. Stephan Lewandowski, With regard to the Now Prevailing Taste in Music : The Music Theoretical Work of Johann Gottfried Vierling (1750-1813) 14. Matthew Mazanek, Improvisation Pedagogy in Nineteenth-Century Guitar Education 15. Justin Ratel, Repurpose and Transformation of an Educational Material: Figured B. Seller Inventory # 63065
Bibliographic Details
Title: Figured Bass Accompaniment in Europe
Publisher: Brepols 2024
Binding: Hardcover
Store Description
Terms and conditions of sale
Books are offered if unsold. The order of incoming orders will be respected strictly. You can also order the book directly on www.erik-tonen-books.com and you get the best price - !!
Orders can be placed via e-mail (info@erik-tonen-books.be), or in writing, preferably not by telephone.
The books that are offered online are not available at our bookshop at 48 Kloosterstraat.
You will receive an e-mail confirming the availability of the book(s) and providing details wi...
More InformationOrders usually ship within 3 business days. Shipping costs are based on books weighing 4.2 LB, or 2 KG. If your book order is heavy or oversized, we may contact you to let you know extra shipping is required. ;
Payment Methods
accepted by seller