From Antiquariaat Schierenberg, Amsterdam, Netherlands Seller rating 5 out of 5 stars
AbeBooks Seller since 01 October 2001
London, Paul & Dominic Colnaghi, 1857 or later. A very large chromolithographed oblong broadside (89 x 111 cm). Printed surface 69 x 98 cm. = A fine engraving by Charles Mottram (1807-1876), after an original watercolour by John William Hill (1812-1879), Boston, Massachusetts, 1853. "In 2002, Leonard L. Millberg, Class of 1953, donated a group of drawings and watercolors to the Princeton University Art Museum and to the Graphic Arts Collection in Firestone Library. Among the twenty-three works were a pair by the American artist John William Hill (1812-1879), the son of the British aquatintist John Hill (1799-1836). The first work is a finished watercolor on a grand scale and the other, the steel engraving after that painting. Within the view of Boston and its harbor, we see the statehouse dome rising in the center background and the Bunker Hill Monument at far right. Although Hill painted Boston in 1853, it took four years before the engraving by Charles Mottram was published jointly between Paul & Dominic Colnaghi & Company in London, Smith Brothers & Company in New York, and F. Delarue in Paris. Due to the enormous popularity of the print, at least one other impression was published by the firm of McQueen" (Princeton Alumni Weekly, describing a plain print). Indeed, this copy could be a restrike from the same plate, but the strength of the engraving suggests that it may not be a much later print. This is a London-published print sold by Smith Brothers in New York and Sowle & Wards in Boston, and it is beautifully coloured. Seller Inventory # 73367
Title: Boston [Harbour view].
Seller: Meiwes, Stuttgart, Germany
Engraved area measures: 10 x 15 cm. Fine antique print. Wood engraving. Druckgrafik. Seller Inventory # 352415
Quantity: 1 available
Seller: Garwood & Voigt, Sevenoaks, United Kingdom
31 x 49 cm. Uncoloured. Excellent condition. Thomas Sulman (c.1834-1900) was an English architectural draftsman. Seller Inventory # 24700
Quantity: 1 available
Seller: Garwood & Voigt, Sevenoaks, United Kingdom
31 x 49 cm.'BIRD'S-EYE VIEW OF BOSTON' Full hand colour. Excellent condition. Thomas Sulman (c.1834-1900) was an English architectural draftsman. Seller Inventory # 21697
Quantity: 1 available
Seller: Marrins Bookshop, Folkestone, KENT, United Kingdom
HAND COLOURED ENGRAVED PRINT. 19 x 15.5 inches. A little margin wear, but otherwise a very good copy. Engraved by Francois Xav. Habermann. The vues d'optiques were perspective views produced in France in the second half of the eighteenth into the nineteenth centuries, although this example was produced in Augsburg. They were characterised by strong horizontal lines and the use bright hand colouring. They were designed to be imaged through a zograscope, a mirrored viewer with a lens, hence the use of mirror writing in the titles. In general those of the New World did not provide accurate representations of the locations portrayed, which tended to based on European cities familiar to the artists. A fictitious view of the Harbour at Boston, showing two ships at anchor and unloading, with merchandise on the shore and a few British soldiers. The engraving is by François Xavier Habermann (1721-96), draughtsman, sculptor and engraver, born in Poland, who worked in Augsburg. PRINTS/MAPS BOSTON, MA PRINTS FRENCH GERMAN AMERICAS 18TH CENTURY PRINTS/MAPS. Seller Inventory # 24967
Quantity: 1 available