Items related to Caravaggio: Art, Knighthood and Malta
Caravaggio's sojourn on the island of Malta in 1607-08 is one of the most fascinating episodes in Baroque art. The painter had committed a murder in Rome in May 1606 and subsequently fled to Naples, where he soon became well-known for his gritty, naturalistic altarpieces. Suddenly, in the early summer of 1607, he decided to leave his thriving Neapolitan studio for the newly built city of Valletta, the headquarters of the Knights of Malta. The chance to obtain a knighthood and redeem himself for his Roman crime was no doubt foremost in his mind.
Written by two leading authorities in the field, this richly illustrated book tells the story of Caravaggio's voyage to Malta, his interactions with the Knights and their leader, Grand Master Alof de Wignacourt, and the magnificent paintings he made for them. Among the works he produced on the island are the Beheading of St John the Baptist - his largest and only signed picture - and the St Jerome Writing , a canvas of exceptional pyschological force.
The book presents new iconographic, technical, and stylistic analyses of all of the Maltese pictures as well as two chapters devoted to discussions of Caravaggio's importance in the history of art and the chronological problems in his late works. Based on original archival research, this study also includes an account of Caravaggio's crime in Malta, his imprisonment, and his daring escape to Sicily.
Written by two leading authorities in the field, this richly illustrated book tells the story of Caravaggio's voyage to Malta, his interactions with the Knights and their leader, Grand Master Alof de Wignacourt, and the magnificent paintings he made for them. Among the works he produced on the island are the Beheading of St John the Baptist - his largest and only signed picture - and the St Jerome Writing , a canvas of exceptional pyschological force.
The book presents new iconographic, technical, and stylistic analyses of all of the Maltese pictures as well as two chapters devoted to discussions of Caravaggio's importance in the history of art and the chronological problems in his late works. Based on original archival research, this study also includes an account of Caravaggio's crime in Malta, his imprisonment, and his daring escape to Sicily.
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About the Author:
Professor KEITH SCIBERRAS, Ph.D., (b.1970) is Head of the Department of History of Art within the Department of History of Art, University of Malta, where he is also Co-ordinator of the Caravaggio Studies Programme and a member of University’s Senate (2013-). A Trustee of the Association of Art Historians (AAH) London (2012-2014), he was received as an Andrew W. Mellon Senior Fellow (2005) in the Department of European Paintings, Metropolitan Museum of Art, New York, and has been awarded the National [Malta] Book Prize for Research and Best Publication (2006; 2009; 2010). He has published extensively on Caravaggio, Mattia Preti, Roman Baroque sculpture, and Baroque painting in general. Professor Sciberras contributed to numerous international research projects and exhibitions and has co-curated the Mattia Preti exhibition held in Turin (Reggia La Venaria) in 2013. He has lectured in major Universities, Museums, and Art Institutions in Europe and the USA.
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- PublisherMidsea Books
- Publication date1814
- ISBN 10 9993270733
- ISBN 13 9789993270737
- BindingHardcover
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