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Ohne worte: vocality and instrumentality in 19th-century music (Collected Writings of the Orpheus Institute (10)) - Softcover
The musical thought and practice of canonical composers. What can music tell us – without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today? In Ohne Worte five scholars and performers probe these and related questions to illuminate both the experience and performance of nineteenthcentury music. Drawing on a rich range of sources, they reveal the musical thought and practice of canonical composers like Berlioz, Mendelssohn, and Schumann. Their work challenges us to reconsider our musical practices and the voices manifested in them, and it encourages the creation of an art that is both historical and transcendental.
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About the Author:
William Brooks is Senior Researcher and Editorial Board Officer at the Orpheus Institute and Professor of Music at the University of York.
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- PublisherLeuven University Press
- Publication date2014
- ISBN 10 9058679985
- ISBN 13 9789058679987
- BindingPaperback
- Edition number1
- Number of pages230
- EditorWilliam Brooks
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Ohne Worte : Vocality and Instrumentality in 19th-Century Music
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Ohne Worte: Vocality and Instrumentality in 19th-century Music
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Book Description Paperback. Condition: Brand New. 1st edition. 100 pages. French language. 9.75x6.00x0.75 inches. In Stock. Seller Inventory # __9058679985
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Ohne Worte: Vocality and Instrumentality in 19th-Century Music (Collected Writings of the Orpheus Institute)
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(2015)
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ISBN 13: 9789058679987
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Ohne Worte : Vocality and Instrumentality in 19th-Century Music
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Book Description Paperback. Condition: new. Paperback. What can music tell us-without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today? In Ohne Worte five scholars and performers probe these and related questions to illuminate both the experience and performance of nineteenth-century music. Drawing on a rich range of sources, they reveal the musical thought and practice of canonical composers like Berlioz, Mendelssohn, and Schumann. Their work challenges us to reconsider our musical practices and the voices manifested in them, and it encourages the creation of an art that is both historical and transcendental. Contributors: Jean-Pierre Bartoli (Universite Paris-Sorbonne), Hubert Mossburger (Staatlichen Hochschule fur Musik und Darstellende Kunst Stuttgart), Jeanne Roudet (Universite Paris-Sorbonne), Douglass Seaton (Florida State University School of Music), Edoardo Torbianelli (Hochschule der Kunste Bern) What can music tell us-without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today? Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9789058679987
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Book Description Kartoniert / Broschiert. Condition: New. KlappentextrnrnThe musical thought and practice of canonical composers.What can music tell us - without words? Can it depict scenes, narrate stories,elucidate beliefs? And can it be an instrument through which we accessthe inner live. Seller Inventory # 599122812
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