Book Description Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Intended for scholars in the fields of philosophy, history of science and music, this book examines the legacy of the historical coincidence of the emergence of science and opera in the early modern period. But instead of regarding them as finished products or examining their genesis, or `common ground', or `parallel' ideas, opera and science are explored by a phenomenology of the formulations of consciousness (Gurwitsch) as compossible tasks to be accomplished in common (Schutz) which share an ideal possibility or `essence' (Husserl). Although the ideas of Galileo and Monteverdi form the parameters of the domain of phenomenological clarification, the scope of discussion extends from Classical ideas of science and music down to the beginning of the nineteenth century, but always with reference to the experience of sharing the sociality of a common world from which they are drawn (Plessner) and to which those ideas have given shape, meaning and even substance. At the same time, this approach provides a non-historicist alternative to understanding the arts and science of the modern period by critically clarifying the idea of whether their compossibility can rest on any other formulation of consciousness. 304 pp. Englisch. Seller Inventory # 9789048148479

More information about this seller | Contact seller

Buy New

� 139.49

Convert currency

Add to Basket

Shipping: � 19.41

From Germany to U.S.A.

Destination, rates & speeds

Seller Image

Galileo and the Invention of Opera

F. Kersten

Published by Springer Netherlands (2010)

ISBN 10: 9048148472 ISBN 13: 9789048148479

New Softcover Quantity: > 20

Print on Demand

Seller:

moluna
(Greven, Germany)

Rating

Seller Rating:

Book Description Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Intended for scholars in the fields of philosophy, history of science and music, this book examines the legacy of the historical coincidence of the emergence of science and opera in the early modern period. But instead of regarding them as finished produ. Seller Inventory # 5818709

More information about this seller | Contact seller

Buy New

� 118.34

Convert currency

Add to Basket

Shipping: � 41.34

From Germany to U.S.A.

Destination, rates & speeds

Seller Image

Galileo and the `invention' of Opera : A Study in the Phenomenology of Consciousness

Kersten, Fred

Published by Springer (2010)

ISBN 10: 9048148472 ISBN 13: 9789048148479

New Softcover Quantity: 1

Seller:

GreatBookPrices
(Columbia, MD, U.S.A.)

Rating

Seller Rating:

Book Description Condition: New. Seller Inventory # 22081717-n

More information about this seller | Contact seller

Buy New

� 161.72

Convert currency

Add to Basket

Shipping: � 2.08

Within U.S.A.

Destination, rates & speeds

Seller Image

Galileo and the �Invention� of Opera : A Study in the Phenomenology of Consciousness

F. Kersten

Published by Springer Netherlands (2010)

ISBN 10: 9048148472 ISBN 13: 9789048148479

New Taschenbuch Quantity: 1

Seller:

AHA-BUCH GmbH
(Einbeck, Germany)

Rating

Seller Rating:

Book Description Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Intended for scholars in the fields of philosophy, history of science and music, this book examines the legacy of the historical coincidence of the emergence of science and opera in the early modern period. But instead of regarding them as finished products or examining their genesis, or `common ground', or `parallel' ideas, opera and science are explored by a phenomenology of the formulations of consciousness (Gurwitsch) as compossible tasks to be accomplished in common (Schutz) which share an ideal possibility or `essence' (Husserl). Although the ideas of Galileo and Monteverdi form the parameters of the domain of phenomenological clarification, the scope of discussion extends from Classical ideas of science and music down to the beginning of the nineteenth century, but always with reference to the experience of sharing the sociality of a common world from which they are drawn (Plessner) and to which those ideas have given shape, meaning and even substance. At the same time, this approach provides a non-historicist alternative to understanding the arts and science of the modern period by critically clarifying the idea of whether their compossibility can rest on any other formulation of consciousness. Seller Inventory # 9789048148479

More information about this seller | Contact seller

Buy New

� 142.57

Convert currency

Add to Basket

Shipping: � 27.84

From Germany to U.S.A.

Destination, rates & speeds

Stock Image