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Giotto e compagni ISBN 13: 9788897737117

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9788897737117: Giotto e compagni
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Giotto (c.1267-1337) is the foremost renovator of Western painting after classical Antiquity. The Tuscan artist was celebrated by his contemporaries, including Dante, and is universally considered one of the greatest artists of all times. The three Louvre altarpieces are the starting point of the exhibit: the large St. Francis receiving the stigmata, a signed work from Giotto's early years and originally in Pisa, the monumental painted cross, often overlooked because of conservation problems but newly restored, and the noteworthy 'Crucifixion', key to understand the activity of Giotto and his workshop in Naples around 1330. The latter work had profound iconographic and stylistic influence in France due to the close links between Naple's sovereigns of the time, the Anjou, and their French cousins. Additional works from French and foreign collections - including drawings, manuscripts and panel paintings - will help shed light on Giotto, his workshop and the liturgical role of his altarpieces. Text in French.

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Dominque Thiebaut is curator of paintings (French and Italian, 13th to 15th centuries) at the Musee du Louvre, Paris. Amongst her many publications: 'Mantegna' (Paris and Milan: 2008), co-authored with Giovanni Agosti, and 'Le Christ de pitie attribue a Jean Maloulel', with Dimitri Solomon (Paris: 2012).

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ISBN 10: 8897737110 ISBN 13: 9788897737117
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Book Description Paperback. Condition: new. Paperback. Giotto (c.1267-1337) is the foremost renovator of Western painting after classical Antiquity. The Tuscan artist was celebrated by his contemporaries, including Dante, and is universally considered one of the greatest artists of all times. The three Louvre altarpieces are the starting point of the exhibit: the large St. Francis receiving the stigmata, a signed work from Giotto's early years and originally in Pisa, the momumental painted cross, often overlooked because of conservation problems but newly restored, and the noteworthy Crucifixion, key to understand the activity of Giotto and his workshop in Naples around 1330. The latter work had profound iconographic and stylistic influence in France due to the close links between Naple's sovereigns of the time, the Anjou, and their French cousins. Additional works from French and foreign collections - including drawings, manuscripts and panel paintings - will help shed light on Giotto, his workshop and the liturgical role of his altarpieces. Text in French. AUTHOR: Dominque Thiebaut is curator of paintings (French and Italian, 13th to 15th centuries) at the Musee du Louvre, Paris. Amongst her many publications: Mantegna (Paris and Milan: 2008), co-authored with Giovanni Agosti, and Le Christ de pitie attribue a Jean Maloulel, with Dimitri Solomon (Paris: 2012). SELLING POINTS: .Catalogue of a major and scholarly exhibition at the Louvre, the world's largest museum .Contributions by leading scholars on Mediaeval painting as Andrea De Marchi (University of Florence) and Donal Cooper (University of Warwick) .Giotto paintings are held in many important museums outside of Italy including London (The National Gallery), Oxford (Ashmolean), New York (The Met), Cambridge, Mass. (Fogg Art Museum), Boston (I. Stewart Gardner Museum), Berlin, Munich, etc. 170 colour and 15 b/w illustrations A Louvre exhibit and catalogue on Giotto (c. 1267 1337), universally considered one of the greatest artists of all times and the renovator of Western painting. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9788897737117

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Thiebaut, Dominique
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ISBN 10: 8897737110 ISBN 13: 9788897737117
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Book Description Paperback. Condition: NEUF. Giotto (vers 1267 - 1337) fut le principal artisan du renouveau de la peinture occidentale depuis l'Antiquité. Cette manifestation n'a pas l'ambition d'apparaître comme une rétrospective du grand maître florentin - de toute façon irréalisable compte tenu du caractère inamovible de plusieurs de ses oeuvres maîtresses, fresques, croix peintes ou grands retables.Mais entend, à partir d'un choix de pièces significatives, mettre en évidence son apport intellectuel et plastique, aborder également des questions telles que l'organisation de son atelier, la fonction matérielle et liturgique de ses panneaux peints, le rayonnement de son art.Tout à fait représentatifs des différentes phases de sa production et de la variété de celle-ci, trois tableaux du Louvre constituent le point de départ de cette manifestation : le grand Saint François d'Assise recevant les stigmates en provenance de l'église San Francesco de Pise, une création signée de ses débuts, la monumentale croix peinte, souvent négligée par les spécialistes de l'artiste en raison de son mauvais état de présentation, mais aujourd'hui soumise à une restauration fondamentale, la remarquable Crucifixion acquise par le musée en 1999, qui permet d'envisager l'activité du peintre et celle de ses disciples à Naples autour de 1330, son influence sur le plan formel et iconographique par-delà les Alpes, favorisée par les liens étroits entretenus par les Anjou de Naples avec leurs cousins français.D'autres oeuvres prestigieuses en provenance de collections françaises et étrangères - dessins, manuscrits, tableaux - viendront compléter la présentation de cet immense artiste dont le génie fut aussitôt salué par ses contemporains, Dante le premier. - Nombre de page(s) : 276 - Poids : 1400g - Genre : Peinture / Dessin d'art / Gravure. Seller Inventory # N9788897737117

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Thiébaut Dominique édité par
Published by Officina Libraria, Milano (2013)
ISBN 10: 8897737110 ISBN 13: 9788897737117
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Book Description Couverture souple. Condition: Neuf. Dust Jacket Condition: Neuf. Edition originale. Giotto e compagni. Catalogo della mostra (Parigi, 18 aprile 15 luglio 2013). Ediz. francese Dominique Thiébaut Quantità: 1 ISBN: 9788897737117 Prezzo: EUR 75,00 Descrizione libro: Officina Libraria, 2013. Condizione libro: New. Language: italian. "Questa mostra non ambisce a presentarsi come una retrospettiva del grande maestro fiorentino - di fatto irrealizzabile, dato il carattere inamovibile di molte sue opere, affreschi, croci dipinte e grandi pale - ma vuole mettere in evidenza, a partire da una scelta significativa di pezzi, il suo contributo intellettuale e materiale, affrontando anche questioni quali l'organizzazione della sua bottega, la funzione materiale e liturgica delle pale dipinte, l'irradiamento della sua arte. Le tre tavole del Louvre, che sono molto rappresentative delle diverse fasi della sua produzione, costituiscono il punto di partenza dell'esposizione: il grande San Francesco d'Assisi che riceve le stigmate, proveniente dalla chiesa di San Francesco a Pisa, opera firmata degli anni giovanili; la monumentale croce dipinta, spesso trascurata dagli studiosi dell'artista a causa del suo cattivo stato di conservazione, ma oggi sottoposta a un importante restauro; e la notevole Crocifissione, acquisita dal museo nel 1999, che permette di ipotizzare l'attività del pittore e dei suoi allievi a Napoli intorno al 1330 e la sua influenza stilistica e iconografica al di là delle Alpi, favorita dagli stretti rapporti tra gli Angioini di Napoli e i loro cugini francesi. Altre prestigiose opere provenienti da collezioni francesi e non - disegni, manoscritti, tavole completeranno la presentazione di questo artista, il cui genio fu presto riconosciuto dai suoi contemporanei.". Codice libro della libreria 007457Broché. Ouvrage Neuf Catalogue de l'exposition présentée au Louvre, à Paris, du 18 avril au 15 juillet 2013.Loué par ses contemporains, Dante, Pétrarque et Boccace, admiré par Léonard de Vinci et copié par Michel-Ange, Giotto di Bondone (vers 1267-1337) a été perçu au fil des siècles comme l'auteur d'une révolution picturale sans précédent depuis l'Antiquité.Cette mutation radicale n'est pas seulement d'ordre stylistique, elle s'explique aussi par une attitude différente vis-à-vis du monde sensible que l'artiste entend restituer dans sa diversité et sa réalité tridimensionnelle.La carrière itinérante du peintre, qui l'a mené de Florence, où se déroulera l'essentiel de sa carrière, jusqu'à Milan, en passant par Assise, Rimini, Padoue, Rome, Naples et peut-être même Avignon, a provoqué une véritable onde de choc dans toute la péninsule italienne et, plus tard, en Europe. La renommée de Giotto fut si grande, les commandes si nombreuses que, dès les années 1290, le peintre fait travailler des compagni - des assistants - dont certains le suivront dans ses diverses pérégrinations, tandis que d'autres, recrutés localement, à Naples par exemple, contribueront, après son départ, à l'éclosion de foyers artistiques autonomes.À travers une trentaine d'oeuvres - peintures, dessins, enluminures et sculpture -, venues majoritairement des collections françaises mais aussi de l'étranger, l'exposition tentera de mettre en évidence les inventions de Giotto tout en abordant des questions comme les réseaux, franciscain notamment, qui ont favorisé leur diffusion l'organisation de son atelier - ou de ses ateliers la typologie des panneaux peints, questions que des recherches récentes sur divers fronts ont contribué à renouveler.Exposition : 1400g. Ouvrage Neuf.Language : French text Size: 240 X290 Mm. Seller Inventory # 007457

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