Shipping:
£ 2.08
Within U.S.A.
Book Description Condition: New. Seller Inventory # 43593624-n
Book Description HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # C8-9788836648986
Book Description Condition: new. Seller Inventory # PPNJHGQXQ5
Book Description hardback. Condition: New. Language: ENG|ITA. Seller Inventory # 9788836648986
Book Description Condition: New. In. Seller Inventory # ria9788836648986_new
Book Description Hardcover. Condition: Brand New. bilingual edition. 151 pages. 11.00x9.75x0.75 inches. In Stock. Seller Inventory # __8836648983
Book Description Condition: New. Seller Inventory # 43593624-n
Book Description Condition: NEW. Seller Inventory # 9788836648986
Book Description Condition: New. Book is in NEW condition. 2.31. Seller Inventory # 8836648983-2-1
Book Description Condition: new. Torino, Camera, 29 luglio - 17 ottobre 2021. A cura di Walter Guadagnini. Testo Italiano e Inglese. Cinisello Balsamo, 2021; br., pp. 144, 70 ill. col., cm 24,5x28. This book covers the last twenty years of artistic research by one of the leading contemporary Italian photographers: Walter Niedermayr. Through the recurring themes of his work such as Alpine landscapes, architecture and the relationship between public and private spaces, the artist's interest in investigating places not only from a geographical but also from a social point of view is highlighted. Although in continuity with the legacy of the Italian photographic tradition, which views the landscape as the key to interpreting society, Niedermayr's visual research is significant in terms of its ability to reinterpret this subject and renew it from both a conceptual and a formal point of view. For the South Tyrolean photographer, physical space today cannot be approached with an exclusively documentary intention, but as the pivot of a transformative relationship between ecology, architecture and society. In some of the works in the Alpine Landschaften (Alpine Landscapes) series, for example, the presence of man in the depiction of the landscape is interpreted as a parameter for measuring the proportions of Alpine panoramas, and at the same time as a political yardstick for his intervention in the metamorphosis of the natural equilibrium. This topic is also underlined in works such as Portraits, where the snow cannons filmed during the summer season - and thus inactive - become ambiguous presences residing in the landscape. Seller Inventory # 3803971