In order to relate the portentous life of comedian John Belushi and the strident fanfare that surrounded his ascent and tragedy, Bob Woodward had to navigate a heterogeneous mass of materials such as diaries, letters, inventories, bills, and prescriptions, and carry out extensive interviews with a multitude of celebrities, ghosts, and nobodies: the deceased’s widow, colleagues such as Dan Aykroyd, actors and directors such as Chevy Chase, Robin Williams, Carrie Fisher, Steven Spielberg, and Jack Nicholson, musicians, policemen, mobsters, drug dealers, and other interesting characters of the underworld. Woodward creates a meticulous, moving, and occasionally cruel portrait of a time period and of an individual who lived too much and lost everything at the hands of an insatiable desire.
Para relatar la portentosa vida del humorista John Belushi y la estridente fanfarria que rodeó su ascensión y su tragedia, Bob Woodward tuvo que manejar un heterogéneo aluvión de materiales como diarios, cartas, inventarios, facturas y diagnósticos, y entrevistar extensamente a una multitud de celebridades, fantasmas y medianías: la viuda del difunto, compañeros como Dan Aykroyd, actores y directores como Chevy Chase, Robin Williams, Carrie Fisher, Steven Spielberg y Jack Nicholson, músicos, policías, matones, traficantes y otros interesantes especímenes del submundo. Woodward dibuja un meticuloso, conmovedor y en ocasiones despiadado retrato de una época y de un individuo que vivió demasiado y lo perdió todo a manos de su insaciable antojo.
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Bob Woodward has worked for The Washington Post since 1971, where he is currently an associate editor. He and Carl Bernstein were the main reporters on the Watergate scandal for which the Post won the Pulitzer Prize in 1973. Woodward was the lead reporter for the Post's articles on the aftermath of the September 11 terrorist attacks that won the National Affairs Pulitzer Prize in 2002. He lives in Washington, D.C.
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