Book Description Paperback. Condition: new. Paperback. Cada novela es un deicidio secreto, un asesinato simbolico de la realidad.Publicado a comienzos de la decada de los setenta y desaparecido de las librerias desde hace muchos anos, este ensayo, que en su origen fue la tesis que le valio a Vargas Llosa en 1971 el titulo de doctor por la Universidad Complutense de Madrid, muestra la admiracion del Nobel peruano por Garcia Marquez y por su novela Cien anos de soledad. En el se analiza en profundidad la obra del autor colombiano, companero de Vargas Llosa en el boom de la literatura latinoamericana. Obsesiva; recurrente, una intencion central abraza la obra de Garcia Marquez, una ambicion unica que sus ficciones van desarrollando a saltos y retrocesos, desde perspectivas diferentes y con metodos distintos. Este denominador comun hace que sus cuentos y novelas puedan leerse como fragmentos de un vasto, disperso, pero al mismo tiempo riguroso proyecto creador, dentro del cual encuentra cada uno de ellos su plena significacion. Esta voluntad unificadora es la de edificar una realidad cerrada, un mundo autonomo. Un escritor no elige sus temas, los temas lo eligen a el. Garcia Marquez no decidio, mediante un movimiento libre de su conciencia, escribir ficciones a partir de sus recuerdos de Aracataca. Ocurrio lo contrario: sus experiencias de Aracataca lo eligieron a el como escritor. Un hombre no elige sus demonios: le ocurren ciertas cosas, algunas lo hieren tanto que lo llevan, locamente, a negar la realidad y a querer reemplazarla. Esas cosas, que estan en el origen de su vocacion, seran tambien su estimulo, sus fuentes, la materia a partir de la cual esa vocacion trabajara. No se trata de reducir el arranque y el alimento de la vocacion a una experiencia unica. Pero en el caso de Garcia Marquez la naturaleza de su obra permite afirmar que aquella experiencia, sin negar la importancia de otras, constituye el impulso principal para su tarea de creador.ENGLISH DESCRIPTIONEach novel is a secret decision, a symbolic murder of reality. Published at the beginning of the seventies and then disappearing from bookstores for many years, this essay, which was originally the thesis that earned Vargas Llosa a doctorate in 1971 from the Universidad Complutense de Madrid, shows the admiration the Peruvian Nobel Prize winner had for Garcia Marquez and for his novel One Hundred Years of Solitude. In it, the work of the Colombian author, Vargas Llosa's contemporary during the boom of Latin American literature, is analyzed in depth. "Obsessive; recurring, a central intention embraces the work of Garcia Marquez, a unique ambition that his novels develop in leaps and bounds, from different perspectives and with different methods. This common denominator means that his stories and novels can be read as fragments of a vast, dispersed, but at the same time rigorous creative project, within which, each one of them finds its full significance. This unifying will is to build a closed reality, an autonomous world. A writer does not choose his subjects, the subjects choose him. Garcia Marquez did not decide, through a free movement of his conscience, to write fiction based on his memories of Aracataca. The opposite happened: his experiences in Aracataca chose him as a writer. A man does not choose his "demons:" certain things happen to him, some hurt him so much that they lead him, madly, to deny reality and want to replace it. Those "things", which are at the origin of his vocation, will also be his stimulus, his sources, the material from which that vocation will work. Its not about reducing the start and nourishment of the vocation to a unique experience. But in the case of Garcia Marque Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9788420454801

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