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中国古代水墨画造型观研究 - Softcover

 
9787568402385: 中国古代水墨画造型观研究
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近些年来,"笔墨"成了讨论中国画的热门话题,而对中国画的造型观关注不多。笔墨的终目的是为"造型"服务的,古代水墨画往往是通过"以大观小""目识心记""心斋""坐忘"和"以心观物"等中国式的观察和体悟,再运用线条、墨色,通过钩皴点染、于湿浓淡等笔墨语言,表现客观物象的阴阳向背,并运用"留白"等艺术表现技巧营造虚实疏密的画面。"笔墨"与"造型"是相辅相成、紧密相连的整体。没有笔墨,造型就失去了载体;失去了造型,笔墨也就无所依托。笔墨与造型相辅相成,好的笔墨为造型增彩,好的造型又促进了笔墨的发挥,水墨画的意蕴正是在这两者的巧妙结合中产生。笔墨与造型是中国古代水墨画独特性中重要、根本的一对关键词,统摄着古代水墨画的创作表达。
在西方文化的强势之下,对景写生已经成为学院中国画教学中的重要组成部分,厢毛笔嘲素描也成了,中国画的新传统,将西方具象观察法用在意象造型的中国画上,既奇怪又勉强。这种"视网膜成像式"的观察、写生,造成了"非驴非马"的新中国画,意蕴顿失。清代的恽寿平就曾说:"近人只求形似,愈似所以愈离。"《中国古代水墨画造型观研究》试图对中国古代水墨画的造型观进行梳理和归纳,用中国的观念和语言来解释中国占代绘画,并为当代中国画创作提供借鉴。

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  • Publisher江苏大学出版社
  • Publication date2016
  • ISBN 10 756840238X
  • ISBN 13 9787568402385
  • BindingPaperback
  • Edition number1

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SHEN QI WANG ZHU
ISBN 10: 756840238X ISBN 13: 9787568402385
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Book Description paperback. Condition: New. Paperback. Pub Date: 2016-10-01 Pages: 218 Language: Chinese Publisher: jiangsu university press In recent years. the ink has been discussed the hot topic of Chinese painting. and few ZaoXingGuan attention to Chinese paintings.The final purpose of pen and ink is in the service of shape. ancient Chinese ink paintings often is to pass to the observatory small mesh heart knowledge. mind-heart. Seller Inventory # DO007910

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