A handsome overview celebrating the neglected German minimalist sculptor Charlotte Posenenske
Embracing reductive geometry, industrial fabrication and repetitive forms, German artist Charlotte Posenenske (1930-85) developed a form of mass-produced minimalism that addressed the pressing socioeconomic concerns of the 1960s by circumventing the art market and rejecting established formal and cultural hierarchies.
Posenenske exhibited widely during the brief period that she was active as an artist (1956-68), alongside peers such as Hanne Darboven, Donald Judd and Sol LeWitt. Featuring metallic endpapers that echo her aesthetic, Charlotte Posenenske: Work in Progress traces the evolution of Posenenske's practice from early experiments with mark-making and the transitional aluminum wall reliefs to industrially fabricated modular sculptures produced in unlimited series and assembled or arranged by viewers at will."synopsis" may belong to another edition of this title.
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Book Description Condition: New. Brand New. Seller Inventory # 9783960986300
Book Description Condition: New. Seller Inventory # 37573411-n
Book Description Condition: New. Seller Inventory # ABLIING23Apr0316110180414
Book Description hardback. Condition: New. Language: eng. Seller Inventory # 9783960986300
Book Description Buch. Condition: Neu. Neuware -The catalogue traces the evolution of Posenenske's practice from early experiments with mark making to transitional aluminum wall reliefs to industrially fabricated modular sculptures, which are produced in unlimited series and assembled or arranged by consumers at will. Posenenske exhibited widely during the brief period [1956-68] that she was active as an artist, alongside peers such as Hanne Darboven, Donald Judd, and Sol LeWitt. Her work is distinguished by its radically open-ended nature: she used permutation and contingency as playful conceptual devices to oppose compositional hierarchy and invite the public to collaborate by reconfiguring her variable sculptures. Embracing reductive geometry, repetition, and industrial fabrication, she developed a form of mass-produced Minimalism that addressed the pressing socioeconomic concerns of the 1960s by circumventing the art market and rejecting established formal and cultural hierarchies. Text: Alexis Lowry, Isabelle Malz, Rita McBride, Jessica Morgan, Charlotte Posenenske, Daniel Spaulding, Catherine Wood 241 pp. Englisch. Seller Inventory # 9783960986300
Book Description Buch. Condition: Neu. Neuware -The catalogue traces the evolution of Posenenske's practice from early experiments with mark making to transitional aluminum wall reliefs to industrially fabricated modular sculptures, which are produced in unlimited series and assembled or arranged by consumers at will. Posenenske exhibited widely during the brief period [1956-68] that she was active as an artist, alongside peers such as Hanne Darboven, Donald Judd, and Sol LeWitt. Her work is distinguished by its radically open-ended nature: she used permutation and contingency as playful conceptual devices to oppose compositional hierarchy and invite the public to collaborate by reconfiguring her variable sculptures. Embracing reductive geometry, repetition, and industrial fabrication, she developed a form of mass-produced Minimalism that addressed the pressing socioeconomic concerns of the 1960s by circumventing the art market and rejecting established formal and cultural hierarchies. Text: Alexis Lowry, Isabelle Malz, Rita McBride, Jessica Morgan, Charlotte Posenenske, Daniel Spaulding, Catherine Wood 241 pp. Englisch. Seller Inventory # 9783960986300
Book Description Condition: New. Seller Inventory # 37573411-n
Book Description Buch. Condition: Neu. Neuware -The catalogue traces the evolution of Posenenske's practice from early experiments with mark making to transitional aluminum wall reliefs to industrially fabricated modular sculptures, which are produced in unlimited series and assembled or arranged by consumers at will. Posenenske exhibited widely during the brief period [1956-68] that she was active as an artist, alongside peers such as Hanne Darboven, Donald Judd, and Sol LeWitt. Her work is distinguished by its radically open-ended nature: she used permutation and contingency as playful conceptual devices to oppose compositional hierarchy and invite the public to collaborate by reconfiguring her variable sculptures. Embracing reductive geometry, repetition, and industrial fabrication, she developed a form of mass-produced Minimalism that addressed the pressing socioeconomic concerns of the 1960s by circumventing the art market and rejecting established formal and cultural hierarchies. Text: Alexis Lowry, Isabelle Malz, Rita McBride, Jessica Morgan, Charlotte Posenenske, Daniel Spaulding, Catherine Wood. Seller Inventory # 9783960986300
Book Description Buch. Condition: Neu. Neuware - The catalogue traces the evolution of Posenenske's practice from early experiments with mark making to transitional aluminum wall reliefs to industrially fabricated modular sculptures, which are produced in unlimited series and assembled or arranged by consumers at will. Posenenske exhibited widely during the brief period [1956-68] that she was active as an artist, alongside peers such as Hanne Darboven, Donald Judd, and Sol LeWitt. Her work is distinguished by its radically open-ended nature: she used permutation and contingency as playful conceptual devices to oppose compositional hierarchy and invite the public to collaborate by reconfiguring her variable sculptures. Embracing reductive geometry, repetition, and industrial fabrication, she developed a form of mass-produced Minimalism that addressed the pressing socioeconomic concerns of the 1960s by circumventing the art market and rejecting established formal and cultural hierarchies. Text: Alexis Lowry, Isabelle Malz, Rita McBride, Jessica Morgan, Charlotte Posenenske, Daniel Spaulding, Catherine Wood. Seller Inventory # 9783960986300
Book Description Hardcover. Condition: Brand New. 01 edition. 246 pages. 10.00x7.75x1.25 inches. In Stock. Seller Inventory # x-3960986300