Nauman Kruger Jaar. Catalogo della mostra tenutasi presso la Daros Exhibitions, Zurigo, 26 ottobre 2001 - 3 marzo 2002. Testi di Eva Keller, Nicholas Serota, Peter Fischer, Hans Michael Herzog. Numerose fotografie a colori e in bianco e nero delle seguenti opere: "Good Boy Bad Boy" di Bruce Nauman, "Power/Pleasure/Desire/Disgust" di Barbara Kruger, "Field, Road, Cloud" e "The Eyes of Gutete Emerita" di Alfredo Jaar. Biografie. Edizione in tedesco e inglese 8vo (cm 27x22). pp. 140. . Ottimo (Fine). . . .
"synopsis" may belong to another edition of this title.
This innovatively designed book offers a comparative overview of the work of Bruce Nauman, Barbara Kruger, and Alfredo Jaar. The three artists have all created large-scale installations that explore a variety of combinations of image and text to reveal social power structures. Each of them developed a radically different approach to address social injustice, violence, and the profound ambiguities determining both individuals and society. The book focuses on five installations that are exhaustively analyzed, complemented by an overview of each artist's work. Bruce Nauman's works in a variety of media, from neon to video, are playful and perplexing language games where the viewer's disorientation becomes the starting point for a critique of the power relations underlying private and public violence. Barbara Kruger, who started out as a graphic designer, uses the ambiguously seductive language of mass media to challenge common-place notions of body, gender, pleasure, and power. New York-based Chilean artist Alfredo Jaar uses photography, text, and architecture to visualize and define the political, economic, and ethnic relations and interdependences of the First and the Third world.
The similarities and differences of the strategies the three artists use to examine injustice and violence poignantly illustrate the uses and abuses of power."About this title" may belong to another edition of this title.
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Seller: Anybook.com, Lincoln, United Kingdom
Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:3908247608. Seller Inventory # 8676094
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Seller: Gebrauchtbücherlogistik H.J. Lauterbach, Gummersbach, NRW, Germany
Halbleinen. Condition: Sehr gut. 27x21,5cm Halbleinen. Zustand: Sehr Gut; Und in englischer Sprache; Schutzumschlag fehlt, oder es gibt keinen; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt. Seller Inventory # 553022
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Seller: Tornbooks, Austin, TX, U.S.A.
Hardcover. Condition: Near Fine. No Jacket. Hardcover, no dust jacket, 135 pp, color illustrations, very slight edgewear to boards, else a nice, clean and near fine copy. Seller Inventory # 500870
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Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Hardcover. Condition: Used - Very Good. Through large-scale installations that radically, idiosyncratically combine text and image, Bruce Nauman, Barbara Kruger, and Alfredo Jaar each address social injustice, violence, and the profound ambiguities that shape individuals and society. Working in media ranging from neon to video, Nauman playfully and perplexingly plays language games that disorient the viewer into a critique of the power relations that underlie private and public violence. Kruger, who started out as a graphic designer, uses the ambiguously seductive language of mass media to challenge commonplace notions about body, gender, pleasure, and power. And Jaar, who was born in Chile but is now based in New York, combines photography, text, and architecture to visualize and define the political, economic, and ethnic relations and interdependencies of the First and Third Worlds. Innovatively designed, with plate and essay sections printed on different sizes and types of paper, Nauman, Kruger, Jaar deftly differentiates between the strategies these three artists employ in their respective, poignant examinations of the uses and abuses of power. Slight scratching/scuffing on cover. Out of print. Book has minor shelf wear. Seller Inventory # 52971
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Seller: Karl Eynon Books Ltd, Tywyn, United Kingdom
Hardback. Condition: Very Good. First Edition. 200 pages illustrated HB. Black cloth spine with thick card boards. A very good clean copy with no creases and no previous ownership markings. Text in English and German. Seller Inventory # 104954
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Seller: THE CROSS Art + Books, Sydney, NSW, Australia
27.0 x 22.0cms, 140pp, 64 colour illusts, very good hardback (cardboard, no dustwrapper as issued) This exhibition of large, space-filling multimedia installations dealt with justice & injustice; individual & social ambvalence; individual & collective suffering. Seller Inventory # 154368
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Seller: Hill End Books, Brisbane, QLD, Australia
Hardcover. Condition: Very Good. 3908247608. Seller Inventory # SKUART906
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Hard Cover. Condition: Fine. Exhibition Catalogue. Text: German / English. 144 p.; ill.; 22 x 27 cm. Perfect. Book. Seller Inventory # 001020
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Seller: Antiquariat UEBUE, Zürich, Switzerland
Hardcover. Condition: Sehr gut. 1. Auflage. Z : 144 Seiten/pages, 22 x 27 cm - Innovatively designed, with plate and essay sections printed on different sizes and types of paper, "Nauman, Kruger, Jaar" deftly differentiates between the strategies these three artists employ in their respective, poignant examinations of the uses and abuses of power. Seller Inventory # ABE-1629709432501
Quantity: 1 available