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Swiss artist Hannah Villiger (1951-1997) was trained as a sculptor and always considered her work sculpture. Her artistic medium, however, was photography. In the early eighties Villiger's own body became the focus of her work. It appears fragmented, distorted, twisted beyond recognition. Villiger developed her own unique way of working: Polaroid shots that she enlarged to a size of approx. one square meter (40 X 40 inches). With the Polaroid camera she circled around her own body using the straightforwardness of the medium. The,,blindness" of the camera redefined the structure and the volume of her body parts. This first international monograph with Catalogue Raisonne reveals Villiger as a radical predecessor of many of today's artists creating images of their own body. In her in-depth essay Claudia Spinelli traces the outlines of Hannah Villiger's personal and artistic development and poignantly examines the crucial relationship between her life and her work. Griselda Pollock's essay takes a close look at Hannah Villiger as a woman and an artist, highlighting the visionary power of the work.
Pollock lucidly discusses the problems and obstacles Villiger, as a female-identified artist, had to face in a phallocentric, patriarchal visual culture. David Levi-Strauss ponders the intricate relationship of sculpture, photography, and the human body in Villiger's work, whose daringand radical formal concepts and innovations remain as cutting-edge as ever. Published on the occasion of the travelling exhibition at Kunsthalle Basel (2001), Kunstmuseum Bonn (2002) and other venues."About this title" may belong to another edition of this title.
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Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Condition: Used - Very Good. 2001. 1st Scalo Ed. Hardcover. Some wear. Very Good. Seller Inventory # BC001068
Quantity: 4 available
Seller: Ergodebooks, Houston, TX, U.S.A.
Hardcover. Condition: Good. 1st Scalo Ed. Swiss artist Hannah Villiger (1951-1997) was trained as a sculptor and always considered her work sculpture. Her artistic medium, however, was photography. In the early-1980s Villiger's own body became the focus of her work: it appears fragmented, distorted, twisted beyond recognition. Villiger developed her own unique way of working: Polaroid shots that she enlarged to a size of approximately one square meter (40 x 40 inches). With the Polaroid camera she circled around her own body using the straightforwardness of the medium. The "blindness" of the camera redefined the structure and the volume of her body parts. This first international monograph, with catalogue raisonné, reveals Villiger as a radical predecessor of many of today's artists who create images of their own bodies. In her in-depth essay Claudia Spinelli traces the outlines of Hannah Villiger's personal and artistic development and poignantly examines the crucial relationship between Villiger's life and her work. Griselda Pollock's essay takes a close look at Villiger as a woman and an artist, highlighting the visionary power of the work. Pollock lucidly discusses the problems and obstacles Villiger, as a female-identified artist, had to face in a phallocentric, patriarchal visual culture. David Levi-Strauss ponders the intricate relationship of sculpture, photography and the human body in the work, whose daring and radical formal concepts and innovations remain as cutting-edge as ever.Edited by Jolanda Bucher and Eric Hattan. Essays by Jean-Christophe Ammann, Bice Curiger, Annelie Pohlen, Griselda Pollock, Claudia Spinelli, David Levi Strauss and Hannah Villiger.150 color and 300 b&w.9.5 x 12.5 in. Seller Inventory # SONG3908247489
Quantity: 1 available
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Hardback. Condition: Fine. Seller Inventory # GOR013811314
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Seller: GoldenDragon, Houston, TX, U.S.A.
Hardcover. Condition: very good. Very Good Copy. Fast Shipment. Seller Inventory # SilverDragon3908247489
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Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First edition. Hardcover. Text in German and English. Includes numerous color and black and white illustrations along with contributions by Claudia Spinelli, David Levi Strauss, Griselda Pollock, Bice Curiger, Hannah Villiger, Jean-Christophe Ammann and Annelie Pohlen. A clean very near fine copy in an about near fine dust jacket with a small closed tear to the top of the spine. An attractive monograph. Seller Inventory # 115530
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Seller: GoldBooks, Denver, CO, U.S.A.
Hardcover. Condition: very good. Very Good Copy. Customer Service Guaranteed. Seller Inventory # think_very_3908247489
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Seller: Colin Martin Books, Near Hull, EY, United Kingdom
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Qto., 326 pages, illustrated. Unused, a Fine copy in a Fine dust jacket. Seller Inventory # 099630
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Seller: David Strauss, FOLKINGHAM, Lincolnshire, United Kingdom
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 290 x 240 mm. 326 pp., illustrated throughout including many in colour. [ISBN: 3908247489] Boards. A fine bright copy in like dustwrapper. Seller Inventory # 24245
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Seller: Kloof Booksellers & Scientia Verlag, Amsterdam, Netherlands
Condition: as new. With contributions by Claudia Spinelli . [et al.]. Zürich : Scalo Publishers, 2001. Hardcover. Dustjacket. 304 pp. Condition : as new. English text. - Swiss artist Hannah Villiger (1951-1997) was trained as a sculptor and always considered her work sculpture. Her artistic medium, however, was photography. In the early-1980s Villiger's own body became the focus of her work: it appears fragmented, distorted, twisted beyond recognition. Villiger developed her own unique way of working: Polaroid shots that she enlarged to a size of approximately one square meter (40 x 40 inches). With the Polaroid camera she circled around her own body using the straightforwardness of the medium. The "blindness" of the camera redefined the structure and the volume of her body parts. This first international monograph, with catalogue raisonné, reveals Villiger as a radical predecessor of many of today's artists who create images of their own bodies. In her in-depth essay Claudia Spinelli traces the outlines of Hannah Villiger's personal and artistic development and poignantly examines the crucial relationship between Villiger's life and her work. Griselda Pollock's essay takes a close look at Villiger as a woman and an artist, highlighting the visionary power of the work. Pollock lucidly discusses the problems and obstacles Villiger, as a female-identified artist, had to face in a phallocentric, patriarchal visual culture. David Levi-Strauss ponders the intricate relationship of sculpture, photography and the human body in the work, whose daring and radical formal concepts and innovations remain as cutting-edge as ever. Condition : as new copy. ISBN 9783908247487. Keywords : PHOTOGRAPHY, Seller Inventory # 231051
Quantity: 1 available
Seller: Frans Melk Antiquariaat, HILVERSUM, Netherlands
Zürich, Scalo, 2001. 29,5 x 24,5 cm. Hardcover / Cloth with dustjacket.Richly illustrated in color and b/w. 324 pages. Text in German and English. AS NEW [Photography / International ]. Seller Inventory # #49198
Quantity: 1 available