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Is fashion that is out of order and doesn't seem to follow any obvious rules truly accidental? Or has dissonance in fashion always been a guiding principle? Can coincidence therefore be predictable and controllable? A publication which defies all boundaries of categorisation has been created out of the workings of fashion that almost inevitably has to be out of order, so as to increase its attractive power and generate attention with its interruptions of the ordinary. The contributions, on the border between art and fashion and residing within the realms of literary theory, design theory, cultural history and technology, demonstrate in manifold ways processes, images and ideas that are striving for innovation and transgressing established parameters. The publication is dedicated to the constructive side of the development of fashion, whereby the theme of Out of Order is combined with the concept of dissonance as a creative formula. If one starts from the premise that fashion is no longer fashion when it can be generalised, categorised, repeated and described, then the process of dissonance constitutes the significant impulse for everything new. Is the unraveling of fashion by the disruption of the conventional, known and established merely coincidental? Does it mean that what has resulted has no identifiable causes? Of course not, as every creative process, alongside its lack of rules, follows a qualitatively definable goal. It is this tension between wrong and right, trash and haute couture that creates the fashionable effect and justifies the liberty to deviate from the norm. Whatever is successful is permissible. With contributions from: Pamela Church Gibson, Annette Geiger, Judith Gerdsen, Hanna Heilmann on Vibskov & Emenius, Iris Maria vom Hof in conversation with Oliver Sieber, Verena Kuni, Isabell Lizardi & Matt Johnson, Thomas Olah, Andrea Sick, Bitten Stetter & Daniel Spai, Terre Thaemlitz, Barbara Vinken, Harry Walter and Gundula Wolter.
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Paperback. Pub Date: December 2011 Pages: 176 in Publisher: Arnoldsche Verlagsanstalt Is fashion that is out of order. and does not seem. to follow any was obvious to the rules truly accidental Or has dissonance in fashion always been a guiding principle Can coincidence therefore be predictable. and controllable A publication which defies all boundaries of categorisation has been created out of the workings of fashion that almost inevitably has to be out of order. so as to increase its attractive power and generate attention with its interruptions of the ordinary. The contributions. on the border between art and fashion and residing within the realms of literary theory. design theory. cultural history and technology. demonstrate in manifold ways processes. images and ideas that are striving for innovation and transgressing established parameters. The publication is dedicated...
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- PublisherArnoldsche Art Publishers
- Publication date2019
- ISBN 10 389790358X
- ISBN 13 9783897903586
- BindingPaperback
- Number of pages184
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Fashion-Out of Order : Disruption As a Principle
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Book Description Taschenbuch. Condition: Neu. Neuware - Aus den Mechanismen der Mode, die fast zwangsläufig 'out of order' sein muss, um durch Störungen des Gewohnten Anziehungskraft zu entfalten und Aufmerksamkeit zu erregen, ist eine Publikation entstanden, die sich über alle Schranken der Kategorisierung hinwegsetzt. Die im Grenzbereich zwischen Kunst und Mode, in der Literaturwissenschaft, Designtheorie, Kulturwissenschaft, Kulturgeschichte und Technologie angesiedelten Beiträge demonstrieren in vielfältiger Weise Prozesse, Bilder und Sichtweisen zum Streben nach dem zuvor nie Dagewesenen und zur Durchkreuzung vorgegebener Ordnungen.Die Publikation widmet sich der konstruktiven Seite der Modeentwicklung, indem das Thema Out of Order mit dem Begriff der Störung als Kreativformel verknüpft wird. Legt man zugrunde, dass die Mode als Mode dann vorbei ist, wenn sie generalisierbar, kategorisierbar, wiederholbar und beschreibbar geworden ist, dann bildet der Störvorgang die entscheidende Stimulation zu allem Neuen. Die Störung des Gewohnten, Bekannten, immer schon Dagewesenen - ist dem zufolge die Häutung der Mode bloß Zufall Heißt das, es gibt keine erkennbaren Ursachen für neue Ergebnisse Natürlich nicht, da jeder kreative Prozess neben seiner Gesetzlosigkeit dennoch ein qualitativ definierbares Ziel verfolgt. Erst an diesem Reibungspunkt aus falsch und richtig, aus Trash und Haute Couture entsteht der modische Affekt, begründet sich der Freiraum zur Abweichung von der Norm - Erlaubt ist, was gelingt. Seller Inventory # 9783897903586
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Book Description Condition: New. Ist Mode, die aus der Ordnung faellt, die keinem erkennbaren Gesetz zu folgen scheint, tatsaechlich zufaellig? Oder ist die Stoerung in der Mode seit je her Prinzip? Kann der Zufall somit prognostizier- und steuerbar sein?Aus den Mechanismen der Mode, die f. Seller Inventory # 5647768
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Fashion: Out of Order (Paperback)
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Book Description Paperback. Condition: new. Paperback. Is fashion that is out of order and doesn't seem to follow any obvious rules truly accidental? Or has dissonance in fashion always been a guiding principle? Can coincidence therefore be predictable and controllable?A publication which defies all boundaries of categorisation has been created out of the workings of fashion that almost inevitably has to be out of order, so as to increase its attractive power and generate attention with its interruptions of the ordinary. The contributions, on the border between art and fashion and residing within the realms of literary theory, design theory, cultural history and technology, demonstrate in manifold ways processes, images and ideas that are striving for innovation and transgressing established parameters. The publication is dedicated to the constructive side of the development of fashion, whereby the theme of Out of Order is combined with the concept of dissonance as a creative formula. If one starts from the premise that fashion is no longer fashion when it can be generalised, categorised, repeated and described, then the process of dissonance constitutes the significant impulse for everything new. With contributions from: Pamela Church Gibson, Annette Geiger, Judith Gerdsen, Hanna Heilmann on Vibskov & Emenius, Iris Maria vom Hof in conversation with Oliver Sieber, Verena Kuni, Isabell Lizardi & Matt Johnson, Thomas Olah, Andrea Sick, Bitten Stetter & Daniel Spaei, Terre Thaemlitz, Barbara Vinken, Harry Walter and Gundula Wolter. A publication which defies all boundaries of categorisation has been created out of the workings of fashion that almost inevitably has to be 'out of order'. It generates attention with its interruptions of the ordinary. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9783897903586
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