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The question begged is whether there is an identifiable female dialogue within their canon; the answer is less obvious and is inextricably bound-up in the complicated relationship between lens and subject. Perhaps at times the choice of shot may seem at odds with a male perspective--a look of complicity worn by a tired Chinese worker--but the third point of the triangular dynamic causes any picture to reflect as much as it projects, so the response is infinitely variable. Three introductions, a longer essay by Sara Stevenson and a few paragraphs on each photographer by one of the others, intelligently consider the complex issues of photojournalism in general and the very contemporary issue of balancing career with family. In a market awash with collections of photographs (not a few of them issuing from Magnum) this uncluttered continuum of images is of the very highest quality, a magnum opus by five brave and talented photographers.--David Vincent
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