"synopsis" may belong to another edition of this title.
"About this title" may belong to another edition of this title.
Shipping:
£ 3.13
Within U.S.A.
Book Description Condition: New. Seller Inventory # ABLIING23Mar3113020195880
Book Description Condition: New. PRINT ON DEMAND Book; New; Fast Shipping from the UK. No. book. Seller Inventory # ria9783639421514_lsuk
Book Description PF. Condition: New. Seller Inventory # 6666-IUK-9783639421514
Book Description PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Seller Inventory # L0-9783639421514
Book Description Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Revision with unchanged content. Music industry executives have been the main gatekeepers in determining what music is available to consumers since the advent of the gramophone. As major record labels have become more highly consolidated, there has been an increasing concentration of those who determine what music is available for consumption. With the development of online music distribution, a gap has formed where independent artists can distribute their music by bypassing the costly hard media distribution system. This book explores how the Recording Industry Association of America (RIAA) is used by the major record labels to limit the access that independent artists/labels have to consumers through the internet. It argues that in the process through which the music industry works to co-opt and commodify genres of music, the music is (de)politicized to appeal to a larger audience. This study is geared towards those interested in the music industry, commodification and intellectual property policies. 96 pp. Englisch. Seller Inventory # 9783639421514
Book Description PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Seller Inventory # L0-9783639421514
Book Description Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Revision with unchanged content. Music industry executives have been the main gatekeepers in determining what music is available to consumers since the advent of the gramophone. As major record labels have become more highly consolidated, there has been an increasing concentration of those who determine what music is available for consumption. With the development of online music distribution, a gap has formed where independent artists can distribute their music by bypassing the costly hard media distribution system. This book explores how the Recording Industry Association of America (RIAA) is used by the major record labels to limit the access that independent artists/labels have to consumers through the internet. It argues that in the process through which the music industry works to co-opt and commodify genres of music, the music is (de)politicized to appeal to a larger audience. This study is geared towards those interested in the music industry, commodification and intellectual property policies. Seller Inventory # 9783639421514