"synopsis" may belong to another edition of this title.
‘[I have] not read anything that quite so brilliantly captured the exuberant madness and cultural diversity of [New York].’ Jeremy Paxman, Guardian (Books of the Year)
‘There is a very special sort of gratitude you can feel for a book that is so formidably written that it has you anxious to get back to it and pining a little bit to be away from it .’ Sebastian Barry, Guardian (Books of the Year)
‘Dazzling...and told with great grace and daring.’ Kate Summerscale, Sunday Telegraph (Books of the Year)
‘The post-9/11 novel we’ve been waiting for: a witty, vivid, aphoristic, fiercely intelligent narrative.’ Philip French, Observer (Books of the Year)
‘Too good for the Booker.’ Robert McCrum, Observer (Books of the Year)
'"Netherland" is an affecting portrait of constrained love and loss, of cultural and emotional estrangement and of the difficulty of knowing others intimately...a piquant blend of vibrancy and elegy reminiscent of Paul Auster's writing.' FT
'”Netherland” is so expertly woven that it is impossible for a reader not to admire what it essentially is – a beautifully written exploration of memory and self.' Sunday Telegraph
'The wittiest, angriest, most exacting and most desolate work of fiction we've yet had about life in New York and London after the World Trade Centre fell. I devoured it in three thirsty gulps, gulps that satisfied a craving I didn't know I had. O'Neill seems incapable of composing a boring sentence or thinking an uninteresting thought.' New York Times
'Elegant and profound.' Sunday Times
'Extraordinary. O'Neill is a writer of dizzying elegance.' FT
'O'Neill's novel was nominated by critics as a book of the year more times than any other title in 2008, and it's not hard to see why. Its perceptiveness and lingering air of sadness will beguile you more powerfully than you may at first expect.' Robert Collins, The Sunday Times
`O'Neill writes a prose of Banvillean grace and beauty, shimmering with truthfulness, as poised as it unsettling. As well, this is a story that is hard to put down, for its characters are so real and their preoccupations so urgently of the now, that the book has the vividness of breaking news. He is a master of the long sentence, of the half-missed moment, of the strange archeology of the troubled marriage. Many have tried to write a great American novel. Joseph O'Neill has succeeded.' Joseph O'Connor
'Somewhere between the towns of Saul Bellow and Ian McEwan, O'Neill has pitched his miraculous tent ... The reader, almost imperceptibly, becomes little by little scorched by the novel's brilliance, irradiated by it, benignly." Sebastian Barry
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