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Studio and Cube: On the Relationship Between Where Art Is Made and Where Art Is Displayed - Hardcover
Synopsis
When does an artist's creation become art, and where? Does it occur in the solitary confines of an artist's studio or does itrequire the context of an art gallery's white cube? What is the relationship between these two culturally charged spaces? How does the site of art's presentation shape the meaning and determine even the very possibility of its existence? Studio and Cube is author Brian O'Doherty's long-awaited follow-up to his seminal 1976 essays for Artforum , republished in 1999 as Inside the White Cube: The Ideology of the Gallery Space . That critically acclaimed volume dissected the abstract, white space of the art gallery, calling it the archetypal image of twentieth century art." In Studio and Cube he expands his interpretation to include the artist's studio, tracking the relationship between the artwork and the artist from Vermeer through late modernism. O'Doherty reflects on the differing work spaces of Courbet, Matisse, Rothko, Bacon, Warhol, and many others. This is essential reading for anyone interested in the history and issues of art and the environment in which it is produced. Studio and Cube is the first in the series of FORuM Project Publications produced by the Temple Hoyne Buell Center for the Study of American Architecture, at Columbia University."
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Product Description
Studio and Cube: On the Relationship Between Where Art is Made and Where Art is Displayed : Book by Brian O DohertyBrian O DohertyTheoryArt History
From the Author
Brian O'Doherty is the author of two novels and several works of art criticism. He also works as an artist under the name Patrick Ireland.
"About this title" may belong to another edition of this title.
- PublisherPrinceton Architectural Press
- Publication date2008
- ISBN 10 1883584442
- ISBN 13 9781883584443
- BindingHardcover
- Edition number1
- Number of pages80
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Studio and Cube: On the Relationship Between Where Art Is Made and Where Art Is Displayed
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Princeton Architectural Press, 2008
ISBN 10: 1883584442
ISBN 13: 9781883584443
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Studio and Cube: On the Relationship Between Where Art Is Made and Where Art Is Displayed
Published by
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ISBN 10: 1883584442
ISBN 13: 9781883584443
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Studio and Cube: On the Relationship between Where Art Is Made and Where Art Is Displayed (FORuM Project Publications)
Published by
Princeton Architectural Press, 2008
ISBN 10: 1883584442
ISBN 13: 9781883584443
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Studio and Cube: On the Relationship between Where Art Is Made and Where Art Is Displayed (FORuM Project Publications)
Published by
Princeton Architectural Press, 2008
ISBN 10: 1883584442
ISBN 13: 9781883584443
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Studio and Cube: On the Relationship between Where Art Is Made and Where Art Is Displayed (FORuM Project Publications)
Published by
Princeton Architectural Press, 2008
ISBN 10: 1883584442
ISBN 13: 9781883584443
Used
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Hardcover. Condition: Good. 1. When does an artist's creation become art, and where? Does it occur in the solitary confines of an artist's studio or does it require the context of an art gallery's white cube? What is the relationship between these two culturally charged spaces? How does the site of art's presentation shape the meaning and determine even the very possibility of its existence?Studio and Cube is author Brian O'Doherty's long-awaited follow-up to his seminal 1976 essays for Artforum, republished in 1999 as Inside the White Cube: The Ideology of the Gallery Space. That critically acclaimed volume dissected the abstract, white space of the art gallery, calling it "the archetypal image of twentieth century art." In Studio and Cube he expands his interpretation to include the artist's studio, tracking the relationship between the artwork and the artist from Vermeer through late modernism. O'Doherty reflects on the differing work spaces of Courbet, Matisse, Rothko, Bacon, Warhol, and many others. This is essential reading for anyone interested in the history and issues of art and the environment in which it is produced. Studio and Cube is the first in the series of FORuM Project Publications produced by the Temple Hoyne Buell Center for the Study of American Architecture, at Columbia University. Seller Inventory # SONG1883584442
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Studio and Cube: On the Relationship between Where Art Is Made and Where Art Is Displayed (FORuM Project Publications)
Published by
Princeton Architectural Press, 2008
ISBN 10: 1883584442
ISBN 13: 9781883584443
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Studio and Cube: On the Relationship between Where Art Is Made and Where Art Is Displayed (FORuM Project Publications)
Published by
Princeton Architectural Press, 2008
ISBN 10: 1883584442
ISBN 13: 9781883584443
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Studio and Cube: On the Relationship between Where Art Is Made and Where Art Is Displayed (FORuM Project Publications)
Published by
Princeton Architectural Press, 2008
ISBN 10: 1883584442
ISBN 13: 9781883584443
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Studio and Cube: On the Relationship between Where Art Is Made and Where Art Is Displayed (FORuM Project Publications)
Published by
Princeton Architectural Press, 2008
ISBN 10: 1883584442
ISBN 13: 9781883584443
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Studio and Cube - On the relationship between where art is made and where art is displayed [Signed & inscribed copy]
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Buell Center / FORuM Project Publication, New York City, 2007
ISBN 10: 1883584442
ISBN 13: 9781883584443
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Hardcover. Condition: NF. Dust Jacket Condition: VG. White decorated boards, 8vo Near Fine condition in a Very Good dust-jacket with a bit of edge-wear and showing some of the smoky effect of the 2019 fire at the NYC Saint Mark's Place flat of the late art critic Peter Schjeldahl 1942-2021, to whom this copy is inscribed by Brian O'Doheryon the title page and signed "Brian." See detail image. A penned one-word correction in the text on page 39 is almost certainly that of the author, not the recipient. Seller Inventory # 2451
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