ÝCody is¨ a quick, erudite, and funny writer. . . . One hell of a good story. ("Time Out Chicago")
[Cody is] a quick, erudite, and funny writer. . . . One hell of a good story. ("Time Out Chicago")
Diablo Cody is to stripping what Chuck Klosterman is to pop culture and Sarah Vowell is to American history. . . . "Candy Girl" is fiendishly funny, muscle-car fast, and frighteningly?and I do mean frighteningly?accurate. (Lily Burana, author of "Strip City: A Stripper's Farewell Journey Across America")
Flat-out funny and refreshingly devoid of moral conclusions. ("Star Tribune", Minneapolis)
Good, frothy fun. . . . For those of us who have stared, transfixed, from a distance, wondering how the air is up there,
Candy Girl is a bracing lungful. (
Los Angeles Times)
Diablo Cody is to stripping what Chuck Klosterman is to pop culture and Sarah Vowell is to American history. . . .
Candy Girl is fiendishly funny, muscle-car fast, and frighteningly--and I do mean frighteningly--accurate. (Lily Burana, author of
Strip City: A Stripper's Farewell Journey Across America)
[Cody is] a quick, erudite, and funny writer. . . . One hell of a good story. (
Time Out Chicago)
Flat-out funny and refreshingly devoid of moral conclusions. (
Star Tribune, Minneapolis)
Diablo Cody is a freelance journalist and is currently the associate arts editor for City Pages, Minneapolis' alternative weekly. Her now defunct website, "The Pussy Ranch," scored over one million page views in its seventeen-month run, garnering acclaim from The Village Voice, among others. Her first screenplay, "Juno," is being produced by Mandate Pictures, and she has two other screenplays in development with Warner Brothers.