Review:
'Based on extensive research and a profound knowledge of German design history, this ambitious book covers the period between 1870 and 2005 . . . Jeremy Aynsley manages to focus on the main tendencies and thus makes this complex history accessible, especially for those who are not familiar with it. The research and the scope of this book are vast and inform the reader extremely well about all the relevant movements and debates of the period . . . All in all this is a much needed, excellently researched and well-documented book for various kinds of English-speaking readers, which will no doubt enhance the understanding of German culture and design.' --Journal of Design History
'An excellent summary of material from numerous sources with considerable new material in English about postwar design in East and West Germany.'
--Design Issues
'Based on extensive research and a profound knowledge of German design history, this ambitious book covers the period between 1870 and 2005 . . . Jeremy Aynsley manages to focus on the main tendencies and thus makes this complex history accessible, especially for those who are not familiar with it. The research and the scope of this book are vast and inform the reader extremely well about all the relevant movements and debates of the period . . . All in all this is a much needed, excellently researched and well-documented book for various kinds of English-speaking readers, which will no doubt enhance the understanding of German culture and design.' --Journal of Design History
'An excellent summary of material from numerous sources with considerable new material in English about postwar design in East and West Germany.' --Design Issues
'There are very few books that survey the complicated history of German design from the first stirrings of modernism in 1870 to the post-reunification Germany of today. More than a roll call of great designers, Aynsley provides a fully contextualised history with sections on design education, department stores and publishing, and throughout, a close examination of design's often uneasy relationship with politics and national identity.' --ARLIS
'a welcome book that should be on the shelf of every university library . . . this book, more than any source outside academic specialist literature, brings the complexity of German developments to the public . . . should be required reading for all professors teaching history of design courses. Essential.'
--Choice
About the Author:
Jeremy Aynsley is Professor of History of Design and the Head of Humanities at the Royal College of Art, London. He is also the author of Nationalism and Internationalism in Design - Design in the Twentieth Century (1994), Graphic Design in Germany, 1890-1945 (2000), and A Century of Graphic Design (2001).
"About this title" may belong to another edition of this title.