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Sebald's own longing is for communion. En route to Ithaca (the real upstate New York location but also the symbolic one), he comes to feel "like a travelling companion of my neighbour in the next lane." After the car speeds away--"the children pulling clownish faces out of the rear window--I felt deserted and desolate for a time." Sebald's narrative is purposely moth-holed (butterfly-ridden, actually--there's a recurring Nabokov-with-a-net type), an escape from the prison-house of realism. According to the author, his Uncle Ambros's increasingly improbable tales were the result of "an illness which causes lost memories to be replaced by fantastic inventions." Luckily for us, Sebald seems to have inherited the same syndrome. --Kerry Fried
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Book Description Paperback. Condition: Very Good. The four long narratives in The Emigrants appear at first to be plain accounts of the lives of Jewish emigrants in Norfolk, Austria, America and Manchester. There are even a great many photographs amid the text, which give the impression that the reader is poring over a family album, trying to tease out the truth behind the fading images. However, as Sebald s prose gradually exerts a powerful hold on the reader, the stories merge into one overwhelming evocation of the experience of exile and loss of homeland. Throughout the book the figure of Nabokov is used to symbolise the modern emigrant. Just as survival forced Nabokov to turn his back on four different homelands in the course of his life, so the emigrants in Sebald s stories are destined to wander far and wide, forever displaced and destined never to reach an end to their restless search for home and identity. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR001187463
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