One of the great imaginative novels of the century, a fierce political satire, filled with the most dazzling surreal humour. The devil makes a personal appearance in Moscow accompanied by two demons, a naked girl and a huge black cat. When he leaves, the asylums are full and the forces of law and order in disarray. Only the Master, a man devoted to truth, and Margarita, the woman he loves, remain undiminished. The Master and Margarita is Bulgakov's last and most celebrated novel, completed in 1938 at the height of Stalin's purges and published for the first time in Russia in 1966.
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"One of the truly great Russian novels of [the twentieth] century." --NEW YORK TIMES BOOK REVIEW"The book is by turns hilarious, mysterious, contemplative, and poignant . . . A great work."--CHICAGO TRIBUNE"Bulgakov's The Master and Margarita is a soaring, dazzling novel; an extraordinary fusion of wildly disparate elements. It is a concerto played simultaneously on the organ, the bagpipes, and a pennywhistle, while someone sets off fireworks between the players' feet."--NEW YORK TIMES"Fine, funny, imaginative . . . The Master and Margarita stands squarely in the great Gogolesque tradition of satiric narrative."--NEWSWEEK "A wild surrealistic romp . . . Brilliantly flamboyant and outrageous."--Joyce Carol Oates"Sparkling, enchanting, funny, deeply serious and sometimes baffling . . . [The Master and Margarita is] a liberating, exuberant social and political satire combined with a profound moral and political allegory . . . A bravura performance of truly heroic virtuosity, a carnival of the imagination." --from the Introduction by Simon Franklin
One of the truly great Russian novels of [the twentieth] century. NEW YORK TIMES BOOK REVIEW The book is by turns hilarious, mysterious, contemplative, and poignant . . . A great work. CHICAGO TRIBUNE Bulgakov s The Master and Margarita is a soaring, dazzling novel; an extraordinary fusion of wildly disparate elements. It is a concerto played simultaneously on the organ, the bagpipes, and a pennywhistle, while someone sets off fireworks between the players feet. NEW YORK TIMES Fine, funny, imaginative . . . The Master and Margarita stands squarely in the great Gogolesque tradition of satiric narrative. NEWSWEEK A wild surrealistic romp . . . Brilliantly flamboyant and outrageous. Joyce Carol Oates Sparkling, enchanting, funny, deeply serious and sometimes baffling . . . [The Master and Margarita is] a liberating, exuberant social and political satire combined with a profound moral and political allegory . . . A bravura performance of truly heroic virtuosity, a carnival of the imagination. from the Introduction by Simon Franklin"
-One of the truly great Russian novels of [the twentieth] century.- --NEW YORK TIMES BOOK REVIEW-The book is by turns hilarious, mysterious, contemplative, and poignant . . . A great work.---CHICAGO TRIBUNE-Bulgakov's The Master and Margarita is a soaring, dazzling novel; an extraordinary fusion of wildly disparate elements. It is a concerto played simultaneously on the organ, the bagpipes, and a pennywhistle, while someone sets off fireworks between the players' feet.---NEW YORK TIMES-Fine, funny, imaginative . . . The Master and Margarita stands squarely in the great Gogolesque tradition of satiric narrative.---NEWSWEEK -A wild surrealistic romp . . . Brilliantly flamboyant and outrageous.---Joyce Carol Oates-Sparkling, enchanting, funny, deeply serious and sometimes baffling . . . [The Master and Margarita is] a liberating, exuberant social and political satire combined with a profound moral and political allegory . . . A bravura performance of truly heroic virtuosity, a carnival of the imagination.- --from the Introduction by Simon Franklin
New translation and commentary of Russian classic
A literary sensation from its original publication, this is a fully annotated translation of the most complete text of The Master and Margarita. Bulgakov's novel is now considered one of the seminal works of twentieth-century Russian literature.In this imaginative extravanganza the Devil, disguised as a magician, descends upon Moscow in the 1930s with his riotous band, which includes a talking cat and an expert assassin. Together they succeed in comically befuddling a population which denies the Devil's existence, even as it is confronted with the diabolic results of a magic act gone wrong. This visit to the world capital of atheism has several aims, one of which concerns the fate of the Master, a writer who has written a novel about Pontius Pilate, and is now in a mental hospital. Margarita, the despairing and daring heroine, becomes a witch in an effort to save the Master, and agrees to become the Devil's hostess at his annual spring ball. "The Master and Margarita has at last been translated accurately and completely...the book is by turns hilarious, mysterious, contemplative and poignant...a great work" Chicago Tribune
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