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The Sacred Made Real: Spanish Painting and Sculpture, 1600-1700 (The Future Fields Commission in Time-Based Media) - Hardcover

 
9781857094220: The Sacred Made Real: Spanish Painting and Sculpture, 1600-1700 (The Future Fields Commission in Time-Based Media)
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This book is the first serious study in English to reappraise an art form crucial to the development of Spanish art. In sixteenth and seventeenth century Spain, sculptors such as Juan de Mesa, Juan Martinez Montanes, Alonso Cano and Pedro de Mena worked in a unique relationship with painters, combining their skills to depict, with astonishing realism, the great religious themes. Wooden sculptures of the saints, the Immaculate Conception and the Passion of Christ were painstakingly carved, gessoed and intricately painted, even embellished with glass eyes and tears and ivory teeth. Sometimes shockingly graphic in their depiction of Christ's sufferings, or beautifully clothed, as if brought to life, these were objects of divine inspiration to the faithful, whether on altars, or processed through the streets on holy days. Velazquez's teacher and father-in-law, Francisco Pacheco, often painted the flesh and drapery of wood carvings by the celebrated sculptor Juan Martinez Montanes, and taught a generation of students. The skill of painting these hyperrealistic sculptuires was an integral part of an artist's training, enhancing his sensitivity to visual impact and physical presence - evident in paintings of the period by Francisco Ribalta, Jusepe di Ribera, Velazquez and Zurbaran.

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About the Author:
Xavier Bray is Assistant Curator of Seventeenth and Eighteenth Century Painting at the National Gallery, London. Alfonso Rodriguez G. de Ceballos was formerly Professor at the Universidad Autonoma, Madrid. Daphne Barbour and Judy Ozone are Senior Objects Conservators at the National Gallery of Art, Washington.

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  • PublisherThe National Gallery, London
  • Publication date2009
  • ISBN 10 1857094220
  • ISBN 13 9781857094220
  • BindingHardcover
  • Edition number1
  • Number of pages224
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9781857094480: The Sacred Made Real: Spanish Painting and Sculpture 1600-1700

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ISBN 10:  1857094484 ISBN 13:  9781857094480
Publisher: National Gallery Company, 2009
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Xavier Bray; Alfonso Rodriguez G. De Ceballos; Daphne Barbour; Judy Ozone
Published by The National Gallery, London (2009)
ISBN 10: 1857094220 ISBN 13: 9781857094220
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Book Description Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. This copy is in new, unmarked and seemingly unread condition bound in grey cloth covered boards with bright gilt titling to the spine. This copy is bright, tight, white and square. The unclipped dust wrapper is in new condition. International postal rates are calculated on a book weighing 1 Kilo, in cases where the book weighs more than 1 Kilo increased postal rates will be quoted, where the book weighs less then postage will be reduced accordingly. In 16th- and 17th-century Spain, sculptors and painters combined their skills to depict, with astonishing realism, the great religious themes. Wooden sculptures of the saints, the Immaculate Conception, or the Passion of Christ were painstakingly carved, gessoed, and intricately painted, even embellished with glass eyes and tears and ivory teeth. Some were shockingly graphic in their depiction of Christ's sufferings; others, beautifully clothed, appeared to bring saints to glorious life. These were objects of divine inspiration to the faithful, whether displayed on altars or processed through the streets on holy days. Featuring new photography, this book reappraises the unique form of Spanish painted wooden sculpture. In addition to examining the sculptures? religious roles, it also explores the unique creative relationship of sculptor and painter: Velazquez's teacher and father-in-law Francisco Pacheco, for example, often painted the flesh and drapery of wood carvings by the celebrated sculptor Juan Martinez Montañès, and taught a generation of students. The skill of painting these hyper-realistic sculptures was an integral part of an artist's training, enhancing his sensitivity to visual impact and physical presence?evident in paintings of the period. Ref N 1. Seller Inventory # 033640

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