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Book Description Condition: New. Seller Inventory # 1484352-n
Book Description Soft Cover. Condition: new. Seller Inventory # 9781854373045
Book Description Paperback. Condition: new. Paperback. Examines the development of pop art from its roots to its rise in popularity, and discusses how it was once considered outside the limits of art but is now celebrated in the Western world. Mass culture, popular taste, and kitsch-previously considered outside the limits of fine art-were the inspiration for and provocative themes of Pop Art, a movement that enjoyed great prominence in the late 1950s and 1960s. Rejecting the idea that art and life should be separated, artists in both the United States and Britain-among them Roy Lichtenstein, James Rosenquist, Andy Warhol, Peter Blake, and Richard Hamilton-used mass-produced objects and photographic images to make a blatant connection between art and the postwar world of consumerism. This study follows the development of Pop, from its roots in the irreverence of Dada and Surrealism, to its rise in popularity as an art form that celebrated the glamour and hedonism of the newly commercialized Western world, while acknowledging its superficiality and transience. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781854373045
Book Description Condition: New. 2002. 01st Edition. Paperback. Mass culture, popular taste and kitsch, previously considered outside the limits of fine art, were the inspiration and provocative themes of pop art. This book is intended as an accessible introduction to the pop art movement. Series: Movements in Modern Art S. Num Pages: 80 pages, 60 colour illustrations. BIC Classification: 3JJP; ACXJ1. Category: (G) General (US: Trade); (UF) Further/Higher Education; (UU) Undergraduate. Dimension: 240 x 173 x 6. Weight in Grams: 254. . . . . . Seller Inventory # V9781854373045
Book Description Condition: New. 2002. 01st Edition. Paperback. Mass culture, popular taste and kitsch, previously considered outside the limits of fine art, were the inspiration and provocative themes of pop art. This book is intended as an accessible introduction to the pop art movement. Series: Movements in Modern Art S. Num Pages: 80 pages, 60 colour illustrations. BIC Classification: 3JJP; ACXJ1. Category: (G) General (US: Trade); (UF) Further/Higher Education; (UU) Undergraduate. Dimension: 240 x 173 x 6. Weight in Grams: 254. . . . . . Books ship from the US and Ireland. Seller Inventory # V9781854373045
Book Description Paperback. Condition: new. Paperback. Examines the development of pop art from its roots to its rise in popularity, and discusses how it was once considered outside the limits of art but is now celebrated in the Western world. Mass culture, popular taste, and kitsch-previously considered outside the limits of fine art-were the inspiration for and provocative themes of Pop Art, a movement that enjoyed great prominence in the late 1950s and 1960s. Rejecting the idea that art and life should be separated, artists in both the United States and Britain-among them Roy Lichtenstein, James Rosenquist, Andy Warhol, Peter Blake, and Richard Hamilton-used mass-produced objects and photographic images to make a blatant connection between art and the postwar world of consumerism. This study follows the development of Pop, from its roots in the irreverence of Dada and Surrealism, to its rise in popularity as an art form that celebrated the glamour and hedonism of the newly commercialized Western world, while acknowledging its superficiality and transience. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9781854373045
Book Description Paperback. Condition: new. Paperback. Examines the development of pop art from its roots to its rise in popularity, and discusses how it was once considered outside the limits of art but is now celebrated in the Western world. Mass culture, popular taste, and kitsch-previously considered outside the limits of fine art-were the inspiration for and provocative themes of Pop Art, a movement that enjoyed great prominence in the late 1950s and 1960s. Rejecting the idea that art and life should be separated, artists in both the United States and Britain-among them Roy Lichtenstein, James Rosenquist, Andy Warhol, Peter Blake, and Richard Hamilton-used mass-produced objects and photographic images to make a blatant connection between art and the postwar world of consumerism. This study follows the development of Pop, from its roots in the irreverence of Dada and Surrealism, to its rise in popularity as an art form that celebrated the glamour and hedonism of the newly commercialized Western world, while acknowledging its superficiality and transience. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9781854373045
Book Description Condition: New. New. In shrink wrap. Looks like an interesting title! 0.57. Seller Inventory # Q-1854373048