Review:
"Vlastimir Sudar's study of the films of the late Serbian film director Aleksandar Petrovic is a valuable addition to the still relatively small amount of information in English about this award-winning filmmaker's career and his place as a prominent figure, both in the history of the cinema of the former Yugoslavia and in international cinema of the 1960s and '70s. Though Sudar rightly concentrates on Petrovic's films of this period, he provides detailed information about the director's life and overall career, together with careful analysis of his major films. His book should take its place beside Daniel Goulding's" Liberated Cinema" as an indispensable contribution to the history of East and Central European cinema."
--Graham Petrie, McMaster University
"Vlastimir Sudar's book is the most ambitious and comprehensive attempt thus far to bring into bold relief Aleksandar Petrovic's role as a world-class film artist, political dissident, and a major figure in bringing about the Yugoslav new film or black film period of the 1960s and early '70s. Using an innovative and updated version of auteur theory as a major strategy of film analysis, Sudar discovers and persuasively articulates four basic thematic political paradigms that cut across all of Petrovic's major films. His analysis is further deepened by a remarkable variety and scope of relevant source materials--historical, biographical, cultural, and political--that he critically brings to bear to substantiate and provide a context for his film analysis."
--Daniel J. Goulding, Oberlin College
"Vlastimir Sudar s study of the films of the late Serbian film director Aleksandar Petrovic is a valuable addition to the still relatively small amount of information in English about this award-winning filmmaker s career and his place as a prominent figure, both in the history of the cinema of the former Yugoslavia and in international cinema of the 1960s and 70s. Though Sudar rightly concentrates on Petrovic s films of this period, he provides detailed information about the director s life and overall career, together with careful analysis of his major films. His book should take its place beside Daniel Goulding s" Liberated Cinema" as an indispensable contribution to the history of East and Central European cinema."
--Graham Petrie, McMaster University"
"Vlastimir Sudar s book is the most ambitious and comprehensive attempt thus far to bring into bold relief Aleksandar Petrovic s role as a world-class film artist, political dissident, and a major figure in bringing about the Yugoslav new film or black film period of the 1960s and early 70s. Using an innovative and updated version of auteur theory as a major strategy of film analysis, Sudar discovers and persuasively articulates four basic thematic political paradigms that cut across all of Petrovic s major films. His analysis is further deepened by a remarkable variety and scope of relevant source materials historical, biographical, cultural, and political that he critically brings to bear to substantiate and provide a context for his film analysis."
--Daniel J. Goulding, Oberlin College"
About the Author:
Vlastimir Sudar teaches film history and theory at the University of the Arts London.
"About this title" may belong to another edition of this title.