The Hours - Softcover

Cunningham, Michael

3.95

141,155 ratings by Goodreads

Softcover

ISBN 10: 184115783X ISBN 13: 9781841157832

Publisher: Fourth Estate, 2003

View all copies of this ISBN edition:

Winner of the 1999 Pulitzer Prize and Pen Faulkner prize. Made into an Oscar-winning film, ‘The Hours’ is a daring and deeply affecting novel inspired by the life and work of Virginia Woolf.

In 1920s London, Virginia Woolf is fighting against her rebellious spirit as she attempts to make a start on her new novel.

A young wife and mother, broiling in a suburb of 1940s Los Angeles, yearns to escape and read her precious copy of ‘Mrs Dalloway’.

And Clarissa Vaughan steps out of her smart Greenwich village apartment in 1990s New York to buy flowers for a party she is hosting for a dying friend.

Moving effortlessly across the decades and between England and America, this exquisite novel intertwines the stories of three unforgettable women.

"synopsis" may belong to another edition of this title.

Review:

The Hours is both an homage to Virginia Woolf and very much its own creature. Even as Michael Cunningham brings his literary idol back to life, he intertwines her story with those of two more contemporary women. One grey suburban London morning in 1923, Woolf awakens from a dream that will soon lead to Mrs. Dalloway. In the present, on a beautiful June day in Greenwich Village, 52-year-old Clarissa Vaughan is planning a party for her oldest love, a poet dying of AIDS. And in Los Angeles in 1949, Laura Brown, pregnant and unsettled, does her best to prepare for her husband's birthday, but can't seem to stop reading Woolf. These women's lives are linked both by the 1925 novel and by the few precious moments of possibility each keeps returning to. Clarissa is to eventually realise:

There's just this for consolation: an hour here or there when our lives seem, against all odds and expectations, to burst open and give us everything we've ever imagined...Still, we cherish the city, the morning; we hope, more than anything, for more.

As Cunningham moves between the three women, his transitions are seamless. One early chapter ends with Woolf picking up her pen and composing her first sentence: "Mrs. Dalloway said she would buy the flowers herself." The next begins with Laura rejoicing over that line and the fictional universe she is about to enter. Clarissa's day, on the other hand, is a mirror of Mrs. Dalloway's--with, however, an appropriate degree of modern bevelling as Cunningham updates and elaborates his source of inspiration. Clarissa knows that her desire to give her friend the perfect party may seem trivial to many. Yet it seems better to her than shutting down in the face of disaster and despair. Like its literary inspiration, The Hours is a hymn to consciousness and the beauties and losses it perceives. It is also a reminder that, as Cunningham again and again makes us realise, art belongs to far more than just "the world of objects." --Kerry Fried

Review:

‘“The Hours” is a book which heightens the perception of the reader. Cunningham’s craftsmanship is overwhelming.’ Robert Farren, Independent on Sunday

‘An extremely moving, original and memorable novel.’ Hermione Lee, TLS

‘Engrossing, imaginative and humane.’ Richard Francis, Observer

‘“The Hours” refracts the lives of three women through the prism of a single day. Michael Cunningham evokes these three discrete characters with rare skill.’ Financial Times

‘The concept behind the novel is bold, the execution rich with feeling.’ Helen Dunmore, The Times

‘A sensitive marriage of intelligence, integrity and finely textured emotions.’ Sunday Times

‘Cunningham has found an American tone which is exhilaratingly modern – tense, tender and completely without strain.’ Guardian

"About this title" may belong to another edition of this title.