A blisteringly original and wickedly funny collection of stories about the strange worlds that women inhabit and the parts that they must play.
A sense of otherworldly menace is at work in the fiction of Nicole Flattery, but the threats are all too familiar. SHOW THEM A GOOD TIME tells the stories of women slotted away into restrictive roles: the celebrity's girlfriend, the widower's second wife, the lecherous professor's student, the corporate employee. And yet, the genius of Flattery's characters is to blithely demolish the boundaries of these limited and limiting social types with immense complexity and caustic intelligence. Nicole Flattery's women are too ferociously mordant, too painfully funny to remain in their places.
In this fiercely original and blazingly brilliant debut, Flattery likewise deconstructs the conventions of genre to serve up strange realities: In Not the End Yet, Flattery probes the hilarious and wrenching ambivalence of Internet dating as the apocalypse nears; in Sweet Talk, the mysterious disappearance of a number of local women sets the scene for a young girl to confront the dangerous uncertainties of her own sexuality; in this collection's center piece, Abortion, A Love Story, two college students in a dystopian campus reconfigure the perilous stories of their bodies in a fraught academic culture to offer a subversive, alarming, and wickedly funny play that takes over their own offstage lives. And yet, however surreal or richly imagined the setting, Flattery always shows us these strange worlds from startlingly unexpected angles, through an unforgettable cast of brutally honest, darkly hilarious women and girls.
Like the stories of Mary Gaitskill, Miranda July, Lorrie Moore, Joy Williams, and Ottessa Moshfegh, SHOW THEM A GOOD TIME is the work of a profoundly resonant and revelatory literary voice - at once spiky, humane, achingly hilarious-- that is sure to echo through the literary culture for decades to come.
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"Show Them a Good Time is a master class in the short story-bold, irreverent and agonizingly funny." --Sally Rooney, Author of NORMAL PEOPLE and CONVERSATIONS WITH FRIENDS
"Startling, daring, and dazzlingly dark." --Colin Barrett, author of YOUNG SKINS
"Demands repeated reading. These stories are very funny, and very sad, usually at the same time. Which, as Flattery shows us brilliantly, is the best time." --Jon McGregor author of RESERVOIR 13
"Smart as a whip, unusual, and very, very funny, Flattery's distinctive prose is a real treat." --Claire-Louise Bennett, author of POND
"Flattery's judgments crackle with cruel, clear sight . . . The book's epigraph comes from Lorrie Moore, who is an obvious influence on the high-wire style, those seductive insights armored with glittering wit against the pain they describe. Flattery writes with empathy, freedom and virtuosic technique: this debut announces the arrival of a brilliant talent." --Luke Brown, Financial Times
"Highly addictive...Flattery's off-kilter voice blends chatty candour and hard-to-interpret allegory (think Diane Williams or Lorrie Moore), with the deadpan drollery and casually disturbing revelations heightened by her fondness for cutting any obvious connective tissue between sentences." --The Observer
"Irish women writers are on fire, and Nicole Flattery is yet a further brilliant example ... Ten smart stories about dating, relationships and the absurdities of modern life." --Elle.com
"At its best, which is often, Flattery's prose has a thrilling relentlessness and rhythmical snap to it; it pummels and excites." --The Guardian
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