Items related to Magnificence
This stunning novel introduces Susan Lindley, a woman adrift after her husband's death. Suddenly gifted her great uncle's Pasadena mansion, Susan decides to restore his extensive collection of preserved animals, tending to "the fur and feathers, the beaks, the bones and shimmering tails." Meanwhile, a menagerie of uniquely damaged humans -- including a cheating husband and a chorus of eccentric elderly women -- joins her in residence.
"synopsis" may belong to another edition of this title.
Review:
[Magnificence is] elegant, darkly comic...with overtones variously of Muriel Spark, Edward Gorey and J. G. Ballard, full of contemporary wit and devilish fateful turns for her characters, and then also to knit together into a tapestry of vast implication and ethical urgency, something as large as any writer could attempt: a kind of allegorical elegy for life on a dying planet. Ours, that is. --Jonathan Lethem
Millet's prose, which is both sensitive and strange... creates a thick atmosphere that immediately pulls the reader deep into this saga of love, death, sex, and taxidermy.
There's much to explore in Magnificence, which is ambitious, often funny and deliciously provocative. One needn't have read the entire series to be consumed by its pleasures, but by the time you reach its beautiful end, considerable comfort lies in the existence of two more novels in which to delight in Millet's writing and imagination. --Christine Thomas
[Magnificence is] elegant, darkly comic with overtones variously of Muriel Spark, Edward Gorey and J. G. Ballard, full of contemporary wit and devilish fateful turns for her characters, and then also to knit together into a tapestry of vast implication and ethical urgency, something as large as any writer could attempt: a kind of allegorical elegy for life on a dying planet. Ours, that is. --Jonathan Lethem"
Lydia Millet's Magnificence is a novel of ideas. I mean that as a high compliment, for the ideas Millet invokes are the only ones that matter: life, death, love, longing, extinction, the ongoing existential quandary of what we are doing here.... [A]n ambitious book, not so much for the sweep of its action, which is essentially domestic, but for its deep and nuanced investigation of inner life.... --David Ulin"
...[U]unnervingly talented Lydia Millet completes a trilogy... each stands independently; you can read just one of them if you please. But you won't want to, any more than you'd want to leave Chez Panisse after the appetizer.... There is something of Paula Fox in the way Millet provokes deep thinking without being overbearing. But I hate to compare Millet to anyone; she's truly an original. --Mary Pols"
Millet's writing is as lush as the house Susan lives in. There's a marvelous musicality to her prose; she's a writer who tackles human emotions with scientific precision and an artist's voice . There's a cataloging going on here of the ways that people navigate the world once their world has shifted; Millet does a fine job of breathing life into people who are surrounded by dead things. --Michele Filgate"
Starred review. Millet brings her searching, bitterly funny, ecologically attuned trilogy of Los Angeles based novels (How the Dead Dream, 2008; Ghost Lights, 2011) to a haunting crescendo. ...Millet is extraordinarily agile and powerful here, moving from light to shadow like a stalking lioness.... "
There s much to explore in Magnificence, which is ambitious, often funny and deliciously provocative. One needn t have read the entire series to be consumed by its pleasures, but by the time you reach its beautiful end, considerable comfort lies in the existence of two more novels in which to delight in Millet s writing and imagination. --Christine Thomas"
Millet s prose, which is both sensitive and strange... creates a thick atmosphere that immediately pulls the reader deep into this saga of love, death, sex, and taxidermy."
About the Author:
Millet's prose, which is both sensitive and strange... creates a thick atmosphere that immediately pulls the reader deep into this saga of love, death, sex, and taxidermy.
There's much to explore in Magnificence, which is ambitious, often funny and deliciously provocative. One needn't have read the entire series to be consumed by its pleasures, but by the time you reach its beautiful end, considerable comfort lies in the existence of two more novels in which to delight in Millet's writing and imagination. --Christine Thomas
[Magnificence is] elegant, darkly comic with overtones variously of Muriel Spark, Edward Gorey and J. G. Ballard, full of contemporary wit and devilish fateful turns for her characters, and then also to knit together into a tapestry of vast implication and ethical urgency, something as large as any writer could attempt: a kind of allegorical elegy for life on a dying planet. Ours, that is. --Jonathan Lethem"
Lydia Millet's Magnificence is a novel of ideas. I mean that as a high compliment, for the ideas Millet invokes are the only ones that matter: life, death, love, longing, extinction, the ongoing existential quandary of what we are doing here.... [A]n ambitious book, not so much for the sweep of its action, which is essentially domestic, but for its deep and nuanced investigation of inner life.... --David Ulin"
...[U]unnervingly talented Lydia Millet completes a trilogy... each stands independently; you can read just one of them if you please. But you won't want to, any more than you'd want to leave Chez Panisse after the appetizer.... There is something of Paula Fox in the way Millet provokes deep thinking without being overbearing. But I hate to compare Millet to anyone; she's truly an original. --Mary Pols"
Millet's writing is as lush as the house Susan lives in. There's a marvelous musicality to her prose; she's a writer who tackles human emotions with scientific precision and an artist's voice . There's a cataloging going on here of the ways that people navigate the world once their world has shifted; Millet does a fine job of breathing life into people who are surrounded by dead things. --Michele Filgate"
Starred review. Millet brings her searching, bitterly funny, ecologically attuned trilogy of Los Angeles based novels (How the Dead Dream, 2008; Ghost Lights, 2011) to a haunting crescendo. ...Millet is extraordinarily agile and powerful here, moving from light to shadow like a stalking lioness.... "
There s much to explore in Magnificence, which is ambitious, often funny and deliciously provocative. One needn t have read the entire series to be consumed by its pleasures, but by the time you reach its beautiful end, considerable comfort lies in the existence of two more novels in which to delight in Millet s writing and imagination. --Christine Thomas"
Millet s prose, which is both sensitive and strange... creates a thick atmosphere that immediately pulls the reader deep into this saga of love, death, sex, and taxidermy."
Lydia Millet is the author of the novels Sweet Lamb of Heaven, Mermaids in Paradise, Ghost Lights (a New York Times Notable Book), Magnificence (finalist for the National Book Critics Circle Award and the Los Angeles Times Book Prize) and other books. Her story collection Love in Infant Monkeys was a Pulitzer Prize finalist. She lives outside Tucson, Arizona.
"About this title" may belong to another edition of this title.
- PublisherCenter Point Pub
- Publication date2013
- ISBN 10 1611736714
- ISBN 13 9781611736717
- BindingLibrary Binding
- Number of pages303
- Rating
Top Search Results from the AbeBooks Marketplace
Stock Image
Magnificence
Seller:
Rating
Book Description Condition: New. Book is in NEW condition. 1.08. Seller Inventory # 1611736714-2-1
Buy New
£ 28.13
Convert currency