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Facing the Late Victorians: Portraits of Writers and Artists from the Mark Samuels Lasner Collection - Softcover

 
9781611493283: Facing the Late Victorians: Portraits of Writers and Artists from the Mark Samuels Lasner Collection
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This lavishly illustrated volume offers a new interpretation of the significance of the portrait image during the final decades of the nineteenth century in Britain, using materials drawn from the Mark Samuels Lasner Collection at the University of Delaware. This study highlights the connections between the images of writers' and artists' faces that circulated through the British periodical press, through exhibition spaces in London, and through book publishing, and such late-Victorian cultural obsessions as defining "genius," masculinity, femininity, and class status. It focuses in particular on the figure of Oscar Wilde as the writer who best exploited the new market for portraits in advancing his own career, but moves beyond him to look at the broader topic of how and why writers' and artists' faces were idealized, caricatured, and also studied by the general public. It examines, too, the relationship between the circulation of portraits and notions of modernity created through advertising, public relations, and commodification.

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About the Author:
Margaret D. Stetz is the Mae and Robert Carter Professor of Women's Studies and professor of humanities at the University of Delaware.

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  • PublisherUniversity of Delaware Press
  • Publication date2007
  • ISBN 10 1611493285
  • ISBN 13 9781611493283
  • BindingPaperback
  • Number of pages158

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9780874139921: Facing the Late Victorians: Portraits of Writers and Artists from the Mark Samuels Lasner Collection

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ISBN 10:  0874139929 ISBN 13:  9780874139921
Publisher: University of Delaware Press, 2007
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Book Description Paperback. Condition: new. Paperback. This is a lavishly illustrated volume that offers a new interpretation of the significance of the portrait image during the final decades of the nineteenth century in Britain, using materials drawn from the Mark Samuels Lasner Collection at the University of Delaware. This study highlights the connections between the images of writers' and artists' faces that circulated through the British periodical press, through exhibition spaces in London, and through book publishing, and such late-Victorian cultural obsessions as defining 'genius,' masculinity, femininity, and class status. It focuses in particular on the figure of Oscar Wilde as the writer who best exploited the new market for portraits in advancing his own career, but moves beyond him to look at the broader topic of how and why writers' and artists' faces were idealized, caricatured, and also studied by the general public. It examines, too, the relationship between the circulation of portraits and notions of modernity created through advertising, public relations, and commodification. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781611493283

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Book Description Paperback. Condition: new. Paperback. This is a lavishly illustrated volume that offers a new interpretation of the significance of the portrait image during the final decades of the nineteenth century in Britain, using materials drawn from the Mark Samuels Lasner Collection at the University of Delaware. This study highlights the connections between the images of writers' and artists' faces that circulated through the British periodical press, through exhibition spaces in London, and through book publishing, and such late-Victorian cultural obsessions as defining 'genius,' masculinity, femininity, and class status. It focuses in particular on the figure of Oscar Wilde as the writer who best exploited the new market for portraits in advancing his own career, but moves beyond him to look at the broader topic of how and why writers' and artists' faces were idealized, caricatured, and also studied by the general public. It examines, too, the relationship between the circulation of portraits and notions of modernity created through advertising, public relations, and commodification. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9781611493283

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Book Description Paperback. Condition: new. Paperback. This is a lavishly illustrated volume that offers a new interpretation of the significance of the portrait image during the final decades of the nineteenth century in Britain, using materials drawn from the Mark Samuels Lasner Collection at the University of Delaware. This study highlights the connections between the images of writers' and artists' faces that circulated through the British periodical press, through exhibition spaces in London, and through book publishing, and such late-Victorian cultural obsessions as defining 'genius,' masculinity, femininity, and class status. It focuses in particular on the figure of Oscar Wilde as the writer who best exploited the new market for portraits in advancing his own career, but moves beyond him to look at the broader topic of how and why writers' and artists' faces were idealized, caricatured, and also studied by the general public. It examines, too, the relationship between the circulation of portraits and notions of modernity created through advertising, public relations, and commodification. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9781611493283

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